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  • HU Berlin  (5)
  • SB Storkow
  • Abgeordnetenhaus Berlin
  • Zentrum f. Militärgeschichte
  • 2020-2024  (5)
  • Musicology  (5)
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  • 1
    UID:
    b3kat_BV046977859
    Format: xii, 351 Seiten , Illustrationen, Notenbeispiele, Porträts
    ISBN: 9780226740348
    Series Statement: New material histories of music
    Content: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Note: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk ISBN 978-0-226-74048-5
    Language: English
    Subjects: Musicology
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    Keywords: Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    UID:
    b3kat_BV047194959
    Format: 1 Online-Ressource (xii, 351 Seiten) , Illustrationen
    ISBN: 9780226740485
    Series Statement: New material histories of music
    Content: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
    Content: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-226-74034-8
    Language: English
    Subjects: Musicology
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    Keywords: Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    b3kat_BV046632390
    Format: 165 Seiten , Illustrationen, Notenbeispiele , 24 cm
    ISBN: 9783826070440
    Series Statement: Wagner in der Diskussion Band 20
    Note: Rezensiert in: Wagnerspectrum, 18. Jahrgang (2022), Heft 1, Seite 324-328 (Peter Petersen)
    Language: German
    Subjects: Musicology
    RVK:
    Keywords: Wagner, Richard 1813-1883 Tristan und Isolde ; Konferenzschrift ; Festschrift
    Author information: Lütteken, Laurenz 1964-
    Author information: Wald-Fuhrmann, Melanie 1979-
    Author information: Berger, Karol 1947-
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    b3kat_BV047022548
    Format: XVI, 523 Seiten , Notenbeispiele
    ISBN: 9783476057730 , 3476057739
    Uniform Title: Beyond reason
    Additional Edition: Übersetzung von Berger, Karol Beyond reason
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-3-476-05774-7
    Language: German
    Subjects: Musicology
    RVK:
    Keywords: Wagner, Richard 1813-1883 Der Ring des Nibelungen ; Wagner, Richard 1813-1883 Tristan und Isolde ; Wagner, Richard 1813-1883 Die Meistersinger von Nürnberg ; Wagner, Richard 1813-1883 Parsifal ; Musikalische Form ; Wagner, Richard 1813-1883 ; Nietzsche, Friedrich 1844-1900 ; Musikphilosophie ; Musikästhetik
    Author information: Hiemke, Sven 1962-
    Author information: Berger, Karol 1947-
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  • 5
    UID:
    b3kat_BV046217349
    Format: 1 Online-Ressource (141 Seiten) , Illustrationen, Notenbeispiele
    ISBN: 9783534745241 , 9783534745258
    Series Statement: Musikwissen kompakt
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-534-27139-9
    Language: German
    Subjects: Musicology
    RVK:
    Keywords: Musik ; Barock ; Musik ; Musikalische Form ; Musiklehre ; Geschichte 1600-1800 ; Lehrbuch
    Author information: Holtmeier, Ludwig 1964-
    Author information: Petersen, Birger 1972-
    Author information: Berger, Christian 1951-
    Library Location Call Number Volume/Issue/Year Availability
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