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  • Online Resource  (17)
  • Filmuniversität Babelsberg  (12)
  • Bildungsgesch. Forschung  (5)
  • GB Glienicke/Nordbahn
  • ÖB Kleinmachnow
  • Kinemathek
  • HS Musik Hanns Eisler
  • SB Fürstenwalde
  • GB Prösen
  • GB Brieselang
  • GB Petershagen
  • Bibliothek Lübbenau - Vetschau
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  • 1
    UID:
    almahu_9948591386202882
    Format: 1 online resource (xiii, 266 pages) : , digital, PDF file(s).
    ISBN: 9781474443906 (ebook)
    Content: Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes.
    Note: Title from publisher's bibliographic system (viewed on 07 Oct 2020).
    Additional Edition: Print version: ISBN 9781474443883
    Language: English
    Subjects: General works
    RVK:
    Keywords: Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Online Resource
    Online Resource
    London :Taylor and Francis,
    UID:
    almahu_9949383841202882
    Format: 1 online resource : , text file, PDF
    Edition: First edition.
    ISBN: 9781315108643 , 131510864X
    Content: "In The Screenwriters Taxonomy, award-winning screenwriter and educator Eric R. Williams offers a new collaborative approach for creative storytellers to recognize, discuss and reinvent storytelling paradigms. Williams presents seven different aspects of storytelling that can be applied to any fictional narrative film--from super genre, macrogenre and microgenre to voice and point of view--allowing writers to analyze existing films and innovate on these structures in their own stories. Moving beyond film theory, Williams describes how this roadmap for creative decision making can relate to classics like Sunset Boulevard, The Wizard of Oz and Butch Cassidy and the Sundance Kid as well as such diverse modern favorites like 12 Years a Slave, Anomalisa and Shrek"--Provided by publisher.
    Note: Part Introduction -- chapter 1 The Need for a Road Map -- part PART I Defining the Film -- chapter 2 Movie Types and Supergenres -- chapter 3 Macrogenres and Microgenres -- chapter 4 Genre Case Studies -- part PART II Refining the Film -- chapter 5 Voice -- chapter 6 Pathway -- chapter 7 Point of View -- chapter 8 Case Studies.
    Additional Edition: ISBN 9781315108643
    Additional Edition: ISBN 9781351610674
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 3
    UID:
    almahu_9949386588102882
    Format: 1 online resource (xxvi, 191 pages) : , illustrations
    ISBN: 9781003028284 , 1003028284 , 9781000341911 , 1000341917 , 9781000341935 , 1000341933
    Content: "Award-winning cine-maVRicks Eric R. Williams, Carrie Love and Matt Love introduce Virtual Reality Cinema (also known as 360-video or cine-vr) in this comprehensive guide filled with insider tips and tested techniques for writing, directing, and producing effectively in the new medium. Join these veteran cine-VR storytellers as they break down fundamental concepts from traditional media to demonstrate how cine-VR can connect with audiences in new ways. Examples from their professional work are provided to illustrate basic, intermediate and advanced approaches to crafting modern story in this unique narrative space where there's no screen to contain an image and no specific stage upon which to perform. Virtual Reality Cinema will prepare you to approach your own cine-VR projects via: Tips and techniques for writing, directing and producing bleeding-edge narrative cine-VR projects; More than a hundred photos and illustrations to explain complex concepts; Access to more than two hours of on-line cine-VR examples that you can download to watch on your own HMD; New techniques developed at Ohio University's Game Research and Immersive Design (GRID) Lab, including how to work with actors to embrace Gravity and avoid the Persona Gap, how to develop stories with the Story Engagement Matrix, and how to balance directorial control and audience agency in this new medium. This book is an absolute must read for any student of filmmaking, media production, transmedia storytelling and game design, as well as anyone already working in these industries that wants to understand the new challenges and opportunities of Virtual Reality Cinema"--
    Additional Edition: Print version: Williams, Eric R.. Virtual reality cinema New York : Routledge, 2021. ISBN 9780367463403
    Language: English
    Keywords: Electronic books.
