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  • Berger, Russ  (10)
  • Comparative Studies. Non-European Languages/Literatures  (10)
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  • Comparative Studies. Non-European Languages/Literatures  (10)
RVK
  • 1
    Online Resource
    Online Resource
    Bigger than they appear: Electronic architecture in recording studios
    Acoustical Society of America (ASA) ; 2021
    In:  The Journal of the Acoustical Society of America Vol. 150, No. 4_Supplement ( 2021-10-01), p. A75-A75
    Details
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 150, No. 4_Supplement ( 2021-10-01), p. A75-A75
    Abstract: A significant concern for recording in acoustically small spaces is that they often sound zingy, splashy, fluttery or resonant, or (with attempts at treatment) small, choked, dry, and lifeless. Either of these extremes is not conducive to a good recording experience for the performer or the recording engineer. At the same time, variable acoustics has been an elusive goal in small spaces. Passive solutions are generally ineffective, since one’s perception of a small room’s acoustical character is driven primarily by the room volume and the mean free path. Technological advancements in electronic architecture, and specific adaptations of that technology to the challenges of deploying it in small spaces, have made it an affordable application for recording studios. When combined with appropriate natural acoustics, this approach can achieve acoustical results not possible by treatments alone. The apparent volume, surface treatments, and resulting reverberant energy can be modified in real time beyond the constraints of the physical space, both for what the performer experiences within the space, and for what the engineer can capture in a recording. The essential considerations for using electronic architecture in a recording studio are illustrated using examples from recent projects.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    URL: Article
    DOI: 10.1121/10.0007677
    RVK:
    EQ 1000
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2021
    detail.hit.zdb_id: 1461063-2
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  • 2
    Online Resource
    Online Resource
    Bigger than they appear: Electronic architecture in recording studios and what that means to the musician and engineer
    Acoustical Society of America (ASA) ; 2022
    In:  The Journal of the Acoustical Society of America Vol. 152, No. 4_Supplement ( 2022-10-01), p. A103-A103
    Details
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 152, No. 4_Supplement ( 2022-10-01), p. A103-A103
    Abstract: Technological advancements in electronic architecture (EA), and specific adaptations of that technology to the challenges of deploying it in small spaces, have made it an affordable application for recording studios. When combined with appropriate natural acoustics, this approach can achieve acoustical results not possible by treatments alone. The apparent volume, surface treatments, and resulting reverberant energy can be modified in real time beyond the constraints of the physical space, both for what the performer experiences within the space, and for what the engineer can capture in a recording. As a follow up to a paper presented in Seattle 2021, captured audio and video demonstrations from actual recording sessions of a variety of instrumentation and ensembles will illustrate EA’s practical use in the studio and what it means to the musician and the engineer.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    URL: Article
    DOI: 10.1121/10.0015688
    RVK:
    EQ 1000
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2022
    detail.hit.zdb_id: 1461063-2
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  • 3
    Online Resource
    Online Resource
    Surround monitoring challenges in acoustically small spaces
    Acoustical Society of America (ASA) ; 2006
    In:  The Journal of the Acoustical Society of America Vol. 119, No. 5_Supplement ( 2006-05-01), p. 3251-3251
    Details
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 119, No. 5_Supplement ( 2006-05-01), p. 3251-3251
    Abstract: Critical listening spaces used to monitor and produce surround sound product are usually required to provide an accurate listening environment for more than one listener. Decisions are made not only about source material content and veracity, but also about how best to process and present the multichannel surround event in a manner that translates the aural experience to a wider audience. Oftentimes this audience is listening in other, less-than-ideal acoustical environments. Practical criteria and solutions are presented here to help overcome the limitations of monitoring surround sound in acoustically small spaces, as well as a discussion regarding first reflection control through the application of space coupling diffusors.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    URL: Article
    DOI: 10.1121/1.4786062
    RVK:
    EQ 1000
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2006
    detail.hit.zdb_id: 1461063-2
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  • 4
    Online Resource
    Online Resource
    NFL Films audio, video, and film production facilities
    Acoustical Society of America (ASA) ; 2003
