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  • 1
    UID:
    b3kat_BV042540634
    Format: 424 S. , überw. Ill. , 260 mm x 205 mm
    ISBN: 9783721209136 , 9783721209129
    Language: English
    Keywords: Kunst ; Design ; Kreativität ; Methode ; Handbooks and manuals
    Author information: Müller, Betina
    Author information: Lindauer, Armin 1958-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    b3kat_BV045077118
    Format: 352 Seiten , Pläne
    ISBN: 9783945852156 , 3945852153
    Note: Auf dem Umschlag: "with projects by ifau, Jesko Fezer und Heide & von Beckerath, Michael Maltzan Architecture, ON design partners, pool Architekten, Ryue Nishizawa and many others" , Ausstellung: Vitra Design Museum, Weil am Rhein, 3 June-10 September 2017, CID - centre for innovation and design at Grand Hornu, Hornu, Belgium, 25 March-30 June 2018
    Additional Edition: Parallele Sprachausgabe
    Language: English
    Subjects: Engineering , Ethnology
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Wohnungsbau ; Gemeinschaft ; Kollektive Wohnform ; Geschichte 2000-2016 ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband ; Case studies ; Exhibition catalogues
    Author information: Ruby, Andreas 1966-
    Author information: Kries, Mateo 1974-
    Author information: Ruby, Ilka 1969-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    kobvindex_INT0000114
    Format: 432 pages : , illustrations; , 38 x 25.5 cm.
    ISBN: 9783836545303 (hbk.) , 3836545306 (hbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "Modernist aesthetics in architecture, art, and product design are familiar to many. In soaring glass structures or minimalist canvases, we recognize a time of vast technological advance which affirmed the power of human beings to reshape their environment and to break, radically, from the conventions or constraints of the past. Less well-known, but no less fascinating, is the distillation of modernism in graphic design. This unprecedented TASCHEN publication, authored by Jens Muller, brings together approximately 6,000 trademarks, focused on the period 1940-1980, to examine how modernist attitudes and imperatives gave birth to corporate identity. Ranging from media outfits to retail giants, airlines to art galleries, the sweeping survey is organized into three design-orientated chapters: Geometric, Effect, and Typographic. Each chapter is then sub-divided into form and style led sections such as alphabet, overlay, dots and squares. Alongside the comprehensive catalog, the book features an introduction from Jens Muller on the history of logos, and an essay by R. Roger Remington on modernism and graphic design. Eight designer profiles and eight instructive case studies are also included, with a detailed look at the life and work of such luminaries as Paul Rand, Yusaku Kamekura, and Anton Stankowski, and at such significant projects as Fiat, The Daiei Inc., and the Mexico Olympic Games of 1968. An unrivaled resource for graphic designers, advertisers, and branding specialists, Logo Modernism is equally fascinating to anyone interested in social, cultural, and corporate history, and in the sheer persuasive power of image and form."
    Content: MACHINE-GENERATED NOTE ABOUT AUTHOR(S)/EDITOR(S): "Jens Müller was born in Koblenz, Germany in 1982 and studied graphic design in Düsseldorf. Recipient of numerous national and international design awards, Müller is Creative Director of optik design studio in Düsseldorf, and editor of the A5 book series on graphic design history. He teaches graphic design history and editorial design as a visiting lecturer at the Peter Behrens School of Arts, University of Applied Sciences Düsseldorf. R. Roger Remington is Vignelli Distinguished Professor of Design at the Vignelli Center for Design Studies, Rochester Institute of Technology, New York. He has lectured and written extensively on the history of graphic design, including Nine Pioneers in American Graphic Design and Design and Science: The Life and Work of Will Burtin and has been recognized by the RIT Eisenhart Award for Outstanding Teaching and the Trustees Lifetime Achievement Award for Scholarship in Graphic Design."
