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  • Online Resource  (11)
  • Stabi Berlin  (10)
  • Hertie School  (1)
  • SB Werder
  • SB Finsterwalde
  • General works  (11)
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  • 1
    UID:
    almafu_(DE-604)BV044039992
    Format: 1 Online-Ressource (296 Seiten).
    Edition: 1. Auflage
    ISBN: 978-3-8452-6734-0
    Additional Edition: Erscheint auch als Druckausgabe ISBN 978-3-8487-2613-4
    Language: German
    Subjects: Economics , Political Science , General works
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    Keywords: Entwicklungstheorie ; Entwicklungspolitik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Author information: Weinmann, Nico
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  • 2
    UID:
    b3kat_BV048287324
    Format: 1 Online-Ressource (XVII, 174 Seiten) , Illustrationen, Diagramme
    ISBN: 9783110776546
    Series Statement: Knowledge and Information
    Note: Erscheint als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-077636-2
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-3-11-077663-8
    Language: English
    Subjects: General works
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    Keywords: Wissenschaftskommunikation ; Wissenschaftspublizistik ; Bibliometrie ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Cover
    Author information: Peters, Isabella 1983-
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  • 3
    UID:
    almahu_BV046254819
    Format: 1 Online-Ressource (310 Seiten) : , Illustrationen.
    ISBN: 978-3-8394-3617-2
    Series Statement: Schriftenreihe für Künstlerpublikationen Volume 8
    Content: Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission. They have brought forth a great number of artistic practices. Up to and into the digital present radio has been - and still is - employed and explored as an apparatus-based structure as well as an (alternative) model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio. It also sheds light on the use of radio as a means of disseminating artistic concepts, and on questions of mediation of this art form
    Note: "Published on the occasion of the international symposium 'Radio as Art: concepts, spaces, practices; Radio Art between Media Reality and Art Reception' held at the Gästehaus of the University of Bremen, Germany, June 5-7,2014"
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-8376-3617-8
    Language: English
    Subjects: General works
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    Keywords: Medienkunst ; Klangkunst ; Hörfunk ; Radiokunst ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Thurmann-Jajes, Anne, 1962-
    Author information: Frohne, Ursula, 1958-
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  • 4
    Online Resource
    Online Resource
    New York ; London :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV046261573
    Format: 1 Online-Ressource (ix, 205 Seiten) : , Illustrationen.
    ISBN: 978-0-429-43887-5
    Series Statement: Routledge advances in art and visual Studies
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-138-34385-6
    Language: English
    Subjects: General works
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    Keywords: Künstlerische Forschung ; Wissenschaft ; Technologie ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Author information: Pinch, Trevor J., 1952-2021
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  • 5
    Online Resource
    Online Resource
    Bielefeld :transcript,
    UID:
    almafu_BV042359463
    Format: 1 Online-Ressource (246 S.).
    ISBN: 978-3-8394-1774-4
    Series Statement: Science Studies
    Content: Main description: Mit der Lecture Performance ist in jüngster Zeit ein neues Format zwischen Kunst und Wissenschaft entstanden. Doch die Kunst des Vortragens hat eine lange Geschichte. Seit Jahrhunderten greifen Wissenspräsentation und Wissensproduktion in der Performance des Vortrags ineinander: Wann wird aus »Show and Tell« Evidenz? Welche Öffentlichkeiten braucht Forschung? Wie verbinden sich Geistesblitze und Medien im Theater des Wissens? Mit Analysen zum freien Vortrag, zum Experimental- und Lichtbildvortrag, zur PowerPoint-Präsentation, zur Online-Lecture und zur künstlerischen Vortragsperformance bietet dieser Band erstmals einen Überblick über einflussreiche Vortragsszenarien und ihre Geschichte
    Content: Review text: »Die Arbeit [...] weist in ihrem Ansatz und ihrer Machart deutlich über die gängige Form der kulturwissenschaftlichen Monographie hinaus und stellt zugleich eine Herausforderung für das auf Bologna und Exzellenz fixierte Wissenschaftsethos dar.« Peter Brandes, Zeitschrift für deutsche Philologie, 132 (2013) Besprochen in: GMK-Newsletter, 9 (2011) BIOspektrum, 1 (2012), Lothar Jaenicke GERMANISTIK, 53/3-4 (2012)
    Note: Biographical note: Sibylle Peters ist Kulturwissenschaftlerin und Theatermacherin. Sie ist im Forschungsverbund »Interactive Science« am Zentrum für Medien und Interaktivität der Universität Gießen tätig und leitet das Forschungstheater des »Fundus Theaters« in Hamburg
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-3-8376-1774-0
    Language: German
    Subjects: Comparative Studies. Non-European Languages/Literatures , General works
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    Keywords: Vortrag ; Performativität ; Vortrag ; Sprechkunst ; Performance
    URL: Cover
    URL: Cover
    URL: Cover
    Author information: Peters, Sibylle 1972-
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  • 6
    UID:
    almahu_9949385112102882
    Format: 1 online resource : , illustrations
    ISBN: 9780429323317 , 042932331X , 100051952X , 9781000519556 , 1000519554 , 9781000519525
    Content: "This book looks at Charlie Chaplin's masterpiece, Modern Times (1936), through the lens of film aesthetics, structure, and post-modern perspective. The naïve Tramp character of Modern Times is often seen as the embodiment of a revolutionary reaction to his age. However, this study of the film shows that it is not only difficult but impossible to accept the long-established critical reception of Chaplin's film and its characters in our own "Post-modern Times." Drawing from extensive research and bringing post-modern context to the film through comparative analysis of Todd Phillips's Joker (2019), the book introduces how exhilarating a comprehensive study of film can be for engaged viewers. Illustrating that a detailed filmic reading of Modern Times can be a guide, or an extended case study, for analyzing culture, this book it will be of interest to students and teachers in film studies, literary studies and the visual arts"--
    Note: "Routledge Focus" -- taken from front cover. , Preface: The art of seeing -- Work -- Life -- A comedian sees the world -- Postscript: Meanwhile.
