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  • Berlin  (9)
  • Berlin International  (6)
  • GB Glienicke/Nordbahn  (3)
  • 2015-2019  (3)
  • 2005-2009  (6)
Type of Medium
Language
Region
Library
Years
Year
  • 1
  • 2
    Book
    Book
    Ostfildern : DuMont Reiseverlag
    UID:
    kobvindex_VBRD-i9783770173969
    Format: 296 Seiten , Illustrationen, Diagramme, Karten , 19 cm
    Edition: 2., aktualisierte Auflage
    ISBN: 9783770173969
    Series Statement: DuMont Reise-Taschenbuch
    Language: German
    Keywords: Führer ; Führer
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    München : 360 Grad Verlag GmbH
    UID:
    kobvindex_SBC1211411
    Format: 160 Seiten
    ISBN: 9783961857562
    Content: Tom Lehel ist ein TV-Star und Entertainer, doch auch er wurde als Kind beleidigt und gemobbt. Aber er glaubte an sich und seine Kraft. Selbstbewusst zeigte er Stärke und anderen Grenzen auf und forderte Fairness und Akzeptanz. Mit grosser Offenheit, Realitätssinn und Humor, frech und selbstbewusst, erzählt Tom Lehel seine Geschichte "Auch ich wurde gemobbt", beschreibt, was er als Kind und Jugendlicher erlebt hat, als er gemobbt wurde, und wie er sich dabei fühlte. Das liest sich nicht nur sehr cool und unterhaltsam - es macht auch allen Leserinnen und Lesern Mut und sagt ihnen: DU bist richtig!Perfekt geeignet für Grundschüler als Lektüre und für das Gespräch der Kinder und mit Lehrern und Eltern.
    Note: Deutsch
    Language: German
    Keywords: Kindersachbuch ; Kindersachbuch
    URL: Cover
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  • 4
    UID:
    kobvindex_KHB0024889
    Format: 165 S. : zahlr. Ill.
    ISBN: 978-0-141-03579-6 , 0-14-103579-X
    Series Statement: Penguin on design
    Content: Text in engl.
    Note: Originally published: London: BBC/Penguin, 1972
    Language: English
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  • 5
    Image
    Image
    Berlin, Germany : Georg-Kolbe-Museum ;
    UID:
    kobvindex_INT0001801
    Format: 79 pages , illustrations , 26 cm
    ISBN: 9783980776226 , 3980776220
    Content: "1990 wurde der Marianne-Werefkin-Preis ins Leben gerufen und in der Satzung festgeschrieben. Damit folgte der Verein seiner Tradition, das herausragende Schaffen von Künstlerinnen zu honorieren. In seiner Gründungszeit war es der deutschlandweit erste, ausschließlich Künstlerinnen gewidmete Preis. Namenspatronin ist die berühmte Avantgardistin und Expressionistin Marianne von Werefkin (1860-1938). Die Künstlerin war Privatschülerin von Ilja Repin. Bis zur Bekanntschaft mit Alexej Jawlensky malte sie hervorragende impressionistische und realistische Bilder. Mit der Übersiedlung nach München stellte sie ihre Kunst zugunsten der Förderung ihres Partners für zehn Jahre zurück. Maßgeblich war sie an der Gründung der 'Neuen Künstlervereinigung München' und des 'Blauen Reiters' beteiligt. 1906 wandte sie sich wieder der Malerei zu. Sie schuf eine Vielzahl an fulminanten Arbeiten, in denen sie den Expressionismus vorantrieb. Mit Jawlensky, Gabriele Münter und Wassily Kandinsky revolutionierte Marianne Werefkin die Kunst des frühen 20. Jahrhunderts. Ihre Arbeiten befinden sich in der Fondazione Marianne Werefkin Ascona, in der Städtischen Galerie im Lenbachhaus München und im Museum Wiesbaden. Das Preisgeld des Marianne Werefkin-Preises in Höhe von 5.000 € wird von Kunstfreund.innen gestiftet, darunter Heidi Hetzer vom Berliner Opelhaus Hetzer, Ute Gräfin von Hardenberg, Bodo Brückner von der Firma Lieken-Urkorn, Wolfgang Dreyer und Klaus-Peter Gulich von der Versicherung Zurich-Gruppe und Gerhard Girner und Martin Steinkühler von der Deutschen Apotheker- und Ärztebank. Zweck des Preises laut Vereinssatzung ist: '... Maßnahmen der Öffentlichkeitsarbeit mit dem Ziel, die lange Tradition künstlerisch arbeitender Frauen und die Bedeutung ihres Werkes in Geschichte, Gegenwart und Zukunft im deutschen und internationalen Kulturkreis bekannt zu machen.' (§ 3, Vereinssatzung)." -- In 1990 the Marianne Werefkin Prize was launched and set out in the statutes. In doing so, the