Umfang:
X, 299 S. :
,
Ill.
ISBN:
0-226-77415-5
,
978-0-226-77415-2
,
0-226-77416-3
,
978-0-226-77416-9
Serie:
Cinema and modernity
Inhalt:
"Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema's 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip. Brilliantly interpreting dozens of recent films - from Being John Malkovich, Donnie Darko, and The Sixth Sense to La mala educación and Cache - Stewart investigates how their treatments of time reflect the change in media from film's original rolling reel to today's digital pixel." -- Publisher's description.
Anmerkung:
Includes bibliographical references and index
Sprache:
Englisch
Fachgebiete:
Allgemeines
Schlagwort(e):
Film
;
Zeit
;
Postmoderne
URL:
Table of contents only
URL:
Contributor biographical information
URL:
Publisher description
URL:
http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015754926&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
URL:
Table of contents only
URL:
Contributor biographical information
URL:
Publisher description
Mehr zum Autor:
Stewart, Garrett 1945-
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