    Note: MACHINE-GENERATED CONTENTS NOTE: JENS MÜLLER: Logo -- R. ROGER REMINGTON: Viva Modernism! -- GEOMETRIE -- Angular -- Arrow -- Basic Forms -- Circle -- Case Study: Daiei -- Cross -- Dots -- Figurative -- Lines -- Case Study: Mexico '68 -- Skewed -- Case Study: Fiat -- Round -- Square -- Triangle -- EFFECT -- Cut-off -- Case Study: Claude Neon -- Split -- Duplication -- Grid -- Reflection -- Outline -- Overlay -- Positive/Negative -- Case Study. De Ploeg -- Rotation -- Three-dimensional -- White on Black -- TYPOGRAPHIC -- A t o Z -- Case Study: Atlas Film -- Opened-up Letters -- Case Study: London Electricity Board -- Two Letters -- Three Letters -- Case Study: Deutscher Taschenbuch Verlag -- Words -- PROFILES -- Adrian Frutiger -- Paul Ibou -- Yusaku Kamekura -- Stefan Kanchev -- Burton Kramer -- Paul Rand -- Karol Sliwka -- Anton Stankowski -- INDEX -- BIBLIOGRAPHY. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    kobvindex_INT0000125
    Format: 304 pages : , richly illustrated (chiefly colour), plans ; , 21.5 x 16 cm.
    Edition: 2nd extended and revised edition.
    ISBN: 9783034613194 (hbk.) , 3034613199 (hbk.)
    Uniform Title: Manuskript : Essentials für den Alltag von Innenarchitekten und Designern.
    Content: MACHINE-GENERATED SUMMARY NOTE: "MANUscript is a reference book sui generis: a combination of inspiration, guide, and notebook. It explores basic aspects of interior design (ceilings, floors, walls, doors, stairs) and the relevant materials used (rugs, wall paint, glass, wood products, stone, concrete). It also focuses on means of recording and communicating designs: methods of representation, practical tables, rules of thumb, and hands-on suggestions. This updated and expanded second edition addresses new and important topics in day-to-day design practice, discusses how to use plants in green facades, space-defining shrubs, the staging potential of light, and also lists key terms in a multilingual table. There are also stimulating statements on design-related issues from prominent architects, interior designers, and designers. An additional special feature of this publication are the pages with space for personal additions, observations, and notes."
    Note: EDITORIAL NOTE: 1st edition published 2007. -- Imprint. , MACHINE-GENERATED CONTENTS NOTE: ESSENTIALS ... ... OF REPRESENTATION METHODICS: Three quality standards of a project: utilitas, firmitas, venustas -- Situational comprehension -- Sketching : Perspective grids, axonometic grids -- Thinking in sectional perspectives : Measuring, three-view projections; Isometry, axonometry, military perspective -- Creating context : Explaining principles; Arguing for an idea; Strategy and effect; Reason and feeling; Ingredients and taste; Casualness -- Technical drawing : Formula signs, units ; Abbreviations; Symbols and measurements; Building measurements and classifications; line thickness and type of line; Scales, plan heading, hatchings; Three-centered arch; Dimensional coordination; Signs and symbols; Conversions -- Model-making : Materials, surfaces, construction tips; Landscape of plaster; Mould and negative form -- Painting on canvas: Traditional panel painting technique -- ... OF TECTONICS AND STATICS: Proportions : Drawing analysis; Golden section; Triangle constructions -- Le Corbusier: Modular -- Fabonacci : Rabbit problems and numerical series -- Structural forms -- Formats -- Statics : Common measurements of concrete construction units; Relation of support length and support height; Forces and levers; Supports and loads -- Seams : Dividing and joining textiles -- ... FOR THE PLANNING OF INTERIOR FITTINGS: Floors: design and floor covering variants -- Suspended ceilings: some wall connections -- Wall coverings: joining natural stone -- Partition walls: separating, non-supporting construction units -- Plinths: the transition from wall to floor -- Stairs -- Doors: location, sizes, construction types -- Windows: it's a cross with muntins -- The smallest room: in public spaces -- Kitchens: measurements and arrangement variants -- Life at the workplace : office workplace measurements and distances -- Body sizes: school desk and chair heights -- Coloured wall paints: dispersion, silicate, casein, lime and distemper paints -- Wallpapers: interaction between space and colour -- Materials: textile coverings; Hardwood; Softwood; Fruit wood; Tropical wood; Glass; Concrete; Natural stone -- Greenery around the house : Climbing plants, trees and hedge; The green roof -- Light : Lighting effects; Reflections and lenses; Lighting variables; Lamps