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  • Online Resource  (10)
  • Blöndal, Jón R...  (6)
  • Mazierska, Ewa  (4)
  • 1
    Online Resource
    Online Resource
    New York ; London : Bloomsbury Academic
    UID:
    b3kat_BV046891537
    Format: 1 Online-Ressource (viii, 292 Seiten) , Illustrationen
    ISBN: 9781501348303 , 9781501348297 , 9781501348280
    Content: "This collection re-introduces Marxism into the studies of Third Cinema and World Cinema"--
    Note: Chapter 1. Exporting Cinemarxism in the 1960s: The Case of Soy Cuba / Andrei Rogatchevski -- Chapter 2. Brazil's Open Cities: Mimicry, Sexuality, and Class Dynamics in the Urban Landscape of Cinema Novo / Bruce Williams -- Chapter 3. "Unreal City": The Aesthetics of Commitment in Pratidwandi and Interview / Koel Banerjee -- Chapter 4: The Peruvian Kuntur Group: A Marxist- Indigenist Filmmaking Practice / Isabel Seguí -- Chapter 5. Third Cinema in the 21st century: political utopia in the new documentary films of Fernando Solanas / Mariano Paz -- Chapter 6. Third Cinema after the turn of the millennium: Reification of the sign and the possibility of transformation / Paulina Aroch and André Dorcé -- Chapter 7. We Have Never Been Transnational: The Female Condition in Socialist Realism, Postsocialism, and Third Cinema / Lucian Tion -- Chapter 8. Dialogical Encounters on the Cinema of Revolution: Save the Children Fund Film and Metalepsis in Black / David Archibald and Finn Daniels-Yeomans -- Chapter 9. Newsreel Front: A Revived Vision of Third Cinema in Slovenia / Andrej Šprah -- Chapter 10. Listening to the Future: The Film-Philosophy of Abderrahmane Sissako / William Brown -- Chapter 11. Class, Gender and Ethnicity in Alfonso Cuarón's Roma / Ewa Mazierska -- Chapter 12. 'After' or Back to Third Cinema? Plebeian Film, the National Popular, Fingernails and the Resilient Behemoth / Enrique Uribe-Jongbloed and Toby Miller
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-5013-4827-3
    Language: English
    Subjects: General works
    RVK:
    Keywords: Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Mazierska, Ewa 1964-
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  • 2
    UID:
    b3kat_BV047939075
    Format: 1 Online-Ressource (41 Seiten)
    Content: Le budget est le plus fondamental et le plus important de tous les documents du gouvernement. Sur le plan économique, c'est le document primordial dans la mesure où il répartit une part appréciable (plus de la moitié dans certains pays membres) du Produit intérieur brut d'une nation. C'est également le document programmatique majeur car c'est dans le budget que les gouvernements fixent concrètement leurs priorités par le biais de la répartition des masses financières. Il constitue le document primordial du point de vue de la gestion puisque c'est dans le contexte du budget que les aspects opérationnels essentiels des ministères et des agences sont déterminés. Le budget représente en outre l'architecture de base des décisions et des prises de responsabilité au sein du gouvernement. Le dessein de cette archi tecture a une incidence signif icative sur la performance gouvernementale dans son ensemble...
    Language: French
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    UID:
    b3kat_BV047938026
    Format: 1 Online-Ressource (40 Seiten)
    Content: Au cours de sa visite au siège de l'OCDE à Paris en septembre 2002, M. Guilherme DIAS, ministre du Plan, du Budget et de la Gestion a demandé à l'OCDE de réaliser, pour le système budgétaire brésilien, une étude semblable à celles qui sont réalisées pour ses pays membres. L'OCDE a répondu favorablement à cette requête en reconnaissant que le Brésil est un observateur bien établi auprès du Groupe de travail des hauts responsables du budget de l'OCDE et un partenaire clé du programme global de l'OCDE de coopération avec les pays non membres. En raison du temps limité alloué à la réalisation de cette étude, il a été décidé que le rapport n'aborderait pas le système de fédéralisme budgétaire du Brésil
    Language: French
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online Resource
    Online Resource
    Paris : OECD Publishing
    UID:
    b3kat_BV047938084
    Format: 1 Online-Ressource (37 Seiten)
    Content: During his September 2002 visit to OECD Headquarters in Paris, Mr. Guilherme DIAS, the Minister of Planning, Budget and Management, requested the OECD to carry out a review of the Brazilian budgeting system in a similar fashion as it does for its member countries.The OECD responded positively to this request, recognising that Brazil is an established observer of the OECD Working Party of Senior Budget Officials and a key partner in the OECD's overall programme of co-operation with nonmembers
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1740809890
    Format: 1 Online-Ressource (304 pages)
    Edition: First edition
    Edition: Also published in print
    ISBN: 1501348272 , 9781501348303 , 9781501348297 , 9781501348273 , 9781501348280
    Content: "This collection re-introduces Marxism into the studies of Third Cinema and World Cinema"--
    Content: Chapter 1. Exporting Cinemarxism in the 1960s: The Case of Soy Cuba / Andrei Rogatchevski -- Chapter 2. Brazil's Open Cities: Mimicry, Sexuality, and Class Dynamics in the Urban Landscape of Cinema Novo / Bruce Williams -- Chapter 3. "Unreal City": The Aesthetics of Commitment in Pratidwandi and Interview / Koel Banerjee -- Chapter 4: The Peruvian Kuntur Group: A Marxist- Indigenist Filmmaking Practice / Isabel Seguí -- Chapter 5. Third Cinema in the 21st century: political utopia in the new documentary films of Fernando Solanas / Mariano Paz -- Chapter 6. Third Cinema after the turn of the millennium: Reification of the sign and the possibility of transformation / Paulina Aroch and André Dorcé -- Chapter 7. We Have Never Been Transnational: The Female Condition in Socialist Realism, Postsocialism, and Third Cinema / Lucian Tion -- Chapter 8. Dialogical Encounters on the Cinema of Revolution: Save the Children Fund Film and Metalepsis in Black / David Archibald and Finn Daniels-Yeomans -- Chapter 9. Newsreel Front: A Revived Vision of Third Cinema in Slovenia / Andrej éSprah -- Chapter 10. Listening to the Future: The Film-Philosophy of Abderrahmane Sissako / William Brown -- Chapter 11. Class, Gender and Ethnicity in Alfonso Cuarón's Roma / Ewa Mazierska -- Chapter 12. 'After' or Back to Third Cinema? Plebeian Film, the National Popular, Fingernails and the Resilient Behemoth / Enrique Uribe-Jongbloed and Toby Miller.
