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  • FU Berlin  (6)
  • SB Jüterbog
  • SKB Bad Freienwalde
  • SB Schlieben
  • Art History  (6)
  • USA  (6)
  • 1
    Book
    Book
    Baltimore : Johns Hopkins University Press
    UID:
    b3kat_BV039554035
    Format: 318 Seiten , Illustrationen , 23 cm
    ISBN: 9780801899874 , 0801899877 , 9781421419923
    Series Statement: Studies in industry and society
    Note: Includes bibliographical references and index , Hier auch später erschienene, unveränderte Nachdrucke
    Language: English
    Subjects: English Studies , Art History
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    Keywords: USA ; Hotelbau ; Geschichte 1829-1929 ; USA ; Luxusgut ; Luxushotel ; Geschichte 1829-1929
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  • 2
    Book
    Book
    New York, NY [u.a.] : Harper & Row
    UID:
    b3kat_BV004137377
    Format: XVI, 175 S. , zahlr. Ill., graph. Darst. , 25 cm
    Edition: 1. ed.
    ISBN: 9780064303842 , 0064303845
    Note: Literaturangaben
    Language: English
    Subjects: Art History
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    Keywords: Morris, Robert 1931-2018 ; Geschichte 1958-1975 ; USA ; Minimal Art ; Geschichte 1958-1975 ; Morris, Robert 1931-2018 ; Ikonographie ; Labyrinth ; Geschichte 1900-2000
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  • 3
    Book
    Book
    Berkeley, Calif. [u.a.] : University of California Press
    UID:
    b3kat_BV024092274
    Format: XIV, 236 S. , zahlr. Ill., Kt.
    ISBN: 0520244591
    Note: Literaturverz. S. 207 - 225. - Literaturangaben
    Language: English
    Subjects: Art History , Sociology
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    Keywords: USA ; Kunst ; Rassentheorie ; Visuelle Wahrnehmung ; USA ; Ethnische Beziehungen ; Weiße ; Kunst
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  • 4
    UID:
    b3kat_BV046811255
    Format: 184 Seiten
    ISBN: 9780300247190
    Content: This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European emigres, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper's Bazaar and Vogue-whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers-emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism.0Beautifully illustrated with more than 150 revolutionary photographs, layouts, and cover designs, 'Modern Look' considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand. Essays draw a lineage from European experimental design to innovative work in American magazine design at mid-century and offer insights into the role of gender in fashion photography and political activism in the mass media. Exhibition: Jewish Museum, New York, USA (01.05.-13.09.2020)
    Note: Rückseite Titelblatt: This book has been published in conjunction with the exhibition "Modern Look: Photography and the American Magazine", organized by the Jewish Museum, New York, May 1, 2020 - September 13, 2020
    Language: English
    Subjects: General works , Art History
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    Keywords: USA ; Modefotografie ; Grafikdesign ; Mode ; Modezeitschrift ; Geschichte 1930-1960 ; Avedon, Richard 1923-2004 ; Bassman, Lillian 1917-2012 ; Bayer, Herbert 1900-1985 ; Frank, Robert 1924-2019 ; Model, Lisette 1901-1983 ; Parks, Gordon 1912-2006 ; Penn, Irving 1917-2009 ; Golden, Cipe Pineles 1908-1991 ; Brodovitch, Alexey 1898-1971 ; Ausstellungskatalog ; Bildband ; Bildband ; Ausstellungskatalog
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  • 5
    Image
    Image
    New York : Thomas J. Watson Library, The Metropolitan Museum of Art | New Haven ; London : Yale University Press
    UID:
    b3kat_BV048820186
    Format: 183 Seiten , 28 cm
    ISBN: 9780300266191
    Content: Showcasing marbled paper, paste paper, fold-and-dye papers, and more, this book reveals a little-known arts phenomenon from its grass roots in the 1960s to artistic heights in the following decades. Pattern and Flow chronicles the flourishing of American decorated paper arts beginning in the 1960s and extending to the 2000s, with an ongoing legacy today. As knowledge and skills were shared across a grass-roots community in the 1960s, decorated paper became increasingly popular, with centers for the study of the book and paper arts emerging across the United States, and artists developing new, innovative styles of paper. The book begins with an introductory essay outlining the history of decorated paper arts in America up to the 1960s, followed by a chronological narrative, which surveys the development of the field and introduces the artists working from the 1960s to the 2000s, and an illustrated reference section with essential biographical and professional information for each artist. Designed to be an immersive experience, Pattern and Flow conveys the vivid visual world of American decorated paper, celebrating the variety and variations that are key features of the art. Stunning illustrations show designs with intricate, tessellated patterns and others that flow with forms and waves that seem liquid; some explore subtle, muted tones, while others are explosive in their use of brilliant colors. Exhibition: Grolier Club, New York, USA (17.01. - 08.04.2023)
    Note: Aus dem Impressum: "'Pattern and Flow' is published in conjunction with an exhibition on view at the Grolier Club, New York, January 17 to April 8, 2023."
    Language: English
    Subjects: Art History
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    Keywords: Thomas J. Watson Library ; Sammlung ; USA ; Papierkunst ; Marmorpapier ; Kunsthandwerk ; Geschichte 1960-2010 ; Ausstellungskatalog ; Bildband
    Author information: Berger, Sidney E. 1944-
    Author information: Dubansky, Mindell
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  • 6
    UID:
    b3kat_BV005442967
    Format: XXIII, 200 S. , Ill.
    Edition: 1. ed.
    ISBN: 0064303853 , 0064302024
    Content: These essays on American art and culture explore overlapping social, political, cultural and aesthetic issues of post-New Deal America. The book discusses some of the pioneering developments in art history and cultural studies, from the dissolution of formalism in the late 1960s to the reemergence of Marxism in the 1970s and the infusion of semiotic, feminist, psychoanalytical and racial issues in the 1980s. Also covered is the expanding range of interest of art history into examinations of the social, aesthetic and political implications of popular culture. The subjects include the FSA photography project; the racial and cultural politics of the museum; the 1964 World's Fair; artists' representations of the Vietnam War; sexual liberation and avant-garde film of the 1960s; and the political function of artists' writings in the 1980s. Maurice Berger explains the very special nature of American culture from the 1930s to the present, centering on the way in which the 1960s witnessed both a culmination of the New Deal vision and a rejection of these older values in the form of a radical counterculture.
    Language: English
    Subjects: Art History
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    Keywords: USA ; Kunst ; Sozialgeschichte 1968-1990 ; USA ; Kunst ; Gesellschaft ; Geschichte 1930-1992 ; USA ; Kunstwissenschaft ; Geschichte 1930-1992
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