and sockets; Deflecting daylight -- ... FOR PRINTING PRESENTING AND COMMUNICATING: Subtractive colour synthesis: CMYK -- Additive colour synthesis: RGB -- Conversion table: from RAL to RGB and to CMYK -- Colour systems: on the monitor, in offset printing, in construction -- File formats: PDF, PICT, JPEG, EPS, GIF, TIFF -- Prepress: preparing for printing -- Graphic units: dpi, pt, lpi, poi -- Graphic standards: standardized formats, proofreader's marks, script justification -- Presenting: PDF presentations; Film sequences -- Reading distances: for text panels in exhibitions -- Image projections: image size and distances -- Typefaces : Grotesque, serif -- Writing up a explanatory text -- Preparing a presentation lecture -- Winning sponsors -- Writing a log -- Creating documentation -- Structuring a portfolio -- Come si dice?: Marking plans and presentation slides in different languages -- ... FROM DIFFERENT PERSPECTIVES: Apropos design / Axel Müller-Schöll -- The other and I / Ruedi Baur -- Objectification / Matthias Götz -- Colour / Manuel Schupp -- Water / Henri Snel -- Hybrids / Klaus Michel -- Transformations / Uwe Fischer -- Attentiveness / Anna Berkenbusch -- LInking / Axel Kufus -- Pre-sign / Johann Stief -- Studying / Kuno Prey -- Workshop / Klaus Lehmann -- The wolf in chic clothing / Axel Müller-Schöll - -- ... FOR LIFE BETWEEN 12 P.M. AND MIDNIGHT: Knowing the order of gods, recognizing the order of columns -- Telling Persian and other knotted carpets apart -- Chat abbreviations for architects and designers -- Phonetic alphabet for different languages -- Differentiating hotel categories -- Enjoying Cuban cigars -- Shoes distinguishing construction principles -- Putting house plants by the right window -- Planting a tree -- Securing aquarell brushes in your jacket -- Opening oysters and filleting fish -- Preparing potato salad -- Correctly knotting ties -- Knotting bow ties -- Staying fit and relaxing in the workplace -- ManuScript editorial -- Thoughts on this book -- Books: Classical works, recommendations, favourite books -- Index -- References -- Imprint. , LANGUAGE NOTE: translation from the German language edition: Manuskript : Essentials für den Alltag von Innenarchitekten und Designern. 2., erweiterte und überarbeitete Auflage. Basel : Birkhäuser, 2010.
    Language: English
    Keywords: Handbooks and manuals
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  • 5
    UID:
    kobvindex_INT0000366
    Format: 480 pages : , illustrations (chiefly colour) ; , 38 x 26 cm.
    ISBN: 9783836570374 (hbk.) , 3836570378 (hbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "Visual Revolutionaries. Design game changers, from the 1960s until today. Through the turbulent passage of time, graphic design-with its vivid, neat synthesis of image and idea-has distilled the spirit of each age. Surrounding us every minute of every day, from minimalist packaging to colorful adverts, smart environmental graphics to sleek interfaces: graphic design is as much about transmitting information as it is about reflecting society's cultural aspirations and values. This second volume rounds off the most comprehensive exploration of graphic design to date, spanning from the 1960s until today. About 2,500 seminal designs from across the globe guide us in this visual map through contemporary history, from the establishment of the International Style to the rise of the groundbreaking digital age. Around 130 key pieces go under the microscope in detailed analyses besides 120 biographies of the era's most important designers, including Massimo Vignelli (New York subway wayfinding system), Otl Aicher (Lufthansa identity), Yusaku Kamekura (Nikon poster campaign), Paula Scher (Citibank brand identity), Neville Brody (The Face magazine), and Stefan Sagmeister (handwriting posters). With his sweeping knowledge of the field, author Jens Müller curates the standout designs for each year alongside a running sequence of design milestones. Organized chronologically, each decade is prefaced by a succinct overview as well as a stunning visual timeline, offering a vivid display of the variety of graphic production in each decade as well as the global landscape which it at once described and defined. This collection of important graphic works represents a long-overdue reflection on the development of a creative field constantly changing and challenging itself. These key pieces act as coordinates through contemporary history, helping us trace the sheer influence of graphic design on our daily lives. Text in English, French, and German."