    Additional Edition: Print version: Peters, Carl Lynden, 1965- Charlie Chaplin's Modern times Abingdon, Oxon ; New York, NY : Routledge, 2022 ISBN 9780367339838
    Language: English
    Subjects: General works
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    Keywords: Electronic books. ; Criticism, interpretation, etc. ; Film criticism. ; History. ; Film criticism. ; Critiques cinématographiques.
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  • 7
    UID:
    almahu_9949598807502882
    Format: 1 online resource.
    ISBN: 9781003197805 , 1003197809 , 9781000987799 , 1000987795 , 1000987833 , 9781000987836
    Series Statement: Technomos
    Content: "This edited volume explores the intersection between the coded realm of the video game and the equally codified space of law through an insightful collection of critical readings. Law is the ultimate multiplayer role-playing game. Involving a process of world-creation, law presents and codifies the parameters of licit and permitted behaviour, requiring individuals to engage their roles as a legal subject - the player-avatar of law - in order to be recognised, perform legal actions, activate rights or fulfil legal duties. Although traditional forms of law (copyright, property, privacy, freedom of expression) externally regulate the permissible content, form, dissemination, rights and behaviours of game designers, publishers and players, this collection examines how players simulate, relate and engage with environments and experiences shaped by legality in the realm of video game-space. Featuring critical readings of video games as a means of understanding law and justice, this book contributes to the developing field of cultural legal studies, but will also be of interest to other legal theorists, socio-legal scholars, and games theorists"--
    Note: Introduction : playing law / Dale Mitchell, Ashley Pearson and Timothy D. Peters -- Towards a legal ludology : language games, playful magic, and the game of law / Dale Mitchell -- Invisible walls : facts and freedom in coded space / James C. Fisher -- Emergent governance from polycentric order in virtual reality social spaces / Anne Hobson -- Emergent systems : virtuality, legality, formality / Daniel Hourigan -- Decoding legal (un)certainty in Doki Doki Literature Club! / Ashley Pearson -- Playing with borders : using video games to bring emotion into the law classroom / Jean Ketterling -- One more turn : the gamic afterlives of Johnson v M'Intosh and digital settler colonialism in Sid Meier's Civilization VI / S. Thomas Keynes -- Playing the world picture : Sid Meier's Civilization and the Law of Abstraction / Kieran Tranter -- A minor jurisprudence of play : becoming jurisprudents through play in the Majora's Mask / Joshua D.M. Shaw -- Gaming at the margins of law or, Niko Bellic's (critical) Theory of Justice / Luis Gómez Romero -- Law among chaos : an anti-Schmittian reading of Skyrim / Anna Lukina and Shane Finn -- Grand theft neoliberalism / James Gilchrist Stewart -- Terra nullius : claiming land on civilization's empty earth / Conor Leggott -- Game over : on emptying the public square / Desmond Manderson.