    In:  The Journal of the Acoustical Society of America Vol. 113, No. 4_Supplement ( 2003-04-01), p. 2273-2273
    Details
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 113, No. 4_Supplement ( 2003-04-01), p. 2273-2273
    Abstract: The new NFL Films 200,000 sq. ft. headquarters is home for the critically acclaimed film production that preserves the NFL’s visual legacy week-to-week during the football season, and is also the technical plant that processes and archives football footage from the earliest recorded media to the current network broadcasts. No other company in the country shoots more film than NFL Films, and the inclusion of cutting-edge video and audio formats demands that their technical spaces continually integrate the latest in the ever-changing world of technology. This facility houses a staggering array of acoustically sensitive spaces where music and sound are equal partners with the visual medium. Over 90,000 sq. ft. of sound critical technical space is comprised of an array of sound stages, music scoring stages, audio control rooms, music writing rooms, recording studios, mixing theaters, video production control rooms, editing suites, and a screening theater. Every production control space in the building is designed to monitor and produce multi channel surround sound audio. An overview of the architectural and acoustical design challenges encountered for each sophisticated listening, recording, viewing, editing, and sound critical environment will be discussed.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    URL: Article
    DOI: 10.1121/1.4780535
    RVK:
    EQ 1000
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2003
    detail.hit.zdb_id: 1461063-2
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  • 5
    Online Resource
    Online Resource
    NFL Films music scoring stage and control room space
    Acoustical Society of America (ASA) ; 2003
    In:  The Journal of the Acoustical Society of America Vol. 113, No. 4_Supplement ( 2003-04-01), p. 2274-2274
    Details
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 113, No. 4_Supplement ( 2003-04-01), p. 2274-2274
    Abstract: NFL Films’ new 200,000 sq. ft. corporate headquarters is home to an orchestral scoring stage used to record custom music scores to support and enhance their video productions. Part of the 90,000 sq. ft. of sound critical technical space, the music scoring stage and its associated control room are at the heart of the audio facilities. Driving the design were the owner’s mandate for natural light, wood textures, and an acoustical environment that would support small rhythm sections, soloists, and a full orchestra. Being an industry leader in cutting-edge video and audio formats, the NFLF required that the technical spaces allow the latest in technology to be continually integrated into the infrastructure. Never was it more important for a project to hold true to the adage of ‘‘designing from the inside out.’’ Each audio and video space within the facility had to stand on its own with regard to user functionality, acoustical accuracy, sound isolation, noise control, and monitor presentation. A detailed look at the architectural and acoustical design challenges encountered and the solutions developed for the performance studio and the associated control room space will be discussed.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    URL: Article
    DOI: 10.1121/1.4780536
    RVK:
    EQ 1000
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2003
    detail.hit.zdb_id: 1461063-2
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  • 6
    Online Resource
    Online Resource
    Incorporating acoustically challenging functions into single family residences.
    Acoustical Society of America (ASA) ; 2008
    In:  The Journal of the Acoustical Society of America Vol. 124, No. 4_Supplement ( 2008-10-01), p. 2440-2440
    Details
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 124, No. 4_Supplement ( 2008-10-01), p. 2440-2440
    Abstract: Recording and broadcast studios, screening theaters, music performance venues, and other acoustically challenging functions have been successfully incorporated into single family residences. Several examples will be discussed illuminating concerns beyond normal sound isolation and acoustical performance requirements.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    URL: Article
    DOI: 10.1121/1.4782552
    RVK:
    EQ 1000
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2008
    detail.hit.zdb_id: 1461063-2
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  • 7
    Online Resource
    Online Resource
    Beyond the chamber, plate, or digital reverb. Electronic architecture and the acoustically flexible recording environment
    Acoustical Society of America (ASA) ; 2018
    In:  The Journal of the Acoustical Society of America Vol. 144, No. 3_Supplement ( 2018-09-01), p. 1738-1738
    Details
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 144, No. 3_Supplement ( 2018-09-01), p. 1738-1738
