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  • Staatliche Museen  (3)
  • SB Großräschen
  • SRB Cottbus
  • SB Neuruppin
  • Wissenschaftspark Albert Einstein
  • Alice Salomon HS
  • DZA Berlin
  • SB Eisenhüttenstadt
  • SB Forst (Lausitz)
  • GB Sperenberg
  • 2020-2024  (1)
  • 2015-2019  (1)
  • 2010-2014  (1)
  • 1930-1934
  • Musikwissenschaft  (3)
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  • 1
    UID:
    b3kat_BV046977859
    Umfang: xii, 351 Seiten , Illustrationen, Notenbeispiele, Porträts
    ISBN: 9780226740348
    Serie: New material histories of music
    Inhalt: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Anmerkung: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, ebk ISBN 978-0-226-74048-5
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    UID:
    b3kat_BV046052276
    Umfang: XI, 242 Seiten
    Ausgabe: Second edition
    ISBN: 9781138222144 , 9781138222137
    Inhalt: Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the disciplines past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008.A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the fields relevance and pointing the way toward new horizons of research.New to this edition:Every chapter in the book is completely new, with richer and more comprehensive discussions.New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation.New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements.
    Anmerkung: Introduction (Harris M. Berger and Ruth M. Stone) / Chapter 1 Linguistic and Semiotic Approaches to Ethnomusicology: From Abstract Structure to Situated Practice (Jayson Beaster-Jones) / Chapter 2 Marxist Approaches to Music, Political Economy, and the Culture Industries: Ethnomusicological Perspectives (Peter Manuel) / Chapter 3 Theories of Gender and Sexuality: From the Village to the Anthropocene (Jane C. Sugarman) / Chapter 4 Constructing Race and Engaging Power Through Music: Ethnomusicology and Critical Approaches to Race (Maureen Mahon) / Chapter 5 Theories of the Post-Colonial and Globalization: Ethnomusicologists Grapple with Power, History, Media, and Mobility (Jeremy Wallach and Esther Clinton) / Chapter 6 Performance Studies and Critical Improvisation Studies in Ethnomusicology: Understanding Music and Culture through Situated Practice (Ellen Waterman) / Chapter 7 Decentering Music: Sound Studies and Voice Studies in Ethnomusicology (Katherine Meizel and J. Martin Daughtry) / Chapter 8 Phenomenology and Phenomenological Ethnomusicology: Approaches to the Lived Experience of Music (Harris M. Berger) / Chapter 9 Theories of Participation (Matthew Rahaim)
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-315-40858-3
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Musikethnologie ; Theoriebildung ; Aufsatzsammlung ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Buch
    Buch
    Durham, NC : Duke University Press
    UID:
    gbv_664448216
    Umfang: 381 S. , Ill. , 24 cm
    ISBN: 9780822347163 , 9780822347330
    Anmerkung: Includes bibliographical references (p. [339]-366) and index , Affective overdrive, scene dynamics, and identity in the global metal scene , The globalization of metal , "A dream return to Tang Dynasty" : masculinity, male camaraderie, and Chinese heavy metal in the 1990s , Unleashed in the East : metal music, masculinity, and "Malayness" in Indonesia, Malaysia, and Singapore , Electronic and affective overdrive : tropes of transgression in Nepal's heavy metal scene , Otherwise national : locality and power in the art of Sepultura , The marketing of Anglo-identity in the North American hatecore metal industry , Musical style, ideology, and mythology in Norwegian black metal , "You are from Israel and that is enough to hate you forever" : racism, globalization, and play within the global extreme metal scene , Arenas of the imagination : global tours and the heavy metal concert in the 1970s , Thunder in the Far East : the heavy metal industry in 1990s Japan , Metal in a micro island state : an insider's perspective , Noisy crossroads : metal scenes in Slovenia , Nako : the metal in the marrow of Easter Island music
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Heavy Metal ; Weltmusik
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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