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  • Online-Ressource  (10)
  • Stabi Berlin  (10)
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  • Allgemeines  (10)
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  • 1
    UID:
    almafu_(DE-604)BV044039992
    Umfang: 1 Online-Ressource (296 Seiten).
    Ausgabe: 1. Auflage
    ISBN: 978-3-8452-6734-0
    Weitere Ausg.: Erscheint auch als Druckausgabe ISBN 978-3-8487-2613-4
    Sprache: Deutsch
    Fachgebiete: Wirtschaftswissenschaften , Politologie , Allgemeines
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    Schlagwort(e): Entwicklungstheorie ; Entwicklungspolitik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Mehr zum Autor: Weinmann, Nico
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    UID:
    b3kat_BV048287324
    Umfang: 1 Online-Ressource (XVII, 174 Seiten) , Illustrationen, Diagramme
    ISBN: 9783110776546
    Serie: Knowledge and Information
    Anmerkung: Erscheint als Open Access bei De Gruyter
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-077636-2
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-3-11-077663-8
    Sprache: Englisch
    Fachgebiete: Allgemeines
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    Schlagwort(e): Wissenschaftskommunikation ; Wissenschaftspublizistik ; Bibliometrie ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Cover
    Mehr zum Autor: Peters, Isabella 1983-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    New York ; London :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV046261573
    Umfang: 1 Online-Ressource (ix, 205 Seiten) : , Illustrationen.
    ISBN: 978-0-429-43887-5
    Serie: Routledge advances in art and visual Studies
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-1-138-34385-6
    Sprache: Englisch
    Fachgebiete: Allgemeines
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    Schlagwort(e): Künstlerische Forschung ; Wissenschaft ; Technologie ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Abingdon, Oxon ; : Routledge,
    UID:
    almahu_9949385112102882
    Umfang: 1 online resource : , illustrations
    ISBN: 9780429323317 , 042932331X , 100051952X , 9781000519556 , 1000519554 , 9781000519525
    Inhalt: "This book looks at Charlie Chaplin's masterpiece, Modern Times (1936), through the lens of film aesthetics, structure, and post-modern perspective. The naïve Tramp character of Modern Times is often seen as the embodiment of a revolutionary reaction to his age. However, this study of the film shows that it is not only difficult but impossible to accept the long-established critical reception of Chaplin's film and its characters in our own "Post-modern Times." Drawing from extensive research and bringing post-modern context to the film through comparative analysis of Todd Phillips's Joker (2019), the book introduces how exhilarating a comprehensive study of film can be for engaged viewers. Illustrating that a detailed filmic reading of Modern Times can be a guide, or an extended case study, for analyzing culture, this book it will be of interest to students and teachers in film studies, literary studies and the visual arts"--
    Anmerkung: "Routledge Focus" -- taken from front cover. , Preface: The art of seeing -- Work -- Life -- A comedian sees the world -- Postscript: Meanwhile.
    Weitere Ausg.: Print version: Peters, Carl Lynden, 1965- Charlie Chaplin's Modern times Abingdon, Oxon ; New York, NY : Routledge, 2022 ISBN 9780367339838
    Sprache: Englisch
    Fachgebiete: Allgemeines
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    Schlagwort(e): Electronic books. ; Criticism, interpretation, etc. ; Film criticism. ; History. ; Film criticism. ; Critiques cinématographiques.
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  • 5
    UID:
    almahu_9949598807502882
    Umfang: 1 online resource.
