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  • 1
    Book
    Book
    New Haven [u.a.] : Yale Univ. Press
    UID:
    b3kat_BV042179635
    Format: XIII, 602 S. , zahlr. Ill., graph. Darst.
    ISBN: 9780300208184
    Language: English
    Subjects: Art History
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    Keywords: Kathedrale Durham ; Architektur ; Geschichte ; Aufsatzsammlung
    Author information: Brown, David 1948-
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  • 2
    Book
    Book
    Chicago [u.a.] : Univ. of Chicago Press
    UID:
    b3kat_BV014547873
    Format: XX, 413 S. , Ill.
    ISBN: 0226076091 , 0226076105
    Content: Ever since its emergence in colonial-era Cuba, Afro-Cuban Santería (or Lucumi) has displayed a complex dynamic of continuity and change in its institutions, rituals, and iconography. In this book, David H. Brown combines art history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression. Focusing on the royal throne as a potent metaphor in Santería belief and practice, Brown shows how negotiations among ideologically competing interests have shaped the religion's symbols, rituals, and institutions from the nineteenth century to the present. Rich case studies of change in Cuba and the United States, including a New Jersey temple and South Carolina's Oyotunji Village, reveal patterns of innovation similar to those found among rival Yoruba kingdoms in Nigeria. Throughout, Brown argues for a theoretical perspective on culture as a field of potential strategies and "usable pasts" that actors draw upon to craft new forms and identities--a perspective that will be invaluable to all students of the African Diaspora.
    Note: Includes bibliographical references and index.
    Language: English
    Subjects: Ethnology , Theology
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    Keywords: Santería ; Geschichte ; Santería ; Kunst
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  • 3
    UID:
    b3kat_BV043296754
    Format: 256 Seiten , Illustrationen, Karten
    ISBN: 9781849763592 , 9781849763431
    Content: Over the past thirty years, our ideas about the cultures of Empire have been transformed. Contemporary reflections on Empire by writers and artists are widely published and displayed, and museums have witnessed a growing number of exhibitions devoted to aspects of the rich and varied visual culture that emerged in places under British governance, from the Americas to India and Australasia. And yet, since the vast Imperial exhibitions of the early twentieth-century there has been no wide-ranging presentation of the objects made across the British Empire. This publication, which accompanies a major Tate Britain exhibition, fills that gap. Through broad groupings within thematic chapters - Mapping, Collecting, History, Portraiture, Cultural Exchange and the Return of Empire - leading scholars focus on how particular objects tell the history of life under British rule. Paintings by well-known artists such as John Singer Sargent and Sidney Nolan are illustrated alongside Benin bronze heads and Mughal miniatures in a survey that ranges from sixteenth century colonialism through to the projection of Britain's imperial might in the late nineteenth century to its decline in the post-war era. Exploring how artists have represented and critiqued the diverse places, people and events that make up the legacy of Empire, our expert authors have created a vital book on a subject of broad contemporary interest.
    Note: Veröffentlicht anlässlich der Ausstellung "Artist and empire: facing Britain's imperial past" vom 25. November 2015 - 10. April 2016 ; Tate Britain, London
    Language: English
    Subjects: History , Ethnology , Art History
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    Keywords: Großbritannien ; Imperialismus ; Kunst ; Kolonie ; Indigenes Volk ; Geschichte ; Ausstellungskatalog ; Ausstellungskatalog
    Author information: Brown, David Blayney 1952-
    Author information: Smith, Alison 1962-
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  • 4
    UID:
    b3kat_BV046989667
    Format: 240 Seiten
    ISBN: 9781849767132 , 9781849767125
    Content: Published to accompany a landmark exhibition of the art of J.M.W. Turner, this publication will highlight Turner's contemporary imagery, the most exceptional and distinctive aspect of his work throughout his career. Rather than making any claims for Turner's protomodernist credentials, it will explore what constituted modernity, and what it meant to be a modern artist, in his lifetime. Turner's career spanned revolution and the Napoleonic War, Empire, the explosion of finance capitalism, the transition from sail to steam and from manpower to mechanisation, political reform and scientific and cultural advances that transformed society and shaped the modern world. While historians have long recognised that the industrial and political revolutions of the late eighteenth century inaugurated farreaching change and modernisation, these were often ignored by artists as they did not fit into established categories of pictorial representation. This exhibition and its accompanying publication will show Turner updating the language of art and transforming his style and practice to produce revelatory, definitive interpretations of modern subjects.00Exhibition: Tate Britain, London, UK (28.10.2020-07.03.20231) / Museum of Fine Arts, Boston, USA (05.04. - 01.08.2021) / Kimbell Museum of Fine Arts, Fort Worth, Texas, USA (Sept 2021 - Jan 2022)
    Note: Rückseite Titelblatt: First published 2020 ... on the occasion of the exhibition "Turner's modern world" organised by Tate Britain in association with the Kimbell Art Museum and the Museum of Fine Arts, Boston: Tate Britain, London, 28 October 2020 - 7 March 2021; Kimbell Museum of Art, Fort Worth, 9 May - 5 September 2021; Museum of Fine Arts, Boston, 11 Oct 2021 - 17 Jan 2022
    Language: English
    Subjects: Art History
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    Keywords: Turner, Joseph Mallord William 1775-1851 ; Turner, Joseph Mallord William 1775-1851 ; Geschichte ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband
    Author information: Brown, David Blayney 1952-
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