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  • 4
    Online Resource
    Online Resource
    Milton :Taylor & Francis Group,
    UID:
    almahu_9949516178702882
    Format: 1 online resource (295 pages)
    ISBN: 9780429554803
    Series Statement: Global Gender Series
    Additional Edition: Print version: Williams, James S. Queering the Migrant in Contemporary European Cinema Milton : Taylor & Francis Group,c2020 ISBN 9780367209384
    Language: English
    Keywords: Electronic books.
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  • 5
    UID:
    almahu_9949383575402882
    Format: 1 online resource.
    ISBN: 9781315516714 , 1315516713 , 9781315516738 , 131551673X , 9781315516721 , 1315516721 , 9781315516707 , 1315516705
    Series Statement: AFI film readers
    Content: "The twentieth century generated tens of thousands of hours of American newsfilm but not the scholarly apparatus necessary to analyze and contextualize them. Assembling new approaches to the study of U.S. newsfilm in cinema and television, this book makes a long overdue critical intervention in the field of film and media studies by addressing the format's inherent intermediality; its mediation of "events" for local, national, and transnational communities; its distinctive archival legacies; and, consequently, its integral place in film and television studies more broadly. This collection brings fresh, contemporary methodologies and analysis to bear on a vast amount of material that has languished in relative obscurity for far too long"--
    Note: The Great War and the making of the American newsreel / Greg Wilsbacher -- News electric circuits : newspapers, newsreels, and radio between the wars / Sara Beth Levavy -- Home invasions : Hearst newsreels, American preparedness, and the coming of World War II / Kenneth Hough -- Completing the transmedia trinity : a history of the telenews theater corporation / Michael Aronson -- Historicizing television news in the 1960s : case studies of the Kennedy assassination and the Selma voting rights campaign / Aniko Bodroghkozy -- Breakthroughs by women in documentary newsfilm production : a case history of NBC's Washington Documentary Unit, 1961-1989 / Thomas A. Mascaro -- The circulation of local newsreels in the silent period : the case of Detroit / Richard Abel -- Technologies of place in the early sound newsreel : the aerial view / Jennifer L. Peterson -- From Canada and back again : Roy Tash, Montreal's Associated Screen News and the U.S. newsreel's transnational flows before WWII / Joseph Clark -- A long ride on the Metro : Metro News, Hearst Metrotone Incorporated, and U.S. Studio-Government Relations / Ross Melnick -- Mama's brand of TV : LBJ, family-owned broadcasting, and complicating local newsfilm / Caroline Frick -- The Hearst Metrotone News Collection at the UCLA Film and Television Archive / Blaine M. Bartell -- Movietonews, Incorporated : a researchers introduction / Greg Wilsbacher -- Newsfilm at the National Archives and Records Administration : an overview and spotlight on the Universal Newsreel Collection / Ellen Mulligan and Carol Swain -- The KTLA Newsfilm Collection at UCLA : research opportunities and challenges / Mark Quigley -- Reading the news(films) : local television news collections at the University of South Carolina / Amy Meaney -- If you digitize it, they will come or welcome South, brother : local television newsfilm collections at the University of Georgia / Ruta Abolins -- The collaborative collection : Boston TV News / Karen Cariani -- Fifty terms for newsfilm : a typology of archival elements / Dan Streible -- Watching radio : early newsfilm collections as alternative radio archives / Shawn VanCour -- Archives of liveness : television newsfilm reconsidered / Mark J. Williams -- Outtakes : perils and possibilities / Mark Cooper and Jaimie Baron (including Note on Wuzhip! / Mark Cooper, Elaine Chun, Stanley Dubinsky, and Tracey Weldon-Stewart).
