Kooperativer Bibliotheksverbund

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Format: 1 Online-Ressource (VIII, 447 S.).

ISBN: 978-3-86226-465-0

Content: Interdisziplinär nähern sich die Autoren der nahezu unbekannten, gleichwohl vielfältig bedeutsamen Thematik „Siegfried Wagner“. Lange Jahre von der Wissenschaft vernachlässigt, von den Bewahrern des Werkes Richard Wagners fast schon versteckt, als Komponist nahezu verleugnet und auf die Leitung der Bayreuther Festspiele bis 1930 reduziert, fristete der Liszt-Enkel und Sohn des großen Richard posthum ein musikalisches Schattendasein. Obwohl Siegfried Wagner seinen Vater in der Anzahl seiner Opernkompositionen übertraf, musste das eigene Werk zeitlebens hinter dem Opernschaffen Richard Wagners zurückstehen. Erst in den letzten zwanzig Jahren lässt sich eine Renaissance des Humperdinck-Schülers erahnen, die gerade in den vergangenen Jahren deutlich mit der Zunahme konzertanter und szenischer Aufführungen seiner Opern zu bemerken ist. Anlässlich der konzertanten Uraufführung von Siegfried Wagners Oper „Die heilige Linde“ am 17. Oktober 2001 trafen sich zahlreiche nationale und internationale Fachleute zum „Ersten Internationalen Siegfried Wagner Symposium“, dessen Beiträge und Diskussionen mit diesem Buch der Öffentlichkeit vorgestellt werden

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783825504014

Language: German

Subjects: Musicology

Keywords: 1869-1930 Wagner, Siegfried ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift

DOI: 10.1007/978-3-86226-465-0

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

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URL: Volltext  (URL des Erstveröffentlichers)

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Format: 1 Online-Ressource (XXV, 834 Seiten) : , Illustrationen, Diagramme.

Edition: 21., aktualisierte und erweiterte Auflage

ISBN: 978-3-86326-810-7

Series Statement: ps Psychologie

Uniform Title: Psychology and life

Note: Literaturverzeichnis: Seite 751-792. - Auf dem Umschlagtitel: Mit eLearning #besser lernen

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-86894-323-8

Former: Früher u.d.T. Zimbardo, Philip G. Psychologie

Language: German

Subjects: Law , Musicology , Psychology

Keywords: Psychologie ; Test ; Lehrbuch ; Lehrbuch ; Lehrbuch

URL: Volltext  (URL des Erstveröffentlichers)

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Author information: Zimbardo, Philip G. 1933-

Author information: Dörfler, Tobias, 1977-

Author information: Roos, Jeanette 1957-

Author information: Gerrig, Richard J., 1959-,

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Format: 1 online resource : , ill.

ISBN: 9780199918485 (ebook) : , 0199918481 (ebook) :

Content: What do we do when we view a work of art? What does it mean to have an 'aesthetic' experience? Are such experiences purely in the eye of the beholder? This book addresses the nature of aesthetic experience from the perspectives of philosophy psychology and neuroscience.

Note: Also issued in print format.

Additional Edition: Print version ISBN 9780199732142

Language: English

Subjects: Musicology

URL: Oxford scholarship online

URL: Volltext

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UID:

Format: 1 online resource (xvii, 333 pages) : , digital, PDF file(s).

ISBN: 9781316848487 (ebook)

Series Statement: Composers in context

Content: The vibrant intellectual, social and political climate of mid eighteenth-century Europe presented opportunities and challenges for artists and musicians alike. This book focuses on Mozart the man and musician as he responds to different aspects of that world. It reveals his views on music, aesthetics and other matters; on places in Austria and across Europe that shaped his life; on career contexts and environments, including patronage, activities as an impresario, publishing, theatrical culture and financial matters; on engagement with performers and performance, focusing on Mozart's experiences as a practicing musician; and on reception and legacy from his own time through to the present day. Probing diverse Mozartian contexts in a variety of ways, the contributors reflect the vitality of existing scholarship and point towards areas primed for further study. This volume is essential reading for students and scholars of late eighteenth-century music and for Mozart aficionados and music lovers in general.

Note: Title from publisher's bibliographic system (viewed on 04 Jan 2019).