    Content: MACHINE-GENERATED NOTE ABOUT AUTHOR(S)/EDITOR(S): "Jens Müller was born in Koblenz, Germany, in 1982 and studied graphic design. Recipient of numerous national and international design awards, Müller is Creative Director of optik design studio in Düsseldorf, editor of the A5 book series on graphic design history, and author of Logo Modernism. He is a visiting lecturer at the University of Applied Sciences in Düsseldorf and currently holds a temporary professorship in the design department of the Dortmund University of Applied Sciences."
    Note: MACHINE-GENERATED CONTENTS NOTE: Graphic design and beyond -- 1960-1969 -- 1970-1979 -- 1980-1989 -- 1990-1999 -- 2000-2009 -- 2010-today -- Bibliography -- Index -- Imprint. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    kobvindex_INT0000365
    Format: 480 pages : , illustrations (chiefly colour) ; , 38 x 26 cm.
    ISBN: 9783836563079 (hbk.) , 383656307X (hbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "A Visual History of Graphic Design. A comprehensive look at hundreds of landmark projects, industry leader profiles, and illustrated timelines for each decade History is a complex business. Fortunes boom and bust, empires wax and wane, and change-whether social, political, or technological-has its winners, its losers, its advocates, and its enemies. Through all the turbulent passage of time, graphic design-with its vivid, neat synthesis of image and idea-has distilled the spirit of each age. This book offers a comprehensive history of graphic design from the end of the 19th century to the remains of World War II. It traces the evolution of this creative field from its beginning as poster design to its further development into advertising, corporate identity, packaging, and editorial design. Organized chronologically, the volume features over 2,500 seminal designs from all over the world, 71 of which are profiled in detail besides 61 leaders in the field, including Alphonse Mucha (chocolate advertisements), Edward Johnston (London Underground logo and typeface), El Lissitzky (constructivist graphics), Herbert Matter (photomontage travel posters from Switzerland), Saul Bass (animated opening titles), and A. M. Cassandre (art deco posters). With his sweeping knowledge of the field, author Jens Müller curates the standout designs for each year alongside a running sequence of design milestones. Meanwhile, in his introductory essay, David Jury situates graphic design from its point of origin in early printing, engraving, and lithography to striking creative developments in the 19th century. Each consecutive decade is then prefaced by a succinct overview as well as a stunning visual timeline, offering a vivid display of the variety of graphic production in each decade as well as the global landscape which it at once described and defined. As we move on from and reflect upon the 20th century, this staggering collection represents the foundations of what would influence some of the fastest changing creative fields, and a long-overdue recognition of the enormous contribution graphic design has made to economics, politics, social causes, arts, media, and the way we see the world. A second volume in preparation will cover the period from 1960 to today. Text in English, French, and German."
    Content: MACHINE-GENERATED NOTE ABOUT AUTHOR(S)/EDITOR(S): "Jens Müller was born in Koblenz, Germany, in 1982 and studied graphic design. Recipient of numerous national and international design awards, Müller is Creative Director of optik design studio in Düsseldorf, editor of the A5 book series on graphic design history, and author of Logo Modernism. He is a visiting lecturer at the University of Applied Sciences in Düsseldorf and currently holds a temporary professorship in the design department of the Dortmund University of Applied Sciences."
    Note: MACHINE-GENERATED CONTENTS NOTE: A visual history -- Pre-history of graphic design -- 1890-1899 -- 1900-1909 -- 1910-1919 -- 1920-1929 -- 1930-1939 -- 1940-1949 -- 1950-1959 -- Bibliography -- Index -- Imprint. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    kobvindex_INT0000364
    Format: 2-volume set : , illustrations (chiefly colour) ; , 38 x 26 cm.