    Additional Edition: Print version: Rediscovering U.S. newsfilm New York : Routledge, 2018. ISBN 9781138699458
    Language: English
    Keywords: Electronic books. ; Electronic books. ; History.
    URL: Volltext  (URL des Erstveroeffentlichers)
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  • 6
    UID:
    gbv_186048638X
    ISSN: 1477-674X
    In: Paedagogica historica, Philadelphia, Pa. : Taylor & Francis, 1961, 00(2023), 0, Seite 1-4, 1477-674X
    In: volume:00
    In: year:2023
    In: number:0
    In: pages:1-4
    Language: English
    Keywords: Rezension
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  • 7
    UID:
    gbv_1860380336
    ISSN: 1477-674X
    In: Paedagogica historica, Philadelphia, Pa. : Taylor & Francis, 1961, 00(2023), 0, Seite 1-19, 1477-674X
    In: volume:00
    In: year:2023
    In: number:0
    In: pages:1-19
    Language: English
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  • 8
    Online Resource
    Online Resource
    Manchester, UK : Manchester University Press
    UID:
    b3kat_BV048724575
    Format: 1 online resource (xvii, 333 pages) , illustrations; digital, PDF file(s)
    ISBN: 9781526102218
    Content: 'This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. Foregrounding the centrality of space and spatial identity within both the French cinematic tradition and modern French thought, Space and Being in Contemporary French Cinema proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new ‘space of the cinematic subject’. If cinema, it argues, shows us both the process of physical space becoming formal space and the world becoming the world, then to destabilise the cinematic frame is potentially to rediscover the material world afresh.Accessible and wide-ranging, this volume examines our contemporary experience of perception and subjectivity and suggests that cinema extends ethically the parameters of the visual field when it engages directly with space as a multi-dimensional and multi-sensory experience. The book opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies' --Back cover
    Content: The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new ‘space of the cinematic subject’. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies.Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser)
    Note: Includes bibliographical references, filmography and index , Prefac -- Making Space --1. Space, Cinema, Being --i. Space in Cinema --ii. Space in Modern French Thought --iii. The Space of the Cinematic Subject --iv. Space and Place in French Cinema: A Tradition --v. Space and Being in Contemporary French Cinema --2. Topographies of Being: Space, Sensation, and Spectatorship in the Films of Bruno Dumont --3. Requiem for a City: the Symbolics of Space in the Cinema of Robert Guédiguian --4. Heading Nowhere: Framing Space and Social Exclusion in the Films of Laurent Cantet --5. Re-siting the Republic: Abdellatif Kechiche and the Politics of Reappropriation and Renewal --6. Beyond the Other: Grafting Space and Human Relations in the Trans-cinema of Claire Denis --7. In Lieu of a Conclusion --Bibliography --Select Filmography --Index
    Language: English
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  • 9
    Online Resource
    Online Resource
    Manchester, UK : Manchester University Press
    UID:
    b3kat_BV048724583
    Format: 1 online resource (viii, 269 pages) , illustrations (black and white); digital, PDF file(s)
    ISBN: 9781526110855
    Content: ' ‘A rule of mine is this’, said the screenwriter William Goldman in 1983, ‘there are always three hot directors and one of them is always David Lean.’ One of the best known and most widely admired of British filmmakers, David Lean enjoyed a directorial career that spanned five decades and encompassed everything from the intimate black-and-white romance of Brief Encounter (1945) and the celebrated adaptation Great Expectations (1946) to the spectacular Technicolor epic of Lawrence of Arabia (1962) and his successful return to the screen after a 14 year hiatus, A Passage to India (1984).Melanie Williams’ comprehensive overview of the director’s body of work yields new insights on the established classics of Lean’s career as well as its lesser-known treasures. The book’s approach combines archival investigation of the details of production, marketing and critical reception alongside nuanced close readings of Lean’s films in terms of mise-en-scene, cinematography, editing, and soundtrack, aiming to honour the director’s belief that ‘moments you remember in movies are not often dialogue. They are images – pictures with music and sound that move you.’ David Lean also offers an original approach to its subject matter by prioritising questions of gender, emphasising the often-overlooked but highly significant recurrence of female-centred narratives throughout the director’s career. In so doing, it offers a full analysis and appreciation of the director’s manifold achievements, making the book essential reading for all students and scholars of British cinema and every admirer of this remarkable British filmmaker' --Back cover
