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  • Stabi Berlin  (6)
  • Haus Wannsee-Konferenz
  • SB Fürstenwalde
  • GB Großbeeren
  • 2020-2024  (6)
  • Lee, A. Robert  (6)
  • 1
    Online Resource
    Online Resource
    Bern : Peter Lang International Academic Publishing Group
    UID:
    gbv_1832217744
    Format: 1 Online-Ressource (354 p.)
    ISBN: 9781433180187 , 9781433180194 , 9781433180200 , 9781433179532
    Content: Across more than two centuries Afro-America has created a huge and dazzling variety of literary self-expression. Designs of Blackness provides less a narrative literary history than, precisely, a series of mappings-each literary-critical and comparative while at the same time offering cultural and historical context. This carefully re-edited version of the 1998 publication opens with an estimation of earliest African American voice in the names of Phillis Wheatley and her contemporaries. It then takes up the huge span of autobiography from Frederick Douglass through to Maya Angelou. "Harlem on My Mind," which follows, sets out the literary contours of America's premier black city. Womanism, Alice Walker's presiding term, is given full due in an analysis of fiction from Harriet E. Wilson to Toni Morrison. Richard Wright is approached not as some regulation "realist" but as a more inward, at times near-surreal, author. Decadology has its risks but the 1940s has rarely been approached as a unique era of war and peace and especially in African American texts. Beat Generation work usually adheres to Ginsberg and Kerouac, but black Beat writing invites its own chapter in the names of Amiri Baraka, Ted Joans and Bob Kaufman. The 1960s has long become a mythic change-decade, and in few greater respects than as a black theatre both of the stage and politics. In Leon Forrest African America had a figure of the postmodern turn: his work is explored in its own right and for how it takes its place in the context of other reflexive black fiction. "African American Fictions of Passing" unpacks the whole deceptive trope of "race" in writing from Williams Wells Brown through to Charles Johnson. The two newly added chapters pursue African American literary achievement into the Obama-Trump century, fiction from Octavia Butler to Darryl Pinkney, poetry from Rita Dove to Kevin Young
    Note: English
    Language: Undetermined
    Keywords: Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_175274733X
    Format: 188 Seiten , Illustrationen , 21 cm
    Edition: Second edition
    ISBN: 9781913606336 , 1913606333
    Content: "A letter from Neal Cassady to his best friend and travelling companion Jack (On the Road) Kerouac. Kerouac received the letter from Cassady in 1950 and later told the Paris Review that it had inspired 'On the Road' along with his new literary style; referring to it as ‘the greatest piece of writing I ever saw’. The energy of Cassady’s fast-paced, free-flowing, confessional prose pulsates through the 15,000 word missive; bringing gloriously to life the personality of one of the most high profile figures in literary, and Beat movement, history. This incredibly illusive artefact, which describes in explicit detail his relationship with Joan Anderson (‘a perfect beauty of loveliness that I forgot everything else’), had been missing for 60 years when it was discovered in an attic in Oakland, USA, in 2011. Legal machinations over its ownership ensued and it has not been published in its entirety…until now. This much-anticipated letter is now reproduced in full, with an introduction by Beat scholar Professor A. Robert Lee. This jewel of Beat history also includes a range of photographs of the writers and a rare sepia drawing of Neal by his former wife, writer and artist Carolyn Cassady" -- Goodreads
    Note: Includes bibliographical references (pages 142 - 165)
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Kerouac, Jack 1922-1969 ; Beatgeneration ; Quelle
    Author information: Lee, A. Robert 1941-
    Author information: Cassady, Neal 1926-1968
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New York : Peter Lang Inc., International Academic Publishers
    UID:
    gbv_1816909866
    Format: 1 Online-Ressource (364 pages)
    ISBN: 9781433188657
    Content: Can it now be doubted that Native American/First Nations literary voice has become other than an established, and hugely compelling, compass? Native North American Authorship takes bearings, a roster of close readings yet situated within the wider latitudes and longitudes of timeline, place, memory. The emphasis falls throughout upon imagination, the "breath" within given texts be they fiction, poetry or self-writing. This is also to emphasize Native writing as modern (and in some cases postmodern) phenomenon, for sure rooted in tribal particularity, oral tradition, and trickster lore, but also given to reflexivity, the writer looking over his/her own shoulder. The authorship involved is now a literature equally of the city and indeed of geographies encountered beyond North America. The aim is to avoid suggesting some Grand Synthesis or to replay battles of reservation/off reservation ideology. The account opens with two purviews: the scale of Native written texts from early Christian-convert witness to contemporary verse and story by names like Tommy Pico and Eden Robinson, and the fuller implication of a category like Native American Renaissance. Key author portraits follow of N. Scott Momaday, Leslie Marmon Silko, Louise Erdrich, James Welch, Gerald Vizenor, Sherman Alexie and Louis Owens. New longer fiction and anthology stories invite their respective chapters as do the story-collections of Diane Glancy and Stephen Graham Jones. Poetry assumes focus in the accounts of Joy Harjo and her contemporaries and Simon Ortiz and his contemporaries, with specific chapters on Jim Barnes, Linda Hogan and Ralph Salisbury. The epilogue adds further context: "Native" as cultural etymology, the role of site and space-time, and the affinities of Native authorship with other Native arts.
