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  • Berlin International  (6)
  • SB Ulrich Plenzdorf Seelow
  • GB Brieselang
  • Anyone Corporation  (6)
  • 1
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    Any / (1991)
    Cambridge, MA, USA :MIT Press,
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    UID:
    kobvindex_INT0002829
    Format: 10 volumes : , illustrations, plans ; , 27 cm.
    ISBN: 9780262540889 (pbk. : vol. 6) , 0262540886 (pbk. : vol. 6)
    Content: MACHINE-GENERATED SUMMARY NOTE (from the description of the 10th volume of the series): "Anything is the tenth and final book in the ongoing series that began in 1991 with Anyone and was followed by Anywhere, Anyway, Anyplace, Anywise, Anybody, Anyhow, Anytime, and Anymore. Each volume is based on a conference at which architects and leaders in other fields came together to present papers and discuss a particular idea in architecture from a cross-cultural and multidisciplinary perspective."
    Note: CONFERENCE NOTE: "[...] a series of eleven planned volumes documenting the annual international, cross-disciplinary conferences being sponsored by Anyone Corporation to investigate the condition of architecture at the end of the millennium." -- Anyone 6, title page verso.
    Language: English
    Keywords: Conference papers and proceedings
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  • 2
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    Any; 6 :: Anybody (1997)
    Cambridge, MA, USA : MIT Press
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    UID:
    kobvindex_INT0001503
    Format: 287 pages , illustrations (some colour), plans , 27 cm
    ISBN: 9780262540889 , 0262540886
    Content: "The Vitruvian Man, the Golden Section, and the Modular Man were once seen as idealized, iconic representations of the relationship of the human body to architecture. But the widespread practice of psychoanalysis, the development of genetic engineering, and the raised consciousness of the female body have altered not only the traditional idea of body but also how we inhabit the body, and how we make and inhabit space. How does the new understanding of the body relate to space? How does architecture adjust to this new idea of body? When does the body become the body politic? In Anybody, these and other questions are argued by thirty essayists, including architects Peter Eisenman, Arata Isozaki, Ben van Berkel, Enrique Norten, and Alejandro Zaero-Polo, and critics Fredric Jameson, Sylviane Agacinski, Elizabeth Grosz, Beatriz Colomina, and Brian Massumi. Anybody is the sixth book in the ongoing series that began in 1991 with Anyone and was followed by Anywhere, Anyway, Anyplace, and Anywise. Each volume is based on a conference in which architects, philosophers, historians, theoreticians, artists, and intellectuals come together to present papers and discuss a particular theme from a multicultural and multidisciplinary perspective. The conference upon which Anybody is based took place at the Museo Nacional de Bellas Artes in Buenos Aires, Argentina, in June 1996. Anybody will be followed by Anyhow, Anytime, Anymore, and Anything."
    Note: CONFERENCE NOTE: "Anybody is the sixth in a series of eleven planned volumes documenting the annual international, cross-disciplinary conferences being sponsored by Anyone Corporation to investigate the condition of architecture at the end of the millennium." -- Title page verso , CONFERENCE NOTE: 6th Any Conference, Buenos Aires, June 1996. -- Page [7]
    Language: English
    Keywords: Conference papers and proceedings
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  • 3
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    The second digital turn : design beyond intelligence (2017)
    Cambridge, MA, USA : MIT Press
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    UID:
    kobvindex_INT0004035
    Format: x, 224 pages , illustrations, plans , 20.5 x 14 cm
    ISBN: 9780262534024 , 0262534029
    Series Statement: Writing architecture
    Content: "Almost a generation ago, the early software for computer aided design and manufacturing (CAD/CAM) spawned a style of smooth and curving lines and surfaces that gave visible form to the first digital age, and left an indelible mark on contemporary architecture. But today's digitally intelligent architecture no longer looks that way. In The Second Digital Turn, Mario Carpo explains that this is because the design professions are now coming to terms with a new kind of digital tools they have adopted -- no longer tools for making but tools for thinking. In the early 1990s the design professions were the first to intuit and interpret the new technical logic of the digital age: digital mass-customization (the use of digital tools to mass-produce variations at no extra cost) has already changed the way we produce and consume almost everything, and the same technology applied to commerce at large is now heralding a new society without scale -- a flat marginal cost society where bigger markets will not make anything cheaper."