    Content: ‘A rule of mine is this’, said William Goldman in 1983, ‘there are always three hot directors and one of them is always David Lean.’ One of the best known and most admired of British film makers, David Lean had a directorial career that spanned five decades and encompassed everything from the intimate black-and-white romance of Brief Encounter (1945) to the spectacular Technicolor epic of Lawrence of Arabia (1962).This book offers comprehensive coverage of every feature film directed by Lean, yielding new insights on the established classics of his career as well as its lesser-known treasures. Its analysis prioritises questions of gender and emphasises the often-overlooked but highly significant recurrence of female-centred narratives throughout Lean’s career. Drawing extensively on archival historical materials while also presenting nuanced close readings of individual films, David Lean offers a fascinating and original account of the work of a remarkable British film maker
    Note: Includes bibliographical references and index , Introduction --1. Cutting and cowar -- David Lean’s early career and In Which We Serve (1942), This Happy Breed (1944) and Blithe Spirit (1945) --2. Nineteenth century blues: Great Expectations (1946), Oliver Twist (1948), Madeleine (1950) and Hobson’s Choice (1954) --3. Women in love: Brief Encounter (1945), The Passionate Friends (1949) and Summer Madness (1955) --4. Men of Vision: The Sound Barrier (1952), The Bridge on the River Kwai (1957) and Lawrence of Arabia (1962) --5. Feminising the epic: Doctor Zhivago (1965), Ryan’s Daughter (1970) and A Passage to India (1984) --Select Bibliography --Index
    Language: English
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  • 10
    Online Resource
    Online Resource
    Manchester, UK : Manchester University Press
    UID:
    b3kat_BV048724655
    Format: 1 online resource ( xi, 239 pages) , digital, PDF file(s)
    ISBN: 9781526141736
    Content: 'This is the first introduction of its kind to an important cross-section of postcolonial African filmmakers from the 1950s to the present. Building on previous critical work in the field, this volume will bring together ideas from a range of disciplines – film studies, African cultural studies, and, in particular, postcolonial studies – in order to combine the in-depth analysis of individual films and bodies of work by individual directors with a sustained interrogation of these films in relation to important theoretical concepts. Structurally, the book is straightforward, though the aim is to incorporate diversity and complexity of approach within the overall simplicity of format. Chapters provide both an overview of the director’s output to date, and the necessary background – personal or national, cultural or political – to enable readers to achieve a better understanding of the director’s choice of subject matter, aesthetic or formal strategies, or ideological stance. They also offer a particular reading of one or more films, in which the authors aim to situate African cinema in relation to important critical and theoretical debates. This book thus constitutes a new departure in African film studies, recognising the maturity of the field, and the need for complex yet accessible approaches to it, which move beyond the purely descriptive while refusing to get bogged down in theoretical jargon. Consequently, the volume should be of interest not only to specialists but also to the general reader' --Back cover
    Note: Includes bibliographical references and index , List of Illustrations --Acknowledgements --Availability of African Films --Introduction --chapter -- Youssef Chahine --chapter 2: Ousmane Sembene --chapter 3: Med Hondo --chapter 4: Djibril Diop Mambéty --chapter 5: Souleymane Cissé --chapter 6: Flora Gomes --chapter 7: Idrissa Ouédraogo --chapter 8: Moufida Tlatli --chapter 9: Jean-Pierre Bekolo --chapter 10: Darrell James Roodt --Bibliography
    Language: English
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