    Note: Acknowledgments – Introduction: Text, Breath, Modernity – Native American Renaissance: Timelines, Texts – Modern Native Life Writing: Telling You Now – Wordwalker: N. Scott Momaday Tryptich – The Full House in Her Hand: Leslie Marmon Silko – Web and House: Later Erdrich, Earlier Erdrich – Cross-Worlds: The Sight and Sound of James Welch – Storier: Postindian Trajectory in the Novels of Gerald Vizenor – Fiction Off and On Center: Sherman Alexie – Memory Theatre: The Fictions of Louis Owens – Changing Points of Compass: The Novel 1990s-2020s – Story Panorama: Anthology, Author Collection – Whole Parts: Scripting Diane Glancy’s ShortFiction – Dark Illumination: The Noir Story Collections of Stephen Graham Jones– Poetry Remembrance: Joy Harjo, Wendy Rose, Diane Glancy, Luci Tapahonso, Kimberly Blaeser – A Native Sense of Existence: The Poetries of Simon Ortiz, Ray A. Young Bear, Tommy Pico – Oklahoma International: Jim Barnes and the Sites of Imagination – Two Handed: Self and Habitat in the Poetry of Linda Hogan – Electronic Computer and Stub Pencil: The Writing-in of Ralph Salisbury – Epilogue: Native, North American, Authorship – About the Author – Index.
    Additional Edition: ISBN 9781433188459
    Additional Edition: Erscheint auch als Druck-Ausgabe Lee, A. Robert, 1941 - Native North American authorship New York : Peter Lang, 2022 ISBN 9781433188459
    Additional Edition: ISBN 1433188457
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: USA ; Literatur ; Indianer ; USA ; Indianer ; Literatur ; Aufsatzsammlung
    Author information: Lee, A. Robert 1941-
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    gbv_1838447342
    Format: 1 Online-Ressource (x, 340 Seiten)
    Edition: 25th anniversary edition
    ISBN: 9781433180187 , 9781433180194 , 9781433180200
    Content: "Across more than two centuries Afro-America has created a huge and dazzling variety of literary self-expression. Designs of Blackness provides less a narrative literary history than, precisely, a series of mappings - each literary-critical and comparative while at the same time offering cul-tural and historical context. This carefully re-edited version of the 1998 publication opens with an estimation of earliest African American voice in the names of Phillis Wheatley and her contemporaries. It then takes up the huge span of autobiography from Frederick Douglass through to Maya Angelou. "Harlem on My Mind," which follows, sets out the liter-ary contours of America's premier black city. Womanism, Alice Walker's presiding term, is given full due in an analysis of fiction from Harriet E. Wilson to Toni Morrison. Richard Wright is approached not as some regu-lation "realist" but as a more inward, at times near-surreal, author. Decadology has its risks but the 1940s has rarely been approached as a unique era of war and peace and especially in African American texts. Beat Generation work usually adheres to Ginsberg and Kerouac, but black Beat writing invites its own chapter in the names of Amiri Baraka, Ted Joans and Bob Kaufman. The 1960s has long become a mythic change-decade, and in few greater respects than as a black theatre both of the stage and politics. In Leon Forrest African America had a figure of the postmodern turn; his work is explored in its own right and for how it takes its place in the context of other reflexive black fiction. "African American Fictions of Passing" unpacks the whole deceptive trope of "race" in writing from Williams Wells Brown through to Charles Johnson. The two newly added chapters pursue African American literary achievement into the Obama-Trump century, fiction from Octavia Butler to Darryl Pinkney, poetry from Rita Dove to Kevin Young"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781433179532
    Additional Edition: Erscheint auch als Druck-Ausgabe Lee, A. Robert, 1941 - Designs of blackness New York : Peter Lang, 2020 ISBN 9781433179532
