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  • Bundesarchiv  (2)
  • SB Storkow
  • Musicology  (2)
  • Geschichte  (2)
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  • 1
    Book
    Book
    München [u.a.] : Europa-Verl.
    UID:
    b3kat_BV012109598
    Format: 575 S.
    ISBN: 3203790041
    Uniform Title: The twisted muse
    Language: German
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Drittes Reich ; Musikleben ; Deutschland ; Musikleben ; Geschichte 1933-1945 ; Knappertsbusch, Hans 1888-1965 ; Pfitzner, Hans 1869-1949 ; Orff, Carl 1895-1982 ; Strauss, Richard 1864-1949 ; Drittes Reich ; Musiker ; Deutschland ; Musiker ; Geschichte 1933-1945 ; Deutschland ; Musik ; Geschichte 1933-1945 ; Nationalsozialismus ; Musik ; Geschichte
    Author information: Kater, Michael H. 1937-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    New York : Columbia University Press
    UID:
    b3kat_BV047591200
    Format: xiii, 380 Seiten , Notenbeispiele , 24 cm
    ISBN: 9780231198899 , 9780231198882
    Series Statement: Film and culture
    Uniform Title: La Musique au cinéma
    Content: Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson's performance in The Jazz Singer, the zither in The Third Man, Godard's patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors' attraction to atonal and dissonant music as well as musique concrète, of which he is a composer.Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-0-231-55285-1
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Filmmusik ; Geschichte
    Author information: Chion, Michel 1947-
    Library Location Call Number Volume/Issue/Year Availability
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