    ISBN: 9781003197805 , 1003197809 , 9781000987799 , 1000987795 , 1000987833 , 9781000987836
    Serie: Technomos
    Inhalt: "This edited volume explores the intersection between the coded realm of the video game and the equally codified space of law through an insightful collection of critical readings. Law is the ultimate multiplayer role-playing game. Involving a process of world-creation, law presents and codifies the parameters of licit and permitted behaviour, requiring individuals to engage their roles as a legal subject - the player-avatar of law - in order to be recognised, perform legal actions, activate rights or fulfil legal duties. Although traditional forms of law (copyright, property, privacy, freedom of expression) externally regulate the permissible content, form, dissemination, rights and behaviours of game designers, publishers and players, this collection examines how players simulate, relate and engage with environments and experiences shaped by legality in the realm of video game-space. Featuring critical readings of video games as a means of understanding law and justice, this book contributes to the developing field of cultural legal studies, but will also be of interest to other legal theorists, socio-legal scholars, and games theorists"--
    Anmerkung: Introduction : playing law / Dale Mitchell, Ashley Pearson and Timothy D. Peters -- Towards a legal ludology : language games, playful magic, and the game of law / Dale Mitchell -- Invisible walls : facts and freedom in coded space / James C. Fisher -- Emergent governance from polycentric order in virtual reality social spaces / Anne Hobson -- Emergent systems : virtuality, legality, formality / Daniel Hourigan -- Decoding legal (un)certainty in Doki Doki Literature Club! / Ashley Pearson -- Playing with borders : using video games to bring emotion into the law classroom / Jean Ketterling -- One more turn : the gamic afterlives of Johnson v M'Intosh and digital settler colonialism in Sid Meier's Civilization VI / S. Thomas Keynes -- Playing the world picture : Sid Meier's Civilization and the Law of Abstraction / Kieran Tranter -- A minor jurisprudence of play : becoming jurisprudents through play in the Majora's Mask / Joshua D.M. Shaw -- Gaming at the margins of law or, Niko Bellic's (critical) Theory of Justice / Luis Gómez Romero -- Law among chaos : an anti-Schmittian reading of Skyrim / Anna Lukina and Shane Finn -- Grand theft neoliberalism / James Gilchrist Stewart -- Terra nullius : claiming land on civilization's empty earth / Conor Leggott -- Game over : on emptying the public square / Desmond Manderson.
    Weitere Ausg.: Print version: Law, video games, virtual realities Abingdon, Oxon [UK] ; New York, NY : Routledge, 2023 ISBN 9781032054971
    Sprache: Englisch
    Fachgebiete: Allgemeines
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  • 6
    Online-Ressource
    Online-Ressource
    Bielefeld : transcript | Berlin : De Gruyter
    UID:
    gbv_1658473620
    Umfang: 1 Online-Ressource (246 Seiten)
    Ausgabe: 2011
    ISBN: 9783839417744
    Serie: Science Studies
    Inhalt: Biographical note: Sibylle Peters ist Kulturwissenschaftlerin und Theatermacherin. Sie ist im Forschungsverbund »Interactive Science« am Zentrum für Medien und Interaktivität der Universität Gießen tätig und leitet das Forschungstheater des »Fundus Theaters« in Hamburg.
    Inhalt: Mit der Lecture Performance ist in jüngster Zeit ein neues Format zwischen Kunst und Wissenschaft entstanden. Doch die Kunst des Vortragens hat eine lange Geschichte. Seit Jahrhunderten greifen Wissenspräsentation und Wissensproduktion in der Performance des Vortrags ineinander: Wann wird aus »Show and Tell« Evidenz? Welche Öffentlichkeiten braucht Forschung? Wie verbinden sich Geistesblitze und Medien im Theater des Wissens? Mit Analysen zum freien Vortrag, zum Experimental- und Lichtbildvortrag, zur PowerPoint-Präsentation, zur Online-Lecture und zur künstlerischen Vortragsperformance bietet dieser Band erstmals einen Überblick über einflussreiche Vortragsszenarien und ihre Geschichte.