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: USA ; Schwarze ; Literatur ; Geschichte
    Author information: Lee, A. Robert 1941-
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    gbv_1786396653
    Format: xiii, 284 Seiten , Illustrationen
    Edition: First edition
    ISBN: 9781638040163
    Content: "Harold Norse: Poet Maverick, Gay Laureate is the first volume of essays on an enigmatic but overlooked poet and artist. Best known for his associations with the American Beat writers, and then later as a key figure in Gay Liberation poetry, Norse was also a prolific and well-regarded poet in his own right"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781638040170
    Additional Edition: ISBN 9781638040170
    Additional Edition: Erscheint auch als Online-Ausgabe Harold Norse Clemson : Clemson University Press, 2022
    Language: English
    Keywords: Norse, Harold 1916-2009 ; Aufsatzsammlung
    Author information: Lee, A. Robert 1941-
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    gbv_1698084471
    Format: x, 340 Seiten
    Edition: 25th anniversary edition
    ISBN: 9781433179532
    Content: "Across more than two centuries Afro-America has created a huge and dazzling variety of literary self-expression. Designs of Blackness provides less a narrative literary history than, precisely, a series of mappings - each literary-critical and comparative while at the same time offering cul-tural and historical context. This carefully re-edited version of the 1998 publication opens with an estimation of earliest African American voice in the names of Phillis Wheatley and her contemporaries. It then takes up the huge span of autobiography from Frederick Douglass through to Maya Angelou. "Harlem on My Mind," which follows, sets out the liter-ary contours of America's premier black city. Womanism, Alice Walker's presiding term, is given full due in an analysis of fiction from Harriet E. Wilson to Toni Morrison. Richard Wright is approached not as some regu-lation "realist" but as a more inward, at times near-surreal, author. Decadology has its risks but the 1940s has rarely been approached as a unique era of war and peace and especially in African American texts. Beat Generation work usually adheres to Ginsberg and Kerouac, but black Beat writing invites its own chapter in the names of Amiri Baraka, Ted Joans and Bob Kaufman. The 1960s has long become a mythic change-decade, and in few greater respects than as a black theatre both of the stage and politics. In Leon Forrest African America had a figure of the postmodern turn; his work is explored in its own right and for how it takes its place in the context of other reflexive black fiction. "African American Fictions of Passing" unpacks the whole deceptive trope of "race" in writing from Williams Wells Brown through to Charles Johnson. The two newly added chapters pursue African American literary achievement into the Obama-Trump century, fiction from Octavia Butler to Darryl Pinkney, poetry from Rita Dove to Kevin Young"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781433180187
    Additional Edition: ISBN 9781433180194
    Additional Edition: ISBN 9781433180200
    Additional Edition: Erscheint auch als Online-Ausgabe Lee, A. Robert, 1941 - Designs of blackness New York : Peter Lang, 2020 ISBN 9781433180194
    Additional Edition: ISBN 9781433180200
    Additional Edition: ISBN 9781433180187
    Additional Edition: Erscheint auch als Online-Ausgabe Lee, A. Robert, 1941 - Designs of blackness New York : Peter Lang, 2020 ISBN 9781433180187
    Additional Edition: ISBN 9781433180194
    Additional Edition: ISBN 9781433180200
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: USA ; Schwarze ; Literatur ; Geschichte
    Author information: Lee, A. Robert 1941-
    Library Location Call Number Volume/Issue/Year Availability
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