    Note: EDITORIAL NOTE: published in the Writing architecture series, a project of the Anyone Corporation, edited by Cynthia Davidson , Acknowledgments -- Introduction -- THE SECOND DIGITAL TURN : Data-compression technologies we don't need anymore ; Don't sort : search ; The end of modern science ; The new science of form-searching ; Spline making, or the conquest of free form ; From calculus to computation : the rise and fall of the curve ; Excessive resolution ; The new frontier of alienation, and beyond -- THE END OF THE PROJECTED IMAGE : Verbal to visual ; Visual to spatial ; The technical and cognitive primacy of flatness in early modern art and science ; The underdogs : early alternatives to perspectival projections ; The digital renaissance of the third dimension -- THE PARTICIPATORY TURN THAT NEVER WAS : The new digital science of the many ; The style of many hands ; Building : digital agencies and their styles -- ECONOMIES WITHOUT SCALE : TOWARD A NONSTANDARD SOCIETY : Mass production, economies of scale, standardization ; The rise and fall of standard prices ; The digital mass-customization of social practices -- Postface : 2016 -- Notes -- Index
    Language: English
    URL: FULL
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  • 4
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    Any; 9 :: Anymore (2000)
    Cambridge, MA, USA : MIT Press | Cambridge, Mass. : MIT Press
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    UID:
    kobvindex_INT0002830
    Format: 295 pages , illustrations (black and white), plans , 27 cm
    ISBN: 9780262541107 , 0262541106
    Content: "At the turn of the millennium -- the end of a calibrated period of time -- it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious period known as modernism. Can we assume that a simple calendar change signals an end or a time of end? Is there anymore? The contributions in Anymore are by architects, critics, historians, philosophers, sociologists, urbanists, and others. They include Akira Asada, Hubert Damisch, Peter Eisenman, Arata Isozki, Rem Koolhas, Rosalind Krauss, Ignasi de Solà-Morales, Mark Taylor, Bernard Tschumi, and Anthony Vidler, as well as young architects from France whose work many American readers will encounter here for the first time. Anymore is the ninth book in the ongoing series that began in 1991 with Anyone and was followed by Anywhere, Anyway, Anyplace, Anywise, Anybody, Anyhow, and Anytime. Each volume is based on a conference at which architects and leaders in other fields come together to present papers and discuss a particular idea in architecture from a cross-cultural and multidisciplinary perspective. The conference upon which Anymore is based took place in Paris in June 1999. Anymore will be followed by Anything."
    Note: CONFERENCE NOTE: "Anymore is the ninth in a series of ten planned volumes documenting the annual international, cross-disciplinary conferences being sponsored by the Anyone Corporation to investigate the condition of architecture at the end of the millennium." -- Title page verso , includes bibliographical references.
    Language: English
    Keywords: Conference papers and proceedings
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  • 5
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    Any; 10 :: Anything (2001)
    Cambridge, MA, USA : MIT Press | Cambridge, Mass. : MIT Press | New York, N.Y. : Anyone Corporation ;
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    UID:
    kobvindex_INT0002831
    Format: 283 pages , illustrations (black and white), plans, maps , 27 cm
    ISBN: 9780262541305 , 0262541300
    Content: "At a time when the fragmented ideas and styles in architecture make it seem as if "anything goes," Anything asks whether there are constraints to thought and action that change "anything" to "the thing." In thirty-two original essays, many of them illustrated, leading architects, theorists, historians and others discuss their works. The wide-ranging topics include a "refugee republic," "blur buildings," virtual environments, shopping, and stress. "Anything," it would seem, is many things, opening the way for architecture to embrace history, science, research, and technology. The authors include, among others, Caroline Bos, Ignasi de Solà-Morales, Elizabeth Diller, Peter Eisenman, Zaha Hadid, Jacques Herzog, Steven Holl, Osamu Ishiyama, Arata Isozaki, Romi Khosla, Rem Koolhaas, Greg Lynn, Rafael Moneo, Jean Nouvel, Wolf Prix, Hani Rashid, Bernard Tschumi, and Ben van Berkel. Anything is the tenth and final book in the ongoing series that began in 1991 with Anyone and was followed by Anywhere, Anyway, Anyplace, Anywise, Anybody, Anyhow, Anytime, and Anymore. Each volume is based on a conference at which architects and leaders in other fields came together to present papers and discuss a particular idea in architecture from a cross-cultural and multidisciplinary perspective. The conference upon which Anything is based took place in New York City in June 2000."
    Note: CONFERENCE NOTE: "Anything is the tenth and last book in a series of volumes documenting the annual international, cross-disciplinary conferences sponsored by the Anyone Corporation from 1991-2000 to investigate the condition of architecture at the end of the millennium." -- Title page verso , CONFERENCE NOTE: 10th Any Conference, New York, 1-3 June 2000. -- Page [9]
    Language: English
    Keywords: Conference papers and proceedings
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  • 6
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    Any; 8 :: Anytime (1999)
    Cambridge, MA, USA : MIT Press | ©1999
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    UID:
    kobvindex_INT0002828
    Format: 296 pages , illustrations (black and white), plans , 27 cm
    ISBN: 9780262541022 , 0262541025
    Content: "Architecture functions between tradition and innovation, between historical archetypes and that which as yet has no form. This historicity and concurrent openness to futurity are two of the subjects discussed in Anytime, which probes architecture's relationships with space and time. After a section called "Beginnings," in which ten young architects address rupture, change, and movement, the book is organized into five sections: Trajectories, The Collapse of Time, (M)anytimes, Futures, and Rethinking Space and Time. Contributors include Akira Asada, Hubert Damisch, Peter Eisenman, Zaha Hadid, Arata Isozaki, Fredric Jameson, Rem Koolhaas, Bruce Mau, John Rajchman, Michael Sorkin, and Bernard Tschumi, as well as architects whose work many American readers will encounter here for the first time. Anytime is the eighth book in the ongoing series that began in 1991 with Anyone and was followed by Anywhere, Anyway, Anyplace, Anywise, Anybody, and Anyhow. Each volume is based on a conference at which architects and leaders in other fields come together to present papers and discuss a particular a particular idea in architecture from a multicultural and multidisciplinary perspective. The conference upon which Anytime is based took place in Ankara, Turkey, in June 1998. Anytime will be followed by Anymore and Anything."
    Note: CONFERENCE NOTE: "Anytime is the eighth in a series of eleven planned volumes documenting the annual international, cross-disciplinary conferences being sponsored by Anyone Corporation to investigate the condition of architecture at the end of the millennium." -- Title page verso , CONFERENCE NOTE: 8th Any Conference, Ankara, June 1998. -- Page [7]
    Language: English
    Keywords: Conference papers and proceedings
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