    Note: Includes bibliographical references and index , Also published in print. , Mode of access: World Wide Web.
    Additional Edition: ISBN 1
    Additional Edition: Erscheint auch als Druck-Ausgabe
    Language: English
    Keywords: Electronic books
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  • 6
    Online Resource
    Online Resource
    Paris : OECD Publishing
    UID:
    b3kat_BV047939157
    Format: 1 Online-Ressource (36 Seiten)
    Content: The budget is the most fundamental and important document of governments. It is the key economic document in that it allocates a significant share of a nation's gross domestic product, over half in some OECD member countries. It is the key program policy document in that governments establish their policy priorities in concrete terms in the budget through the allocation of funding. It is the key management document in that the basic operational aspects of government ministries and agencies are established in the context of the budget. Furthermore, the budget provides the basic architecture for overall decision-making and accountability in government. This architectural design has a significant impact on overall government performance
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    Paris : OECD Publishing
    UID:
    b3kat_BV047938339
    Format: 1 Online-Ressource (39 Seiten)
    Content: The budget formulation process in the Netherlands operates in two very distinct phases. The first phase occurs when a new government takes power and it establishes its overall budgetary policy for its term of office. This is done in explicit terms, rather than being a general statement of intent. The second phase then occurs annually, as the government's overall budgetary policy is translated into operational terms for all of the government's various activities...
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Online Resource
    Online Resource
    Paris : OECD Publishing
    UID:
    b3kat_BV047938591
    Format: 1 Online-Ressource (45 Seiten)
    Content: Le processus d'élaboration du budget se déroule, aux Pays-Bas, en deux temps bien distincts. Le premier prend place au moment où le nouveau gouvernement entre en fonction et adopte une politique budgétaire pour l'ensemble de son mandat. Cette procédure est ainsi réalisée en termes explicites ; elle n'est donc pas une déclaration générale d'intentions. Le second temps se déroule par la suite à un rythme annuel, au fur et à mesure où la politique budgétaire d'ensemble du gouvernement est traduite en termes opérationnels, pour toutes les activités de l'État...
    Language: French
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    UID:
    gbv_1694751872
    Format: 1 Online-Ressource (ix, 342 pages) , illustrations
    Edition: First edition
    Edition: Also available in print
    ISBN: 1780763018 , 9780755603466 , 9781780763019
    Series Statement: International library of the moving image 14
    Content: "All countries and nations are deeply affected by their neighbours and every national cinema reflects this relationship. This book explores how postcolonial approaches can 'frame' the neighbours of people living in Eastern Europe. It elucidates how the region has evolved from being a communist extension of the Soviet Union to becoming integrated into neoliberal capitalism. Drawing on classical studies of post-coloniality by Edward Said, Gayatri C. Spivak and Homi K. Bhabha, as well as the works of theorists and historians like Janusz Korek and Jaak Kangilaski, who specialise in the Eastern European variant of postcolonialism, the book demonstrates particular sensitivity to the question of genre in investigating how neighbours fit into and shape melodramas and thrillers, heritage and war films. Contributors explore a wide range of films in relation to territory, from the steppes of the East to reunified Berlin and to Albania on the Adriatic Sea and from the streets of Tallinn to the hill slopes of Transylvania. Individual chapters situate in a new context the movies of internationally celebrated filmmakers, such as Roman Polanski, Agnieszka Holland, Nikita Mikhalkov and Jan Hrebejk, as well as introducing films by locally renowned directors, such as Wladyslaw Pasikowski, Arsen Anton Ostojic' and Leida Laius."--
    Content: Postcolonial theory and the postcommunist world / Ewa Mazierska, Lars Kristensen and Eva Näripea -- "If your car is stolen, it will soon be in Poland" : criminal representations of Poland and the Poles in German fictional film of the 1990s / Kristin Kopp -- Neighbours (almost) like us : representation of Germans, Germanness and Germany in Polish communist and postcommunist cinema / Ewa Mazierska -- "I'm at home here" : Sudeten Germans in Czech postcommunist cinema / Petra Hanáková -- Jánošik : the cross-border hero / Peter Hames --
    Note: Includes bibliographical references and index , Also available in print. , Mode of access: World Wide Web.
    Additional Edition: ISBN 1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1
    Language: English
    Keywords: Electronic books
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  • 10
    UID:
    gbv_1697922481
    Format: 1 online resource (280 pages)
    ISBN: 9781315304076 , 9781315304045
    Additional Edition: ISBN 9781138235731
    Additional Edition: ISBN 9781138235748
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781138235731
    Language: English
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