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  • 1
    Online Resource
    Online Resource
    New York :Oxford University Press,
    UID:
    almahu_9948206589502882
    Format: 1 online resource (xi, 231 pages) : , illustrations.
    ISBN: 9780199332731 (ebook) :
    Series Statement: The Oxford music/media series
    Content: This title argues that early video art is an audiovisual genre. The new video technology not only enabled artists to sound their visual work and composers to visualise their music during the 1960s: it also initiated a spatial form of engagement that encouraged new relationships between art / music practices and their audiences.
    Additional Edition: Print version : ISBN 9780199861408
    Language: English
    Subjects: Musicology
    RVK:
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  • 2
    Online Resource
    Online Resource
    Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City :Cambridge University Press,
    UID:
    almafu_BV043922450
    Format: 1 Online-Ressource (xii, 335 Seiten) : , Illustrationen, Notenbeispiele.
    ISBN: 978-0-511-82049-6
    Series Statement: New perspectives in music history and criticism 21
    Content: What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation
    Note: Bandzählung der monographischen Reihe von der Landing Page (Cambridge University Press) , From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-107-01091-8
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-107-46098-0
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Musiktheorie ; Tiefe ; 1795-1866 Marx, Adolf Bernhard ; 1810-1856 Schumann, Robert ; 1813-1883 Wagner, Richard ; 1868-1935 Schenker, Heinrich ; 1874-1951 Schönberg, Arnold ; Musiktheorie ; Ausdruck ; 1776-1822 Hoffmann, E. T. A. ; Musiktheorie ; Ausdruck
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Watkins, Holly 1972-
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  • 3
    Online Resource
    Online Resource
    New York, NY :Oxford University Press,
    UID:
    almahu_9948206482402882
    Format: 1 online resource : , illustrations (black and white)
    ISBN: 9780190469931 (ebook) :
    Content: Examining the role of music and sound in experimental film, this book looks at the earliest work of pioneers such as Walther Ruttmann to latter-day experiments with new and digital media. Chapters examine issues relating to the avant-garde, abstraction, animation, found footage, queer film, visual music and VJing.
    Note: Previously issued in print: 2017.
    Additional Edition: Print version : ISBN 9780190469894
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Aufsatzsammlung
    URL: Volltext  (lizenzpflichtig)
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  • 4
    UID:
    gbv_1830110659
    Format: 1 Online-Ressource (XXI, 168 Seiten) , Illustrationen
    ISBN: 9783828879614
    Series Statement: Young Academics: Musikwissenschaft Bd. 1
    Content: Intro -- Vorworte -- Abkürzungsverzeichnis -- Tabellen- und Abbildungsverzeichnis -- Glossar -- 1 Einleitung -- 1.1 Problemstellung -- 1.2 Lösungsansatz und Zielsetzung -- 1.3 Weiteres Vorgehen und Forschungsfrage -- 1.4 Überblick zum Stand der Forschung -- 1.5 Aufbau der Arbeit -- 2 Abgrenzung des Forschungskontext -- 2.1 Definitorische Eingrenzung der Musikökonomie und deren Teilbereiche -- 2.2 Musiklizenzierung und Rechtemanagement -- 2.3 (Meta-)Datenmanagement in der Musiklizenzierung -- 2.4 Definitorische Abgrenzung der Change-Terminologie -- 2.5 Bedeutung disruptiven Wandels -- 3 Argumentation der Forschungsrelevanz -- 3.1 Veränderungsbestrebungen in der Musiklizenzierung (Beispiele) -- 3.2 Herausforderungen des Wandels in komplex-adaptiven Systemen -- 4 Transition-Management: Ein Governance-Ansatz -- 4.1 Mehrebenen- und Mehrphasenmodell -- 4.2 Transitionzyklus: Ein Ansatz zur Organisation von Wandlungsprozessen -- 4.3 Zwischenfazit I -- 5 Methodik -- 5.1 Forschungsansatz und empirische Methodenauswahl -- 5.2. Vorgehensweise: Expert_inneninterviews -- 5.3. Vorgehensweise: Inhaltsanalyse -- 6 Status Quo der Musiklizenzierung -- 6.1 Herausforderungen -- 6.2 Lösungsansätze und Hindernisse in deren Implementierung -- 6.3 Zwischenfazit II -- 7 Der Transitionzyklus in der Musiklizenzierung -- 7.1 Initiierung und Zusammensetzung der globalen Transition-Arena -- 7.2 Aufgaben der Transition-Arena -- 7.3 Entstehung der Subarenen und Umsetzung in der Transitionagenda -- 7.4 Von der Agenda zu Experimenten: Einfluss kultureller Unterschiede -- 7.5 Internationale Transitionexperimente -- 7.6 Reflexion und Anpassung -- 7.7 Rekapitulation und kritische Auseinandersetzung -- 8 Fazit und Ausblick -- 8.1 Methodenkritik -- 8.2 Beantwortung der Forschungsfrage -- 8.3 Wissenschaftlicher und wirtschaftlicher Ausblick -- Anhang -- Literaturverzeichnis.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9783828848436