    Additional Edition: Print version: Law, video games, virtual realities Abingdon, Oxon [UK] ; New York, NY : Routledge, 2023 ISBN 9781032054971
    Language: English
    Subjects: General works
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  • 8
    UID:
    b3kat_BV048359200
    Format: 1 Online-Ressource (300 Seiten)
    Edition: 1st ed
    ISBN: 9783763965533
    Note: wbv Publikation. - Online resource; title from title screen (viewed February 28, 2022)
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783834015594
    Language: German
    Subjects: Education , General works
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    Keywords: Wissenschaftlicher Text ; Textproduktion ; Hochschule ; Beratung
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Liebetanz, Franziska 1981-
    Author information: Peters, Nora 1982-
    Author information: Grieshammer, Ella 1982-
    Author information: Lohmann, Bettina 1961-
    Author information: Zegenhagen, Jana 1979-
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  • 9
    Online Resource
    Online Resource
    New York : Peter Lang Inc., International Academic Publishers
    UID:
    gbv_1016464770
    Format: 1 Online-Ressource X, 376 pages) , 2 Illustrationen
    ISBN: 9781433145148
    Content: The Digital University: A Dialogue and Manifesto focuses on teaching, learning, and research in the age of the digital reason and their relationships to the so-called knowledge economy. The first part of the book, ‘The University in the Epoch of Digital Reason,’ presents the authors’ insights into the nature of the contemporary university. The second part, ‘Collective Intelligence and the Co-creation of Social Goods,’ explores various collective ways of knowledge creation, dissemination, and education. The final part, ‘Digital Teaching, Digital Learning and Digital Science,’ presents an ongoing series of one-to one dialogues between Michael Adrian Peters and Petar Jandric about philosophy of education in the age of digital reason, relationships between learning, creative col(labor)ation, and knowledge cultures, digital reading, digital self, digital being, radical openness, creative labour, and the co-production of symbolic goods. Situated in, against, and beyond the current state of affairs, the book ends with the Digital University Manifesto, which explores what is to be done in and for a better future of the digital university
    Content: “Those seeking a comprehensive, creative account of higher educational life in the age of digital reason will find much to whet their appetites in this book. The Digital University offers a distinctive, engaging portrait of an institution undergoing profound change. Among the many topics considered in this insightful volume are cybernetic capitalism, informational democracy, academic publishing, collective writing, the MOOC phenomenon, and the eco-university. Provocative in the questions it raises, dialogical and inclusive in its scholarly style, and rigorous in its academic foundations, this is a book that will appeal to a wide range of international readers.”—Peter Roberts, University of Canterbury, New Zealand
    Content: “This book does valuable work in re-connecting digital education with its critical, ecological and political worlds. All too often, writing within the field does not see itself as connected to contemporary critical thought, to issues of social justice, to democracy and to ethics. Michael Adrian Peters and Petar Jandric’s text makes important inroads in the politicisation of educational technology within the digital university.”—Siân Bayne, University of Edinburgh, Scotland
    Content: “Michael Adrian Peters and Petar Jandric present a highly accessible and inclusive breadth of vision in The Digital University. As such, there is scope to more than simply turn our heads one-by-one, from within our personal digital versions, of Plato’s Cave. This volume has power to challenge our assumptions collectively. We are reminded that any university that merely applies information systems without understanding their nature, their history, or their projected futures, remains a prisoner of the age. Exploring what it really means to be human in the digital context is fundamental if we are to avoid maintaining a public ‘structured ignorance’ that simply encourages the global fast capitalism of higher education. It is the responsibility of all of us in universities to see through, and resist, hegemonic discourses and strategies that are simply reproduced in the digital. A Digital University Manifesto sheds light on what universities should represent to further critical emancipation. I recommend that policy makers, students and educators read it and reflect on the core academic practices which define the modern university.”—Sarah Hayes, Aston University, Birmingham, United Kingdom
    Content: “The Digital University is both a necessary and path-breaking book. It not only redefines within the current technological revolution diverse ways in which knowledge is produced, but also the spaces in which it takes place. In doing so, it provides both a much needed manifesto regarding how the digital revolution within the university is changing the relationship of individuals to themselves, others, and the larger world. The Digital University is an indispensable book for understanding how the university is changing in the age of digital reason, but also how matters of human rights, the mission of education in the twenty-first century, and the political economy of knowledge, present new challenges and call for a new theoretical, political and educational discourse. This book is a must read for anyone concerned about the interface of technology, knowledge, and the future of democracy itself.”—Henry Giroux, McMaster University, Canada