    ISBN: 9783836563079 (hbk.) , 383656307X (hbk.) , 9783836570374 (hbk.) , 3836570378 (hbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE (Vol. 1): "A Visual History of Graphic Design. A comprehensive look at hundreds of landmark projects, industry leader profiles, and illustrated timelines for each decade History is a complex business. Fortunes boom and bust, empires wax and wane, and change-whether social, political, or technological-has its winners, its losers, its advocates, and its enemies. Through all the turbulent passage of time, graphic design-with its vivid, neat synthesis of image and idea-has distilled the spirit of each age. This book offers a comprehensive history of graphic design from the end of the 19th century to the remains of World War II. It traces the evolution of this creative field from its beginning as poster design to its further development into advertising, corporate identity, packaging, and editorial design. Organized chronologically, the volume features over 2,500 seminal designs from all over the world, 71 of which are profiled in detail besides 61 leaders in the field, including Alphonse Mucha (chocolate advertisements), Edward Johnston (London Underground logo and typeface), El Lissitzky (constructivist graphics), Herbert Matter (photomontage travel posters from Switzerland), Saul Bass (animated opening titles), and A. M. Cassandre (art deco posters). With his sweeping knowledge of the field, author Jens Müller curates the standout designs for each year alongside a running sequence of design milestones. Meanwhile, in his introductory essay, David Jury situates graphic design from its point of origin in early printing, engraving, and lithography to striking creative developments in the 19th century. Each consecutive decade is then prefaced by a succinct overview as well as a stunning visual timeline, offering a vivid display of the variety of graphic production in each decade as well as the global landscape which it at once described and defined. As we move on from and reflect upon the 20th century, this staggering collection represents the foundations of what would influence some of the fastest changing creative fields, and a long-overdue recognition of the enormous contribution graphic design has made to economics, politics, social causes, arts, media, and the way we see the world. A second volume in preparation will cover the period from 1960 to today. Text in English, French, and German."
    Content: MACHINE-GENERATED SUMMARY NOTE (Vol. 2): "Visual Revolutionaries. Design game changers, from the 1960s until today. Through the turbulent passage of time, graphic design-with its vivid, neat synthesis of image and idea-has distilled the spirit of each age. Surrounding us every minute of every day, from minimalist packaging to colorful adverts, smart environmental graphics to sleek interfaces: graphic design is as much about transmitting information as it is about reflecting society's cultural aspirations and values. This second volume rounds off the most comprehensive exploration of graphic design to date, spanning from the 1960s until today. About 2,500 seminal designs from across the globe guide us in this visual map through contemporary history, from the establishment of the International Style to the rise of the groundbreaking digital age. Around 130 key pieces go under the microscope in detailed analyses besides 120 biographies of the era's most important designers, including Massimo Vignelli (New York subway wayfinding system), Otl Aicher (Lufthansa identity), Yusaku Kamekura (Nikon poster campaign), Paula Scher (Citibank brand identity), Neville Brody (The Face magazine), and Stefan Sagmeister (handwriting posters). With his sweeping knowledge of the field, author Jens Müller curates the standout designs for each year alongside a running sequence of design milestones. Organized chronologically, each decade is prefaced by a succinct overview as well as a stunning visual timeline, offering a vivid display of the variety of graphic production in each decade as well as the global landscape which it at once described and defined. This collection of important graphic works represents a long-overdue reflection on the development of a creative field constantly changing and challenging itself. These key pieces act as coordinates through contemporary history, helping us trace the sheer influence of graphic design on our daily lives. Text in English, French, and German."
    Content: MACHINE-GENERATED NOTE ABOUT AUTHOR(S)/EDITOR(S): "Jens Müller was born in Koblenz, Germany, in 1982 and studied graphic design. Recipient of numerous national and international design awards, Müller is Creative Director of optik design studio in Düsseldorf, editor of the A5 book series on graphic design history, and author of Logo Modernism. He is a visiting lecturer at the University of Applied Sciences in Düsseldorf and currently holds a temporary professorship in the design department of the Dortmund University of Applied Sciences."