association followed its tradition of honoring the outstanding work of women artists. When it was founded, it was the first prize in Germany to be exclusively dedicated to women artists. The namesake is the famous avant-garde and expressionist Marianne von Werefkin (1860-1938). The artist was a private student of Ilya Repin. Until she became acquainted with Alexej Jawlensky, she painted excellent impressionistic and realistic pictures. When she moved to Munich, she put her art on hold for ten years in favor of her partner's support. She was instrumental in founding the 'New Artists' Association Munich' and the Blue Rider '. In 1906 she turned back to painting. She created a multitude of brilliant works in which she advanced expressionism. With Jawlensky, Gabriele Münter and Wassily Kandinsky, Marianne Werefkin revolutionized the art of the early 20th century. Her work can be found in the Fondazione Marianne Werefkin Ascona, in the Städtische Galerie im Lenbachhaus Munich and in the Museum Wiesbaden. The prize money of the Marianne Werefkin Prize of € 5,000 is donated by Kunstfreund.innen, including Heidi Hetzer from the Berlin Opelhaus Hetzer, Ute Countess von Hardenberg, Bodo Brückner from the Lieken-Urkorn company, Wolfgang Dreyer and Klaus-Peter Gulich from der Insurance Zurich Group and Gerhard Girner and Martin Steinkühler from the Deutsche Apotheker- und Ärztebank. According to the association's statutes, the purpose of the prize is: '... public relations measures with the aim of making the long tradition of women who work artistically and the importance of their work in the past, present and future known in German and international culture." (§ 3, association statutes)"
    Language: German
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  • 6
    Online Resource
    Online Resource
    Oxford : Taylor and Francis Group
    UID:
    kobvindex_INT69897
    Format: 1 online resource (291 pages)
    Edition: 1st ed.
    ISBN: 9780805852929 , 9781410616975
    Series Statement: Routledge Communication Series
    Content: Gaining Influence in Public Relations explores how professionals can increase their influence in practice to help their organizations achieve success. This provocative book explores the largely uncharted territories of power, resistance, dissent, and activism in public relations, arguing that practitioners can increase their power and social legitimacy by developing and using a wider range of influence resources, strategies, and tactics. Authors Bruce K. Berger and Bryan H. Reber talked with hundreds of practitioners, analyzed original survey data, and examined a detailed case study to develop a theory of power relations. Ultimately, the book seeks to advance the ethical and effective practice of public relations
    Note: Book Cover -- Title -- Copyright -- Contents -- About the Authors -- Preface -- CHAPTER 1 Influence in Public Relations and Why It's Important -- CHAPTER 2 Public Relations Roles, Responsibilities, and the "Right Thing" -- CHAPTER 3 Resistance, Politics, and Power Relations -- CHAPTER 4 Identifying and Using Influence Resources in Public Relations -- CHAPTER 5 Alpha Approaches in Public Relations: The Use of Sanctioned Influence Tactics -- CHAPTER 6 The Communication Change Project at Whirlpool: Converting Power Into Performance -- CHAPTER 7 Omega Approaches in Public Relations: The Use of Unsanctioned Influence Tactics -- CHAPTER 8 The Use of Dissent in Public Relations -- CHAPTER 9 The Power of Political Will and Intelligence -- CHAPTER 10 Breaking Out of the "Iron Cage" of Practice -- CHAPTER 11 A Public Relations Manifesto -- Appendix: The Dissent Survey -- References -- Author Index -- Subject Index
    Additional Edition: Print version Berger, Bruce K. Gaining Influence in Public Relations Oxford : Taylor & Francis Group,c2005 ISBN 9780805852929
    Language: English
    Keywords: Electronic books
    URL: FULL  ((OIS Credentials Required))
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  • 7
    UID:
    kobvindex_INT70393
    Format: 1 online resource (214 pages)
    Edition: 1st ed.