Additional Edition: Print version: ISBN 9781107181052

Language: English

Subjects: Musicology

Keywords: Aufsatzsammlung ; Biografie

URL: https://doi.org/10.1017/9781316848487

URL: Volltext  (lizenzpflichtig)

UID:

Format: 1 online resource (xx, 452 pages) : , digital, PDF file(s).

ISBN: 9781782046295 (ebook)

Series Statement: Aldeburgh studies in music

Uniform Title: Works. Selections

Content: 'It's a life of the two of us.'〈BR〉〈BR〉 This volume comprises the complete surviving correspondence between Benjamin Britten and Peter Pears. The 365 letters written throughout their 39-year relationship are here brought together and published, as Pears intended, for the first time. While the correspondence provides valuable evidence of the development of Britten's works, more significant is theinsight into his relationship with Pears and their day-to-day life together. Entertaining to read, domestic and intimate, the letters provide glimpses of cultural and artistic life in the twentieth century, including pacifism and conscientious objection, critical assessments of music and other artists, transport and communications development in the twentieth century, the 'Aldeburgh corpses', artcollecting, gossip, everyday life in an English country house, the development of the Aldeburgh Festival, performance practice in early music, looking after dachshunds, travel, and a host of other topics. Above all, when read together, Britten and Pears's letters allow the clearest possible look 'behind the scenes' of one of the most productive creative partnerships of the twentieth century.〈BR〉〈BR〉 VICKI P. STROEHER is Professor of Music History at Marshall University where she is also Coordinator of the Music History & Literature area.〈BR〉〈BR〉 NICHOLAS CLARK is the Librarian at the Britten-Pears Foundation at The Red House, Britten and Pears's home in Aldeburgh, Suffolk.〈BR〉〈BR〉 JUDE BRIMMER is an Archivist at the Britten-Pears Foundation.

Note: Title from publisher's bibliographic system (viewed on 04 Jul 2016).

Additional Edition: Print version: ISBN 9781783271085

Language: English

Subjects: Musicology

URL: http://www.cambridge.org/core/product/identifier/9781782046295/type/BOOK

URL: Volltext  (lizenzpflichtig)

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Format: 1 online resource (xxii, 449 pages) : , digital, PDF file(s).

ISBN: 9780511998157 (ebook)

Content: During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history and by the challenges of cross-cultural (mis)understanding.

Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Part I. Introduction : a rich and complex heritage. Images and principles ; Exotic in style? : paradigms and interpretations -- Part II. The West and its others. The early cultural background ; Encounters -- Part III. Songs and dance-types. Popular songs ; Dances and instrumental styles from (or "from") elsewhere -- Part IV. Exotic portrayals on stage, in concert, in church. Courtly ballets ; Distinctive developments in Venice and other Italian cities and courts ; Oratorio and other religious genres ; Early opera and partly sung stage works ; French and Italian serious opera, especially Lully and Handel ; Eighteenth-century comic operas and short danced works -- Obsession with the Middle East : from the Parisian fairs to Mozart.

Additional Edition: Print version: ISBN 9781107012370

Language: English

Subjects: Musicology

URL: https://doi.org/10.1017/CBO9780511998157

URL: Volltext  (lizenzpflichtig)

UID:

Format: 1 online resource (xxv, 400 pages) : , digital, PDF file(s).

ISBN: 9781108634878 (ebook)

Series Statement: Composers in context

Content: Benjamin Britten, pianist, conductor, educator, composer of a wide range of music from large-scale operas and choral works to string quartets and songs, is acknowledged as a pivotal figure in mid-twentieth-century Britain. This volume explores the contexts for his multi-faceted career and his engagement with his contemporaries in music, art, literature, and film, British musical institutions, royal and governmental entities, and the church, as well as his ground-breaking projects, philosophical and ideological tenets. The book is thematically structured in five parts: Britten's relationships with Peter Pears, his close friends, mentors, and colleagues; musical life in Britain; his interactions with previous and contemporary generations of composers; his professional work with choreographers, librettists, stage designers, and directors; and his socio-cultural, religious, and political environment. The chapters shed light on the many opportunities and challenges of post-war British musical life that shaped Britten's creative output.

Note: Title from publisher's bibliographic system (viewed on 01 Apr 2022).