    Note: MACHINE-GENERATED CONTENTS NOTE: Vol. 1 : 1890 - 1959 -- Vol. 2 : 1960 - today. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    kobvindex_INT0004938
    Format: 639 pages , illustrations , 20 x 15 cm
    ISBN: 9783836561693 , 3836561697
    Series Statement: Bibliotheca universalis / Taschen
    Content: "Into the Night. All you need to know about Film Noir. Whether it's Double Indemnity, Kiss Me Deadly, or The Big Sleep, roam a screen world of dark and brooding elegance with this essential handbook to Film Noir. From private eyes and perfect crimes to corrupt cops and doomed affairs, editors Paul Duncan and Jürgen Müller examine noir's key themes and their most representative movies from 1940 to 1960. Copiously illustrated with film stills as well as original posters, this book offers page after page of noir's masterful visual compositions while exploring the narrative paradigms of this cryptic, compelling, and evolving genre. If that weren't enough to tickle your cinematic appetite, the volume concludes with TASCHEN's top 50 pick of noir classics. Brimming with the enigmatic dames, desperate gangsters, and psycho killers that continue to cast a long and captivating shadow over cinema, this is a must-have handbook for noir aficionados and amateurs alike."
    Language: English
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  • 9
    UID:
    kobvindex_INT0001792
    Format: 120 pages , richly illustrated , 26 cm
    Edition: 3rd edition, revised and enlarged by the author
    ISBN: 9783037780930 , 3037780932
    Content: "Karl Gerstner's work is a milestone in the history of design. One of his most important works is Designing Programmes, which is presented here in a new edition of the original 1964 publication. In four essays, the author provides a basic introduction to his design methodology. Instead of set recipes, the method suggests a model for design in the early days of the computer era. The intellectual models it proposes, however, continue to be useful today. What it does not purvey is cut-and-dried, true-or-false solutions or absolutes of any kind - instead, it develops fundamental principles in an innovative and future-oriented way. The book is especially topical and exciting in the context of current developments in computational design, which seem to hold out the possibility of programmed design. With many examples from the worlds of graphic and product design, music, architecture, and art, it inspires the reader to seize on the material, develop it further, and integrate it into his or her own work."
    Note: PREVIOUS EDITIONS NOTE: 1st edition (1964) and 2nd edition (1968) : Verlag Arthur Niggli, Teufen. -- Title page verso , PAUL GREDINGER: Pro-programmatic -- LARS MÜLLER: Foreword -- RICHARD HOLLIS: "To describe the problem is part of the solution" -- Dear reader -- Introduction -- Programme as typeface I: the old Berthold sans serif on a new basis -- Programme as typeface II: a new beginning: the IBM original -- Programme as typography: integral typography -- Programme as picture: making pictures today? -- Programme as method: structure and movement. -- Provided by publisher , GERMAN EDITION: Programme entwerfen. 3. Auflage Baden, Schweiz : Müller, 2007
    Language: English
    Keywords: Handbooks and manuals
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  • 10
    UID:
    kobvindex_INT0004933
    Format: 829 pages , richly illustrated (black and white, and colour) , 20.5 x 15 cm
    Edition: New edition, reprint
    ISBN: 9783836556187 , 3836556189
    Series Statement: Bibliotheca universalis / Taschen
    Content: "Must-see movies. Get to know cinema's greats. Take a journey through the makers and shapers of celluloid history. From horror to romance, noir to slapstick, adventure to tragedy, Western to new wave, this selection gathers the greats of 20th-century cinema into one indispensable guide to movie gold. The collection is arranged chronologically and in an extra-handy format. Film entries include a synopsis, cast/crew listings, technical information, actor/director bios, trivia, and lists of awards, as well as film stills, production photos, and the original poster for each film. From Metropolis to Modern Times, A Clockwork Orange to Bunuel's The Young and the Damned, from the blockbusters to lesser-known masterpieces, thumb through and transform a quiet evening into an unforgettable screen encounter. The ultimate anthology of cinematic showpieces, in extra-handy format. This careful selection of movie masterworks sets noir alongside new wave, slapstick alongside tragedy in a far-reaching, infinitely inspiring guide to the jewels of 20th-century filmmaking."
    Note: EDITORIAL NOTE: previous edition published as: 100 all-time favorite movies. 2008 , EDITORIAL NOTE: this edition first published: 2011 , INDEX NOTE: includes index.
    Language: English
    Keywords: Encyclopaedias
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