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  • English  (5)
  • Staatliche Museen  (5)
  • SB Werder
  • Topographie des Terrors und DZ
  • Kammergericht
  • Landesgeschichtliche Vereinigung
  • HNE Eberswalde
  • BLDAM-Baudenkmalpflege
  • SB Lübben
  • Zentrum f. Militärgeschichte
  • SB Premnitz
  • Bibliothek Meyenburg
  • Italien
Type of Medium
Language
Region
Library
Years
Subjects(RVK)
  • 1
    Book
    Book
    London : Routledge, Taylor & Francis Group
    UID:
    gbv_882339583
    Format: xiv, 348 Seiten , Illustrationen
    ISBN: 9781472484796
    Series Statement: Sanctity in global perspective
    Content: This volume takes up the question of the issues involved in the formation of recent saints - or Beati moderni (modern Blesseds) as they were called - by the Jesuits and Oratorians in the new environment of increased strictures and censorship that developed after the Council of Trent with respect to legal canonization procedures and cultic devotion to the saints. Ruth Noyes focuses particularly on how the new regulations pertained to the creation of emerging cults of those not yet canonized, the so-called Beati moderni, such as Jesuit founders Francis Xavier and Ignatius Loyola, and Filippo Neri, founder of the Oratorians. Centrally involved in the book is the question of the fate and meaning of the two altarpiece paintings commissioned by the Oratorians from Peter Paul Rubens. The Congregation rejected his first altarpiece because it too specifically identified Filippo Neri as a cult figure to be venerated (before his actual canonization) and thus was caught up in the politics of cult formation and the papacy's desire to control such pre-canonization cults. The book demonstrates that Rubens' second altarpiece, although less overtly depicting Neri as a saint, was if anything more radical in the claims it made for him. It offers the first comparative study of Jesuit and Oratorian images of their respective would-be saints, and the controversy they ignited across Church hierarchies. It is also the first work to examine provocative Philippine imagery and demonstrate how its bold promotion specifically triggered the first wave of curial censure in 1602
    Additional Edition: ISBN 9781315109480
    Language: English
    RVK:
    Keywords: Italien ; Jesuiten ; Oratorium des Heiligen Filippo Neri ; Gegenreformation ; Heiligsprechung ; Kunst ; Francisco de Javier 1506-1552 ; Heiligsprechung ; Kunst ; Druckgrafik ; Neri, Filippo Heiliger 1515-1595 ; Heiligsprechung ; Kunst ; Druckgrafik ; Rubens, Peter Paul 1577-1640 ; Oratorium des Heiligen Filippo Neri ; Santa Maria in Vallicella ; Altar ; Italien ; Jesuiten ; Oratorium des Heiligen Filippo Neri ; Gegenreformation ; Heiligsprechung ; Kunst ; Francisco de Javier 1506-1552 ; Neri, Filippo Heiliger 1515-1595 ; Heiligsprechung ; Kunst ; Oratorium des Heiligen Filippo Neri ; Auftraggeber ; Rubens, Peter Paul 1577-1640 ; Santa Maria in Vallicella ; Altar
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_192886738
    Format: XVII, 383 S. , zahlr. Ill., graph. Darst., Kt.
    ISBN: 0674469607
    Note: Literaturverz. S. XIII - XVII
    In: Pt. 2, Vol. 1
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Harvard College Library ; Italien ; Druckwerk ; Geschichte 1500-1600 ; Katalog
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    gbv_192887440
    Format: S. 385 - 840 , zahlr. Ill., graph. Darst.
    ISBN: 0674469607
    In: Pt. 2, Vol. 2
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Harvard College Library ; Italien ; Druckwerk ; Geschichte 1500-1600 ; Katalog
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    gbv_1640467572
    Format: xiii, 326 Seiten , Illustrationen
    ISBN: 9781108427722 , 1108427723
    Content: In this book, Leah R. Clark examines collecting practices across the Italian Renaissance court, exploring the circulation, exchange, collection, and display of objects. Rather than focusing on patronage strategies or the political power of individual collectors, she uses the objects themselves to elucidate the dynamic relationships formed through their exchange. Her study brings forward the mechanisms that structured relations within the court, and most importantly, also with individuals, representations, and spaces outside the court. The volume examines the courts of Italy through the wide variety of objects - statues, paintings, jewellery, furniture, and heraldry - that were valued for their subject matter, material forms, histories, and social functions. As Clark shows, the late fifteenth-century Italian court an be located not only in the body of the prince, but also in the objects that constituted symbolic practices, initiated political dialogues, caused rifts, created memories, and formed associations.
    Note: Literaturverzeichnis: Seite 287-313 , Dissertation McGill University 2003
    Additional Edition: Erscheint auch als Online-Ausgabe Clark, Leah Ruth, 1981 - Collecting art in the Italian Renaissance court Cambridge : Cambridge University Press, 2018 ISBN 9781108681155
    Language: English
    Keywords: Italien ; Höfische Kunst ; Mäzenatentum ; Sammeln ; Geschichte 1420-1600 ; Italien ; Kunstsammler ; Kunst ; Geschichte 1420-1600 ; Italien ; Hof ; Kunst ; Sammlung ; Präsentation ; Austausch ; Politisches Handeln ; Geschichte 1450-1500 ; Ferrara ; Neapel ; Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    gbv_1830060864
    Format: xx, 336 Seiten , Illustrationen
    ISBN: 9781009276214 , 9781009276184
    Content: "In Courtly Mediators, Leah R. Clark investigates the exchange of a range of materials and objects, including metalware, ceramic drug jars, Chinese porcelain, and aromatics, across the early modern Italian, Mamluk, and Ottoman courts. She provides a new narrative that places Aragonese Naples at the center of an international courtly culture, where cosmopolitanism and the transcultural flourished, and in which artists, ambassadors, and luxury goods actively participated. By articulating how and why transcultural objects were exchanged, displayed, copied, and framed, she provides a new methodological framework that transforms our understanding of the Italian Renaissance court. Clark's volume provides a multi-sensorial, innovative reading of Italian Renaissance art. It demonstrates that the early modern culture of collecting was more than a humanistic enterprise associated with the European roots of the Renaissance. Rather, it was sustained by interactions with global material cultures from the Islamic world and beyond"--
    Note: Bibliografie: Seite 311-333
    Additional Edition: ISBN 9781009276191
    Additional Edition: Erscheint auch als Online-Ausgabe Clark, Leah Ruth Courtly mediators Cambridge : Cambridge University Press, 2023 ISBN 9781009276191
    Additional Edition: Erscheint auch als Online-Ausgabe Clark, Leah R. Courtly Mediators Cambridge : Cambridge University Press, 2023 ISBN 9781009276177
    Additional Edition: Erscheint auch als Online-Ausgabe Clark, Leah Ruth Courtly mediators Cambridge : Cambridge University Press, 2023 ISBN 9781009276191
    Additional Edition: ISBN 9781009276214
    Additional Edition: ISBN 9781009276184
    Language: English
    Keywords: Italien ; Asien ; Naher Osten ; Hof ; Diplomatische Beziehungen ; Kulturaustausch ; Geschenk ; Kunsthandwerk ; Geschichte 1420-1600
    Library Location Call Number Volume/Issue/Year Availability
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