Format:
1 Online-Ressource (208 Seiten)
,
Illustrationen
ISBN:
9783839430064
Series Statement:
Image volume 76
Content:
How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial, anthropological and family photography. The contributions sketch the contested field of global photography and trace the manifold intertwinements between historical and contemporary photographs.
Note:
Enthält Literaturangaben
,
Preface
,
Re-framing photography – some thoughts
,
African photography in the Atlantic visualscape : moving photographers – circulating images
,
Elective affinities? : history and photography
,
How to use colonial photography in Sub-Saharan Africa for educational and academic purposes : the case of Togo
,
Presentness, memory and history: Thabiso Sekgala, “Homeland”
,
On the circulation of colonial pictures : polyphony and fragmentation
,
Portraits of distant worlds : Frobenius’ pictorial archive and its legacy
,
Reflexions on the photographic archive in the humanities
,
Re-imagining the family album through literary adaptation
,
Public rites/private memories : reconciling the social and individual in wedding photography
Additional Edition:
ISBN 9783837630060
Additional Edition:
Erscheint auch als Druck-Ausgabe Global photographies Bielefeld : transcript, 2018 ISBN 3837630064
Additional Edition:
ISBN 9783837630060
Language:
English
Subjects:
History
,
Ethnology
,
General works
Keywords:
Fotografie
;
Globalisierung
;
Geschichte
;
Fotografie
;
Postkolonialismus
;
Archivierung
;
Aufsatzsammlung
DOI:
10.14361/9783839430064
Author information:
Michels, Stefanie 1971-
Author information:
Helff, Sissy
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