Umfang:
320 S
,
zahlr. Notenbeisp., graph. Darst
,
25cm
ISBN:
9781846823688
Serie:
Irish musical studies 11
Anmerkung:
The 'tightened bow' : analysing the juxtaposition of drama and lyricism in Schubert's paratactic sonata-form movements / Anne M. HylandSchenkerian Ursatz and temporal meaning in Chopin's Prelude op. 28, no. 5 / Antonio Cascelli -- Shared compositional strategies in Chopin's Nocturnes op. 48 / Alison Hood -- Brahms, Bruckner and the concept of thematic process / Julian Horton -- The sense of an ending : Adorno, Brahms and music's return to the land of childhood / Nicole Grimes -- Nielsen and Sibelius 'between temperament and tradition' / Úna-Frances Clarke -- Formal structure in the finale of Bartók's Sonata for Two pianos and percussion / Michael Russ --Technical focus and 'stylistic cleansing' in E.J. Moeran's Sonata for two violins and string trio / Fabian Huss -- The bar of legitimacy? Serialism in Ireland / Gareth Cox -- The 'serial' works of A.J. Potter / Patrick Zuk -- Serial procedures in the early symphonies of John Kinsella / Séamas de Barra -- Irish folk tunes and minimalist techniques in Eric Sweeney's Concerto for guitar (2004) / Hazel Farrell -- Music as image : the impact of visual stimuli on the music of Kevin Volans / Adrian Smith -- Multiplicities of musical language and select compositional devices in Roger Doyle's Babel (1989-99) / Barbara Jillian Dignam -- On constructing a sonic gangbang : system and subversion in Gerald Barry's Chevaux-de-frise / Mark Fitzgerald.
Sprache:
Englisch
Schlagwort(e):
Irland
;
Musikalische Analyse
;
Geschichte 〈1900-2000〉
;
Aufsatzsammlung
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