    Abstract: For more than 20 years, Electronic architecture has been successfully integrated in a variety of venues for live performances. We will discuss how the inclusion of this technology in recording facilities has both altered recording methods, and expanded clientele at three recording facilities: The Dimenna Center for Classical Music is New York’s premier facility for recording acoustic music. Recent projects include the soundtrack for the Coen Brothers’ feature film Hail, Caesar!; the Grammy-nominated cast album for The King and I featuring Kelli O’Hara and Ken Watanabe; the soundtrack for James Schamus’ Indignation; a Grammy Award-winning album by Room Full of Teeth; and an upcoming harmonia mundi release featuring Pablo Heras-Casado and Orchestra of St. Luke’s. Sweetwater Music has recently expanded its recoding capabilities and upgraded the E-Coustic system with the latest hardware and software. Recent sessions include the Counting Crows, Adrian Belew, and Steve Curtis Chapman. Fo’Yo’ Soul is Grammy award winning Kirk Franklin’s new facility in Arlington Texas designed by Russ Berger. The studio (Uncle Jesse’s Kitchen) features one of the first E-Studio product installations that allows acoustical conditions in the studio to be adjusted at the touch of a button, allowing soloists and ensembles to record in an environment tailored for comfort and creativity.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    URL: Article
    DOI: 10.1121/1.5067710
    RVK:
    EQ 1000
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2018
    detail.hit.zdb_id: 1461063-2
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  • 8
    Online Resource
    Online Resource
    The fictional environment meets acoustic reality—Simulating and creating acoustical conditions in for laboratory testing
    Acoustical Society of America (ASA) ; 2017
    In:  The Journal of the Acoustical Society of America Vol. 141, No. 5_Supplement ( 2017-05-01), p. 3853-3853
    Details
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 141, No. 5_Supplement ( 2017-05-01), p. 3853-3853
    Abstract: In recent years, we have installed electro-acoustic enhancement systems in specialized acoustic laboratories. These labs incorporate sound isolating environments with loudspeakers that enable multi-channel playback of soundscape recordings that reproduce acoustical conditions of a variety of spaces. In addition, the systems use electronic architecture to carefully match the acoustics of the soundscape recordings to enable live sources in the lab to interact with these environments in real time.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    URL: Article
    DOI: 10.1121/1.4988596
    RVK:
    EQ 1000
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2017
    detail.hit.zdb_id: 1461063-2
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  • 9
    Online Resource
    Online Resource
    Current trends in pop music recording facilities
    Acoustical Society of America (ASA) ; 1994
    In:  The Journal of the Acoustical Society of America Vol. 96, No. 5_Supplement ( 1994-11-01), p. 3248-3248
    Details
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 96, No. 5_Supplement ( 1994-11-01), p. 3248-3248
    Abstract: The design of current recording facilities is being influenced by several factors. The proliferation of digital signal processing equipment, signal acquisition, and storage media have sparked changes in the way recording studio facilities are used. The mixture of programmed synthesis with acoustic studio performance and the resulting changes in recording technique also provide a significant influence on the design of pop music recording facilities. The impact these changes are having on facility layout, configuration, and function; noise and vibration control; the architectural acoustic environment of studios and control rooms; and the electroacoustic interface will be discussed.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    URL: Article
    DOI: 10.1121/1.411046
    RVK:
    EQ 1000
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 1994
    detail.hit.zdb_id: 1461063-2
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  • 10
    Online Resource
    Online Resource
    Sustainable design for audio, video, and broadcast facilities.
    Acoustical Society of America (ASA) ; 2009
    In:  The Journal of the Acoustical Society of America Vol. 126, No. 4_Supplement ( 2009-10-01), p. 2179-2179
    Details
    In: The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 126, No. 4_Supplement ( 2009-10-01), p. 2179-2179
    Abstract: Meeting sustainable design goals in facilities that include technical production spaces for audio, video, or broadcast presents special challenges to the design and construction team. Materials selections and sources affect not only the acoustical finishes, but may also influence larger building systems. Daylighting goals must be balanced with appropriate acoustical isolation. The integration of alternative chilled air delivery systems and lighting sources must be weighed against critical technical function. As a result, the acoustician’s role should expand to include an understanding of the sustainability goals, the impact of acoustical design recommendations, changes to the specification process, and the necessary coordination efforts with the rest of the participants. Examples from radio and television broadcast facilities, music recording studios, and performance spaces are given.
    Type of Medium: Online Resource
    ISSN: 0001-4966 , 1520-8524
    URL: Article
    DOI: 10.1121/1.3248514
    RVK:
    EQ 1000
    Language: English
    Publisher: Acoustical Society of America (ASA)
    Publication Date: 2009
    detail.hit.zdb_id: 1461063-2
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