    Content: “The Digital University is an important book that delivers insights and reflections far exceeding what the title promises. The book explores the profound changes in academia, emerging not only from the digital, but equally from the complex social and political forces struggling to shape the university and ‘reason in the digital epoch’. The book stands out through the breadth of issues it scrutinizes, for example, education in the digital age, the eco-university, open access, collective writing, cybernetic capitalism, as well as the depth and thoughtfulness with which it accomplishes this undertaking. The book is provocative and critical, but rather than painting a bleak, dystopian future, the book urges us to take arms against a sea of trouble, and strive for developing an open university characterized by radical openness and creative labour. It is a timely, significant book that calls for both reflection and action.”—Thomas Ryberg, Aalborg University, Denmark
    Content: “In The Digital University, Michael Adrian Peters and Petar Jandric offer an insightful overview of the impacts of digital media in the work of the university, as well as a visionary manifesto articulating ‘What is to be done.’ This book is essential reading for any scholar concerned about the fate of academic life in these strangely dreadful yet nevertheless promising times.”—William Cope, University of Illinois, Urbana-Champaign, United States
    Content: “This highly original book begins with the bold claim that reason itself has become digitized, and that the consequences of this digitization are as disturbing as they are promising, opening up the possibilities of new ways of learning, conceptualizing cultural exchange and social goods and building democratic institutions. Not everyone will agree with this analysis but that it demands our most serious attention and engagement cannot be denied.”—Fazal Rizvi, The University of Melbourne, Australia
    Content: “This is an extraordinarily important book by two extraordinary educators and with an ensemble cast of intellectuals and visionaries. I found the book difficult to put down. The Digital University raises crucial questions for our time: Are we programmed to remain complacent, trapped in the feedback loop of the social machine, where closure is nonexistent, or can we ride bareback the ontologico-technical shift that is arcing throughout cyberspace, further and further from the here-and-now without trigging a non-digital nuclear apocalypse? Can we really harness the mighty powers of multidirectional and interactive practices so that they will lead us to a safe zone of recursive self-improvement, freeing us of oppressive hierarchies and the single technical system of ‘algorithmic capitalism’? Will we use technology to revitalize the intellectual commons and in doing so create a counter-public sphere or will we simply re-capitulate old hierarchies in the name of a new participatory, networked democracy? The Digital University is an experiment in-the-making and a book that must be engaged by educators everywhere.”—Peter McLaren, Chapman University, United States
    Content: Acknowledgements – Introduction – ‘Internet Universality’: Human Rights and Principles for the Internet – Technological Unemployment: Educating for the Fourth Industrial Revolution – The University in the Epoch of Digital Reason: Fast Knowledge in the Circuits of Cybernetic Capitalism – Educational Web Science – Digital Archives in the Cloud: Collective Memory, Institutional Histories, and the Disclosure of Information – The Political Economy of Informational Democracy – The Eco-University in the Green Age – Who Is Really in Charge of Contemporary Education? People and Technologies in, Against, and Beyond the Neoliberal University – Conversation With Fred Turner, U.S. Historian of Digital Technologies: From the Electronic Frontier to the Anthropocene – Toward a Political Theory of Social Innovation: Collective Intelligence and the Co-creation of Social Goods – Toward a Philosophy of Academic Publishing – Collective Writing: An Inquiry Into Praxis – Conversation With Pierre A. Levy, French Philosopher of Collective Intelligence – Inside the Global Teaching Machine: MOOCs, Academic Labour, and the Future of the University – Philosophy of Education in the Age of Digital Reason – Learning, Creative Col(labor)ation, and Knowledge Cultures – Digital Reading: From the Reflective Self to Social Machine – The Digital Self – A Vision of the Digital University: Radical Openness, Creative Labour, and the Co-production of Symbolic Goods – Prologue to the Digital University Manifesto – The Digital University Manifesto – Index
    Additional Edition: ISBN 9781433145131
    Additional Edition: Erscheint auch als Druck-Ausgabe Peters, Michael Adrian, 1948 - The digital university New York : Peter Lang, 2018 ISBN 9781433145131
    Additional Edition: ISBN 1433145138
    Language: English
    Subjects: Education , General works
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    Keywords: Universität ; Lehre ; Lernen ; Digitale Revolution ; Wissenschaftlich-technischer Fortschritt ; Informationsgesellschaft
    URL: Volltext  (lizenzpflichtig)
    Author information: Jandrić, Petar
    Author information: Peters, Michael Adrian 1948-
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  • 10
    UID:
    gbv_1809683904
    Format: 1 Online-Ressource (268 Seiten) , Ilustrationen, Tabellen
    Note: Tag der mündlichen Prüfung: 26.03.2021 , Literaturverzeichnis: Seite 173-188 , Dissertation Christian-Albrechts-Universität zu Kiel 2021 , Zusammenfassung in deutscher und englischer Sprache
    Additional Edition: ISBN 9783832553098
    Additional Edition: ISBN 3832553096
    Additional Edition: Erscheint auch als Druck-Ausgabe Nuredini, Kaltrina Altmetrics for digital libraries Berlin : Logos Verlag, 2021 ISBN 9783832553098
    Additional Edition: ISBN 3832553096
    Language: English
    Subjects: General works
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    Keywords: Altmetrische Daten ; Elektronische Bibliothek ; Informations- und Dokumentationswissenschaft ; Altmetrische Daten ; Social Media ; Elektronische Bibliothek ; Datenanalyse ; Hochschulschrift
    Author information: Peters, Isabella 1983-
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