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  • Informationszentrum DGAP  (4)
  • ZZF Potsdam  (2)
  • SRB Frankfurt/Oder
  • SB Bernau bei Berlin
  • SB Freyenstein
  • Geschichte  (4)
  • Heer  (2)
  • Film  (1)
Medientyp
Sprache
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Bibliothek
Erscheinungszeitraum
Fachgebiete(RVK)
  • 1
    Buch
    Buch
    Oxford [u.a.] :Oxford Univ. Press,
    UID:
    almafu_BV013504114
    Umfang: XII, 368 S.
    Ausgabe: 3. ed.
    ISBN: 978-0-19-289317-8 , 0-19-289317-3
    Sprache: Englisch
    Fachgebiete: Geschichte , Ethnologie
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Oral history ; Geschichte ; Mündliche Überlieferung ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    UID:
    almafu_BV008024216
    Umfang: 395 S.
    ISBN: 0-671-76806-9
    Inhalt: The story of the Cuban missile crisis has attained the status of myth: President John F. Kennedy was stunned to learn that Khrushchev, in a naked display of adventurism, had put missiles in Cuba. Kennedy gave Khrushchev an ultimatum: remove the missiles and have peace, or keep them and risk war. Khrushchev backed down, and Kennedy attained his finest hour. So goes the legend. But the reality, as chronicled by Robert Smith Thompson, penetrates to the very heart of our illusions about the Cold War and the Kennedy mystique. Using recently declassified documents, Thompson reexamines the intricate diplomatic posturings and often covert U.S., Soviet, and Cuban actions that led up to the confrontation, giving grounds for a dramatically different account of the crisis
    Inhalt: Starting with the unprecedented political machine - dominated by Joe Kennedy - that pushed JFK into the White House, Thompson recreates the climate of anti-Communist hysteria, political one-upsmanship, and dynastic ambitions that infused the Kennedy administration, particularly their obsession with Communist Cuba and Fidel Castro. That obsession found its lightning rod when Kennedy learned that the Soviets were placing missiles in Cuba; in fact, Thompson presents evidence to suggest that Kennedy knew of the missiles by March 1962, well before the official warning. Moreover, as Thompson goes on to argue, Kennedy appears to have been planning a full-scale invasion of Cuba, scheduled for late 1962, from which he pulled back only when the potential cost in American lives became clear. Nor was the resolution to the crisis the unalloyed victory for the U.S. that has always been portrayed. In secret negotiations, Robert Kennedy pledged to Soviet ambassador Dobrynin that the U.S
    Inhalt: would not only drop its plan to invade Cuba but would withdraw its Jupiter missiles from Turkey. These major concessions underscore the complexity of Soviet and American roles in the Caribbean, and implicate the United States as the real aggressor in the crisis. As Thompson's spellbinding account compels us to see, the moment that supposedly marked a high point in American power was in fact a harbinger of its decline
    Sprache: Englisch
    Schlagwort(e): 1917-1963 Kennedy, John F. ; Kubakrise ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    Baton Rouge [u. a.] :Louisiana State Univ. Press,
    UID:
    almahu_BV025874622
    Umfang: XVI, 166 S.
    Ausgabe: 1. print.
    ISBN: 0-8071-2097-9 , 0-8071-2131-2
    Serie: Political traditions in foreign policy series
    Sprache: Englisch
    Fachgebiete: Politologie
    RVK:
    Schlagwort(e): Internationale Politik ; Politische Theorie ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    New York, NY [u.a.] : McGraw-Hill
    UID:
    gbv_1628188510
    Umfang: XLIV, 857 S. , zahlr. Ill.
    ISBN: 0070064490 , 0070064458
    Inhalt: Pt. 1. Early cinema. The invention and early years of the cinema, 1880s-1904 -- The international expansion of the cinema, 1905-1912 -- National cinemas, Hollywood classicism, and World War I, 1913-1919 -- Pt. 2. The late Silent Era, 1919-1929. France in the 1920s -- Germany in the 1920s -- Soviet cinema in the 1920s -- The late Silent Era in Hollywood, 1920-1928 -- International trends of the 1920s -- Pt. 3. The development of sound cinema, 1926-1945. The introduction of sound -- The Hollywood studio system, 1930-1945 -- Other studio systems -- Cinema and the state: The USSR, Germany, and Italy, 1930-1945 -- France, 1930-1945 -- Leftist, documentary, and experimental cinemas, 1930-1945 --
    Inhalt: Pt. 4. The Postwar Era, 1946-1960s. American cinema in the Postwar Era, 1946-1967 -- Postwar European cinema: neorealism and other trends -- Postwar European cinema: France, Scandinavia, and Britain -- Postwar cinema beyond the West -- Art cinema and the idea of authorship -- New waves and young cinemas, 1958-1967 -- Documentary and experimental cinema in the Postwar Era, 1945--Mid-1960s -- Pt. 5. The contemporary cinema: since the 1960s. Third World cinema, 1960s-1970s -- Critical political cinema of the 1960s and 1970s -- Documentary and experimental film since the late 1960s -- Hollywood's fall and rise: since the 1960s -- New cinemas and new developments: Europe, The USSR, and the Pacific since the 1970s -- New cinemas in developing countries since the 1970s
    Anmerkung: Literaturverz. S. 805 - 818 , Pt. 1. Early cinema. The invention and early years of the cinema, 1880s-1904 -- The international expansion of the cinema, 1905-1912 -- National cinemas, Hollywood classicism, and World War I, 1913-1919 -- Pt. 2. The late Silent Era, 1919-1929. France in the 1920s -- Germany in the 1920s -- Soviet cinema in the 1920s -- The late Silent Era in Hollywood, 1920-1928 -- International trends of the 1920s -- Pt. 3. The development of sound cinema, 1926-1945. The introduction of sound -- The Hollywood studio system, 1930-1945 -- Other studio systems -- Cinema and the state: The USSR, Germany, and Italy, 1930-1945 -- France, 1930-1945 -- Leftist, documentary, and experimental cinemas, 1930-1945 , Pt. 4. The Postwar Era, 1946-1960s. American cinema in the Postwar Era, 1946-1967 -- Postwar European cinema: neorealism and other trends -- Postwar European cinema: France, Scandinavia, and Britain -- Postwar cinema beyond the West -- Art cinema and the idea of authorship -- New waves and young cinemas, 1958-1967 -- Documentary and experimental cinema in the Postwar Era, 1945--Mid-1960s -- Pt. 5. The contemporary cinema: since the 1960s. Third World cinema, 1960s-1970s -- Critical political cinema of the 1960s and 1970s -- Documentary and experimental film since the late 1960s -- Hollywood's fall and rise: since the 1960s -- New cinemas and new developments: Europe, The USSR, and the Pacific since the 1970s -- New cinemas in developing countries since the 1970s.
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Film ; Geschichte ; Film ; Geschichte 1880-1993
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    UID:
    kobvindex_DGP1621417484
    ISSN: 0091-6846
    In: Strategic review, Boston, Mass. : Inst., 1973, 15(1997), 0091-6846
    Sprache: Englisch
    Schlagwort(e): USA ; Heer ; Zukunft
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  • 6
    UID:
    gbv_1621417484
    ISSN: 0091-6846
    In: Strategic review, Boston, Mass. : Inst., 1973, 15(1997), 0091-6846
    In: volume:15
    In: year:1997
    Sprache: Englisch
    Schlagwort(e): USA ; Heer ; Zukunft
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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