    Inhalt: Review text: »Die Arbeit [...] weist in ihrem Ansatz und ihrer Machart deutlich über die gängige Form der kulturwissenschaftlichen Monographie hinaus und stellt zugleich eine Herausforderung für das auf Bologna und Exzellenz fixierte Wissenschaftsethos dar.« Peter Brandes, Zeitschrift für deutsche Philologie, 132 (2013) Besprochen in: GMK-Newsletter, 9 (2011) BIOspektrum, 1 (2012), Lothar Jaenicke GERMANISTIK, 53/3-4 (2012)
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Peters, Sibylle, 1972 - Der Vortrag als Performance Bielefeld : transcript-Verl., 2011 ISBN 3837617742
    Weitere Ausg.: ISBN 9783837617740
    Sprache: Deutsch
    Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen , Allgemeines
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    Schlagwort(e): Vortrag ; Performativität ; Vortrag ; Sprechkunst ; Performance ; Wissensvermittlung
    URL: Cover
    URL: Cover
    URL: Cover
    Mehr zum Autor: Peters, Sibylle 1972-
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  • 7
    Online-Ressource
    Online-Ressource
    New York : Peter Lang Inc., International Academic Publishers
    UID:
    gbv_1016464770
    Umfang: 1 Online-Ressource X, 376 pages) , 2 Illustrationen
    ISBN: 9781433145148
    Inhalt: The Digital University: A Dialogue and Manifesto focuses on teaching, learning, and research in the age of the digital reason and their relationships to the so-called knowledge economy. The first part of the book, ‘The University in the Epoch of Digital Reason,’ presents the authors’ insights into the nature of the contemporary university. The second part, ‘Collective Intelligence and the Co-creation of Social Goods,’ explores various collective ways of knowledge creation, dissemination, and education. The final part, ‘Digital Teaching, Digital Learning and Digital Science,’ presents an ongoing series of one-to one dialogues between Michael Adrian Peters and Petar Jandric about philosophy of education in the age of digital reason, relationships between learning, creative col(labor)ation, and knowledge cultures, digital reading, digital self, digital being, radical openness, creative labour, and the co-production of symbolic goods. Situated in, against, and beyond the current state of affairs, the book ends with the Digital University Manifesto, which explores what is to be done in and for a better future of the digital university
    Inhalt: “Those seeking a comprehensive, creative account of higher educational life in the age of digital reason will find much to whet their appetites in this book. The Digital University offers a distinctive, engaging portrait of an institution undergoing profound change. Among the many topics considered in this insightful volume are cybernetic capitalism, informational democracy, academic publishing, collective writing, the MOOC phenomenon, and the eco-university. Provocative in the questions it raises, dialogical and inclusive in its scholarly style, and rigorous in its academic foundations, this is a book that will appeal to a wide range of international readers.”—Peter Roberts, University of Canterbury, New Zealand
    Inhalt: “This book does valuable work in re-connecting digital education with its critical, ecological and political worlds. All too often, writing within the field does not see itself as connected to contemporary critical thought, to issues of social justice, to democracy and to ethics. Michael Adrian Peters and Petar Jandric’s text makes important inroads in the politicisation of educational technology within the digital university.”—Siân Bayne, University of Edinburgh, Scotland
    Inhalt: “Michael Adrian Peters and Petar Jandric present a highly accessible and inclusive breadth of vision in The Digital University. As such, there is scope to more than simply turn our heads one-by-one, from within our personal digital versions, of Plato’s Cave. This volume has power to challenge our assumptions collectively. We are reminded that any university that merely applies information systems without understanding their nature, their history, or their projected futures, remains a prisoner of the age. Exploring what it really means to be human in the digital context is fundamental if we are to avoid maintaining a public ‘structured ignorance’ that simply encourages the global fast capitalism of higher education. It is the responsibility of all of us in universities to see through, and resist, hegemonic discourses and strategies that are simply reproduced in the digital. A Digital University Manifesto sheds light on what universities should represent to further critical emancipation. I recommend that policy makers, students and educators read it and reflect on the core academic practices which define the modern university.”—Sarah Hayes, Aston University, Birmingham, United Kingdom