Additional Edition: Print version: ISBN 9781108496698

Language: English

Subjects: Musicology

Keywords: Aufsatzsammlung

URL: https://doi.org/10.1017/9781108634878

URL: lizenzpflichtig

UID:

Format: 1 online resource (xiv, 247 pages) : , digital, PDF file(s).

ISBN: 9781800101166 (ebook)

Content: Brings musicology to the cutting edge of debates in the postmodern philosophy of history.

Note: Title from publisher's bibliographic system (viewed on 26 Mar 2021).

Additional Edition: Print version: ISBN 9781783275991

Language: English

Subjects: Musicology

URL: https://www.cambridge.org/core/product/identifier/9781800101166/type/BOOK

URL: lizenzpflichtig

UID:

Format: 1 online resource (xvii, 798 pages) : , digital, PDF file(s).

ISBN: 9781139056038 (ebook)

Series Statement: The Cambridge history of music

Content: The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations, than any century before or since, yet huge swathes of its musical activity remain under-appreciated. The Cambridge History of Eighteenth-Century Music provides a comprehensive survey, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organised by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.

Note: Title from publisher's bibliographic system (viewed on 18 Nov 2015). , Prelude. , The musical map of Europe c. 1700 / , Music for the church. , Catholic church music in Italy, and the Spanish and Portuguese Empires / , Catholic sacred music in Austria / , Catholic church music in France / , Lutheran church music / , Protestant church music in England and America / , Listening, thinking and writing / , Music for the theatre. , Italian opera in the eighteenth century / , Opera in Paris from Campra to Rameau / , An instinct for parody and a spirit for revolution : Parisian opera, 1752-1800 / , German opera from Reinhard Keiser to Peter Winter / , The lure of aria, procession and spectacle : opera in eighteenth-century London / , Music theatre in Spain / , Opera in Sweden / , Performance in the eighteenth century / , Music for the salon and concert room. , Keyboard music from Couperin to early Beethoven / , The serenata in the eighteenth century / , Private music in public spheres : chamber cantata and song / , Handel and English oratorio / , The overture-suite, concerto grosso, ripieno concerto, and Harmoniemusik in the eighteenth century / , Concerto of the individual / , Eighteenth-century symphonies : an unfinished dialogue / , The string quartet / , Across the divide : currents of musical thought in Europe, c. 1790-1810 / , Chronology ; , Institutions in major European cities ; , Personalia / David Black.

Additional Edition: Print version: ISBN 9780521663199

Language: English

Subjects: Musicology

Keywords: Aufsatzsammlung

URL: https://doi.org/10.1017/CHOL9780521663199

URL: Volltext

UID:

Format: 1 online resource (xx, 275 pages).

ISBN: 978-1-107-70557-9

Content: Much controversy surrounds Schenker's mature theory and its attempt to explain musical pitch motion. Becoming Heinrich Schenker brings a new perspective to Schenker's theoretical work, showing that ideas characteristic of his mature theory, although in many respects fundamentally different, developed logically out of his earlier ideas. Robert Morgan provides an introduction to Schenker's mature theory and traces its development through all of his major publications, considering each in detail and with numerous music examples. Morgan also explores the relationship between Schenker's theory and his troubled ideology, which crucially influenced the evolution of his ideas and was heavily dependent upon both the empirical and idealist strains of contemporary German philosophical thought. Relying where possible on quotations from Schenker's own words, this book offers a balanced approach to his theory and a unique overview of this central music figure, generally considered to be the most prominent music theorist of the twentieth century

Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Part I : Theory -- Introduction -- Schenker's final theory -- Part II : Development -- "Der Geist der musikalischen Technik" -- Die Harmonielehre -- Kontrapunkt I and II -- The monographs -- Der Tonwille and Das Meisterwerk in der Musik -- Der Freie Satz -- Part III : Reconsideration -- Critical assessment : ideology -- Critical assessment : theory -- Conclusion

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-107-64080-1

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-107-06769-1

Language: English

Subjects: Musicology

Keywords: 1868-1935 Schenker, Heinrich ; Musiktheorie

DOI: 10.1017/CBO9781107705579

URL: Volltext  (URL des Erstveröffentlichers)

URL: https://doi.org/10.1017/CBO9781107705579

URL: Volltext  (lizenzpflichtig)