    ISBN: 9780415777803 , 9780203873731
    Series Statement: Routledge Advances in Heterodox Economics Series
    Content: This thought-provoking volume seeks to answer some of the ultimate economic questions in terms of a theory that emerged with Adam Smith and is now come to full fruition; the principle of circular and cumulative causation (CCC) This full-fledged theoretical framework explains the whole interplay of technology, firms, resources, culture, institutions and economic policy to understand the basic drives behind modern day economic dynamics
    Note: Book Cover -- Title -- Copyright -- Contents -- Contributors -- Foreword -- Acknowledgements -- 1 Introduction -- 2 On competing views of the importance of increasing returns, cumulative causation and path-dependence -- 3 Cumulative causation and Northeast Asian post-war industry policy -- 4 Cumulative causation and industrial development: The regional stage -- 5 Nicholas Kaldor and cumulative causation: Public policy implications -- 6 The principle of circular and cumulative causation: Myrdal, Kaldor and contemporary heterodox political economy -- 7 Circular cumulative causation à la Myrdal and Kapp -- 8 Utilizing the social fabric matrix to articulate circular and cumulative causation for conceptual conclusions -- 9 Unnatural depletion and artificial abundance: A circular cumulative causation analysis of salmon fisheries and some implications for political ecological economics -- 10 Circular and cumulative causation in the classics: Anticipations, family resemblances, and the influence on Post Keynesian economics -- 11 Peirce, Veblen, and the introduction of cumulative causation into economic science -- 12 Veblen's cumulative causation and the origins of money in Mesopotamia -- Index
    Additional Edition: Print version Berger, Sebastian The Foundations of Non-Equilibrium Economics Oxford : Taylor & Francis Group,c2009 ISBN 9780415777803
    Language: English
    Keywords: Electronic books
    URL: FULL  ((OIS Credentials Required))
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  • 8
    Online Resource
    Online Resource
    Oxford : Taylor and Francis Group
    UID:
    kobvindex_INT72714
    Format: 1 online resource (367 pages)
    Edition: 1st ed.
    ISBN: 9780765616166 , 9781315704050
    Content: Sponsored by MIT's Industrial Performance Center, this book examines the impact of globalization on the industry and economy of Taiwan since the 1990s. As manufacturing and services move plants and jobs to low-wage countries like China and India, what will remain at home in societies like Taiwan?
    Note: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of Tables and Figures -- Preface -- 1. Globalization and the Future of the Taiwan Miracle -- 2. Industry Co-Evolution: A Comparison of Taiwan and North American Electronics Contract Manufacturers -- 3. Leading, Following, or Cooked Goose? Explaining Innovation Successes and Failures in Taiwan's Electronics Industry -- 4. A Tale of Two Sectors: Diverging Paths in Taiwan's Automotive Industry -- 5. Moving Along the Electronics Value Chain: Taiwan in the Global Economy -- 6. From NAFTA to China? Production Shifts and Their Implications for Taiwanese Firms -- 7. Innovation and the Limits of State Power: Integrated Circuit Design and Software in Taiwan -- 8. Cross-Straits Integration and Industrial Catch-Up: How Vulnerable Is the Taiwan Miracle to an Ascendant Mainland? -- Notes -- Bibliography -- The Authors -- Index
    Additional Edition: Print version Berger, Suzanne Global Taiwan Oxford : Taylor & Francis Group,c2005 ISBN 9780765616166
    Language: English
    Keywords: Electronic books
    URL: FULL  ((OIS Credentials Required))
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  • 9
    UID:
    kobvindex_INT46ab709c-3272-4a03-991e-d1b1394b8e2c
    Format: 1 online resource (104 pages)
    Edition: 1st edition
    ISBN: 9780692283950
    Content: In the 2011 book Dark Matter: Art and Politics in the Age of Enterprise Culture, the artist Gregory Sholette posits that we are living in an era of surplus creative energies concentrated in a teeming archive of artists, the poor, the "unskilled" and the "economically invisible." It is a potentially disruptive archive that capitalism can't always manage but can still hope to eventually exploit and assimilate. Within this archive seethes creative energy that can extend itself in unique and unsettling ways, across multiple categories and disciplines. Often, however such energy is captured by the winners and arbiters in our "risk society" and thereby sanitized and neutralized. So it becomes necessary for artists, theorists, writers and activists to be versatile in their tactics, cryptic and evasive in their manifestations and criminally implacable in their visions. The Iron Garters are an "art gang" that masquerades, disseminates and performs as your archetypal "criminals," "outcasts" "mystics," "losers" and "lunatics": in short, a vital and necessary social surplus. Their antics have been traced back to Jean Genet's novel The Thief's Journal, the films of Kenneth Anger, as well as the Dada poems of Baroness Elsa and Hugo Ball. Yet still other Garters have been nourished on the Vienna Actionists, Genesis P-Orridge, Diamanda Galas, Gilles Deleuze, Samuel Delany, and the dulcet sounds of The Cramps. With a critical and aesthetic arsenal salvaged from underground "kulchurs" and academia's collective libido, the Iron Garters are not afraid to demand excitement along with analysis, frenzy coupled to resistance, and fashion inseparable from infiltration. Founded in San Francisco on a full moon night after a "deathpunk" show, the original members grew adversely impacted by the economic invasions reducing a once great city to a tepid monoculture. Fueled by queer, antinomian, heretical and radical traditions, the Garters pilgrimaged into various trans-continental sanctuaries and beachheads, leaving behind them radiant paper trails of provocation and sedition. This volume is one such radiant paper trail
    Note: Available through punctum books , Mode of access: World Wide Web
    Language: English
    URL: FULL
    URL: FULL
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