    Inhalt: “The Digital University is both a necessary and path-breaking book. It not only redefines within the current technological revolution diverse ways in which knowledge is produced, but also the spaces in which it takes place. In doing so, it provides both a much needed manifesto regarding how the digital revolution within the university is changing the relationship of individuals to themselves, others, and the larger world. The Digital University is an indispensable book for understanding how the university is changing in the age of digital reason, but also how matters of human rights, the mission of education in the twenty-first century, and the political economy of knowledge, present new challenges and call for a new theoretical, political and educational discourse. This book is a must read for anyone concerned about the interface of technology, knowledge, and the future of democracy itself.”—Henry Giroux, McMaster University, Canada
    Inhalt: “The Digital University is an important book that delivers insights and reflections far exceeding what the title promises. The book explores the profound changes in academia, emerging not only from the digital, but equally from the complex social and political forces struggling to shape the university and ‘reason in the digital epoch’. The book stands out through the breadth of issues it scrutinizes, for example, education in the digital age, the eco-university, open access, collective writing, cybernetic capitalism, as well as the depth and thoughtfulness with which it accomplishes this undertaking. The book is provocative and critical, but rather than painting a bleak, dystopian future, the book urges us to take arms against a sea of trouble, and strive for developing an open university characterized by radical openness and creative labour. It is a timely, significant book that calls for both reflection and action.”—Thomas Ryberg, Aalborg University, Denmark
    Inhalt: “In The Digital University, Michael Adrian Peters and Petar Jandric offer an insightful overview of the impacts of digital media in the work of the university, as well as a visionary manifesto articulating ‘What is to be done.’ This book is essential reading for any scholar concerned about the fate of academic life in these strangely dreadful yet nevertheless promising times.”—William Cope, University of Illinois, Urbana-Champaign, United States
    Inhalt: “This highly original book begins with the bold claim that reason itself has become digitized, and that the consequences of this digitization are as disturbing as they are promising, opening up the possibilities of new ways of learning, conceptualizing cultural exchange and social goods and building democratic institutions. Not everyone will agree with this analysis but that it demands our most serious attention and engagement cannot be denied.”—Fazal Rizvi, The University of Melbourne, Australia
    Inhalt: “This is an extraordinarily important book by two extraordinary educators and with an ensemble cast of intellectuals and visionaries. I found the book difficult to put down. The Digital University raises crucial questions for our time: Are we programmed to remain complacent, trapped in the feedback loop of the social machine, where closure is nonexistent, or can we ride bareback the ontologico-technical shift that is arcing throughout cyberspace, further and further from the here-and-now without trigging a non-digital nuclear apocalypse? Can we really harness the mighty powers of multidirectional and interactive practices so that they will lead us to a safe zone of recursive self-improvement, freeing us of oppressive hierarchies and the single technical system of ‘algorithmic capitalism’? Will we use technology to revitalize the intellectual commons and in doing so create a counter-public sphere or will we simply re-capitulate old hierarchies in the name of a new participatory, networked democracy? The Digital University is an experiment in-the-making and a book that must be engaged by educators everywhere.”—Peter McLaren, Chapman University, United States
    Inhalt: Acknowledgements – Introduction – ‘Internet Universality’: Human Rights and Principles for the Internet – Technological Unemployment: Educating for the Fourth Industrial Revolution – The University in the Epoch of Digital Reason: Fast Knowledge in the Circuits of Cybernetic Capitalism – Educational Web Science – Digital Archives in the Cloud: Collective Memory, Institutional Histories, and the Disclosure of Information – The Political Economy of Informational Democracy – The Eco-University in the Green Age – Who Is Really in Charge of Contemporary Education? People and Technologies in, Against, and Beyond the Neoliberal University – Conversation With Fred Turner, U.S. Historian of Digital Technologies: From the Electronic Frontier to the Anthropocene – Toward a Political Theory of Social Innovation: Collective Intelligence and the Co-creation of Social Goods – Toward a Philosophy of Academic Publishing – Collective Writing: An Inquiry Into Praxis – Conversation With Pierre A. Levy, French Philosopher of Collective Intelligence – Inside the Global Teaching Machine: MOOCs, Academic Labour, and the Future of the University – Philosophy of Education in the Age of Digital Reason – Learning, Creative Col(labor)ation, and Knowledge Cultures – Digital Reading: From the Reflective Self to Social Machine – The Digital Self – A Vision of the Digital University: Radical Openness, Creative Labour, and the Co-production of Symbolic Goods – Prologue to the Digital University Manifesto – The Digital University Manifesto – Index