    Additional Edition: Erscheint auch als Druck-Ausgabe Blank, Désirée Transition-Management in der Musiklizenzierung Baden-Baden : Tectum Verlag, 2022 ISBN 9783828848436
    Additional Edition: ISBN 3828848435
    Language: German
    Subjects: Musicology
    RVK:
    Keywords: Musikwirtschaft ; Digitalisierung ; Datenmanagement ; Lizenzpolitik ; Change Management
    Author information: Wandjo, Hubert
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  • 5
    Online Resource
    Online Resource
    Chicago ; London :The University of Chicago Press,
    UID:
    edocfu_BV048536993
    Format: 1 Online-Ressource (240 Seiten) : , Illustrationen, Notenbeispiele.
    ISBN: 978-0-226-59484-2
    Series Statement: New material histories of music
    Content: Does it make sense to refer to bird song - a complex vocalization, full of repetitive and transformative patterns that are carefully calculated to woo a mate - as art? What about a pack of wolves howling in unison or the cacophony made by an entire rain forest? Redefining music as "the art of possibly animate things," Musical Vitalities charts a new path for music studies that blends musicological methods with perspectives drawn from the life sciences. In opposition to humanist approaches that insist on a separation between culture and nature--approaches that appear increasingly untenable in an era defined by human-generated climate change--Musical Vitalities treats music as one example of the cultural practices and biotic arts of the animal kingdom rather than as a phenomenon categorically distinct from nonhuman forms of sonic expression. The book challenges the human exceptionalism that has allowed musicologists to overlook music's structural resemblances to the songs of nonhuman species, the intricacies of music's physiological impact on listeners, and the many analogues between music's formal processes and those of the dynamic natural world. Through close readings of Austro-German music and aesthetic writings that suggest wide-ranging analogies between music and nature, Musical Vitalities seeks to both rekindle the critical potential of nineteenth-century music and rejoin the humans at the center of the humanities with the nonhumans whose evolutionary endowments and planetary fates they share
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-226-59470-5
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Musikphilosophie ; Musikwissenschaft
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Watkins, Holly 1972-
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  • 6
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_883380374
    Format: Online-Ressource (1 online resource (350 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    ISBN: 9780511820496
    Series Statement: New perspectives in music history and criticism 21
    Content: What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation
    Content: From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9781107010918
    Additional Edition: ISBN 9781107460980
    Additional Edition: Erscheint auch als Druck-Ausgabe Watkins, Holly, 1972 - Metaphors of depth in German musical thought Cambridge [u.a.] : Cambridge Univ. Press, 2011 ISBN 9781107460980
    Additional Edition: ISBN 9781107010918
    Additional Edition: ISBN 1107010918
    Additional Edition: ISBN 9781107010918
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781107010918
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Deutschland ; Österreich ; Musiktheorie ; Tiefe ; Geschichte 1800-1950 ; Marx, Adolf Bernhard 1795-1866 ; Schumann, Robert 1810-1856 ; Wagner, Richard 1813-1883 ; Schenker, Heinrich 1868-1935 ; Schönberg, Arnold 1874-1951 ; Ausdruck
    URL: Volltext  (lizenzpflichtig)
    Author information: Watkins, Holly 1972-
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