    Weitere Ausg.: ISBN 9781433145131
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Peters, Michael Adrian, 1948 - The digital university New York : Peter Lang, 2018 ISBN 9781433145131
    Weitere Ausg.: ISBN 1433145138
    Sprache: Englisch
    Fachgebiete: Pädagogik , Allgemeines
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    Schlagwort(e): Universität ; Lehre ; Lernen ; Digitale Revolution ; Wissenschaftlich-technischer Fortschritt ; Informationsgesellschaft
    URL: Volltext  (lizenzpflichtig)
    Mehr zum Autor: Jandrić, Petar
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  • 8
    UID:
    gbv_1809683904
    Umfang: 1 Online-Ressource (268 Seiten) , Ilustrationen, Tabellen
    Anmerkung: Tag der mündlichen Prüfung: 26.03.2021 , Literaturverzeichnis: Seite 173-188 , Dissertation Christian-Albrechts-Universität zu Kiel 2021 , Zusammenfassung in deutscher und englischer Sprache
    Weitere Ausg.: ISBN 9783832553098
    Weitere Ausg.: ISBN 3832553096
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Nuredini, Kaltrina Altmetrics for digital libraries Berlin : Logos Verlag, 2021 ISBN 9783832553098
    Weitere Ausg.: ISBN 3832553096
    Sprache: Englisch
    Fachgebiete: Allgemeines
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    Schlagwort(e): Altmetrische Daten ; Elektronische Bibliothek ; Informations- und Dokumentationswissenschaft ; Altmetrische Daten ; Social Media ; Elektronische Bibliothek ; Datenanalyse ; Hochschulschrift
    Mehr zum Autor: Peters, Isabella 1983-
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  • 9
    UID:
    gbv_1881438066
    Umfang: XXIII, 384 Seiten
    Ausgabe: Online-Ausgabe Berlin Staatsbibliothek zu Berlin - Preußischer Kulturbesitz 2024 1 Online-Ressource Handschriftenkataloge digital
    Ausgabe: Drucke des 21. Jahrhunderts digital
    Anmerkung: SBB-PK Berlin
    In: Band 23, Teil 7
    Weitere Ausg.: ISBN 9783515097734
    Weitere Ausg.: Elektronische Reproduktion von SBB-PK Berlin -- 4" 86534-23,7〈c〉 Verzeichnis der orientalischen Handschriften in Deutschland ; Band 23, Teil 7: Birmanische Handschriften: Die Katalognummern 1201 - 1375 Stuttgart : Franz Steiner Verlag, 2010 ISBN 9783515097734
    Sprache: Deutsch
    Fachgebiete: Allgemeines
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    Schlagwort(e): Birmanisch ; Handschrift ; Therawada ; Katalog
    Mehr zum Autor: Peters, Anne 1952-
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  • 10
    UID:
    gbv_1679867636
    Umfang: 1 Online-Ressource (312 Seiten) , Illustrationen
    ISBN: 9783839436172
    Serie: Schriftenreihe für Künstlerpublikationen volume 8
    Inhalt: Cover -- Contents -- Introduction -- The Editors -- "I am an artist. I am not anything else."1: -Robert Adrian Smith, 1935-2015 -- The Reception of Electricity: Art as Radio in Literature, Painting, and Performance -- On Radioart -- I. RADIO SPACE -- The Museum as an Agent of Radio Art -- Considering the Sonic Aspects of the Media Environment as an Exhibition Space for Creative Sound-Based Works -- The Avant-Garde and a Popular Medium: The Berlin Novembergruppe and Radio in the Weimar Republic -- II. RADIO ART: ARTISTIC PRODUCTION AND/OR POLITICAL PRACTICE -- The Radio and/as Digital Productivism -- Everyone a Listener, Everyone a Producer! A Collective Journey toward Another Sound of Radio -- Radio Art in the "… Everyday Hand-to-Hand Struggle with Apparatuses?" -- Radio as a "Minor" Art Practice -- III. INSTITUTIONAL FRAMING AND AGENCY -- Radio as a Research Medium for Artistic and Oral-History-Based Research Projects -- Community Radio as Post-Capitalist Art -- Radio Art as a Field of Study: The Experimentelles Radio Professorship at the Bauhaus- Universität Weimar -- Radio as Art? Heart or Gall Bladder? -- IV. RADIO ART AS ACTION -- In Simulcast: Archigram and Radio Piracy in 1960s Britain -- The Radio Voice That Is Telling Me to Go for the Throat of the Other: Two Lessons on Media Politics from LIGNA's Oedipus, Tyrant -- Doing Radio Art: Direct Media Association's Pacific Rim / Slow Scan -- Radio Prolife: Eavesdropping on Life -- V. WORDS-SOUND-MUSIC -- John Cage's Cinema for the Ear -- Peter Roehr's Sound Montages -- Hörspiel-Pop, Radio Opera, Media Art: On the Reinvention of the Hörspiel by Andreas Ammer and FM Einheit -- Listen and Participate: The Work of the Hörspielmacher Paul Plamper -- Dead Spot in Art History -- Author Biographies.
    Anmerkung: Description based on publisher supplied metadata and other sources
    Weitere Ausg.: ISBN 9783837636178
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe International Conference "Radio as Art - Concepts, Spaces, Practices: Radio Art between Media Reality and Art Reception" (2014 : Bremen) Radio as art Bielefeld : transcript, 2019 ISBN 9783837636178
    Sprache: Englisch
    Fachgebiete: Allgemeines
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    Schlagwort(e): Radiokunst ; Medienkunst ; Klangkunst ; Medienkunst ; Konferenzschrift
    Mehr zum Autor: Peters, Maria
    Mehr zum Autor: Frohne, Ursula 1958-
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