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  • Online Resource  (2)
  • English  (2)
  • UB Potsdam  (2)
  • HWR Berlin
  • Barnett, Christopher B.  (1)
  • Eggert, Barbara Margarethe  (1)
  • General works  (2)
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  • Online Resource  (2)
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  • English  (2)
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  • 1
    Online Resource
    Online Resource
    Scorsese and religion (2019)
    Leiden : Brill
    Details
    UID:
    gbv_1680928961
    Format: 1 Online-Ressource (XIII, 321 Seiten) , Illustrationen
    ISBN: 9789004411401
    Series Statement: Studies in religion and the arts volume 15
    Content: Front Matter -- Copyright Page /Christopher B. Barnett and Clark J. Elliston -- Dedication /Christopher B. Barnett and Clark J. Elliston -- Acknowledgements /Christopher B. Barnett and Clark J. Elliston -- Illustrations /Christopher B. Barnett and Clark J. Elliston -- Notes on Contributors /Christopher B. Barnett and Clark J. Elliston -- Introduction /Christopher B. Barnett and Clark J. Elliston -- Scorsese and Catholicism /Christopher B. Barnett and Clark J. Elliston -- The Catholic Scorsese – or How a Seminarian Turned to the Movies /Marc Raymond -- No Way Out: Martin Scorsese and the Ecclesial Imagination /Guerric DeBona -- Religious Influences and Themes in Scorsese’s Cinema /Christopher B. Barnett and Clark J. Elliston -- Dostoevskian Elements in Scorsese’s Cinema /Christopher B. Barnett -- The Problem of Violence in Scorsese’s Films: The Catholic Gangster as Tragic Hero /John McAteer -- Violence and Redemption in Scorsese’s Films: A Girardian Reading /Cari Myers -- Scorsese as a Critic of Modernity: The Woman Question /M. Gail Hamner -- Scorsese and Religion: A Selective Filmography /Christopher B. Barnett and Clark J. Elliston -- The Last Temptation of Christ: Scorsese’s Jesus among Ordinary Saints /Rhonda Burnette-Bletsch -- Scorsese’s Kundun as Catholic Encounter with the Dalai Lama and His Tibetan Dharma1 /Kerry P.C. San Chirico -- Pity and Pardon in Scorsese’s Palimpsest, Bringing Out the Dead /Gerard Loughlin -- Martin Scorsese’s Screening Room: Theatricality, Psychoanalysis, and Modernity in Shutter Island /Stephen Mulhall -- Reinventing Human Experience: Hugo and the Theological Possibilities of Film /Clark J. Elliston -- The Wolf of Wall Street and Economic Nihilism /D. Stephen Long -- The Global Afterlives of Silence /Darren J.N. Middleton and Mark W. Dennis -- Back Matter -- null /Christopher B. Barnett and Clark J. Elliston.
    Content: Scorsese and Religion concerns the religious vision of the great American filmmaker Martin Scorsese. Not only will this volume explore the foundation of Scorsese’s interest in religion—namely, his relation to the Catholic Church—but it will also highlight the religious breadth of Scorsese’s corpus. Ultimately, this book demonstrates that Scorsese’s cinematic “re-presentation” of reality brings together various religious influences (Catholicism, existentialism, Buddhism, etc.) and topics such as violence, morality, nihilism, and so on. The overarching claim is that Scorsese, who indeed once claimed that his “whole life” had been “movies and religion,” cannot be properly understood without reflecting on the ways in which his religious interests are expressed in and through his art
    Note: Literaturangaben
    Additional Edition: ISBN 9789004411371
    Additional Edition: Erscheint auch als Druck-Ausgabe Scorsese and religion Leiden : Brill, 2019 ISBN 9004411372
    Additional Edition: ISBN 9789004411371
    Language: English
    Subjects: General works
    RVK:
    AP 51315
    Keywords: Scorsese, Martin 1942- ; Film ; Religion ; Aufsatzsammlung ; Aufsatzsammlung
    DOI: 10.1163/9789004411401
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: DOI
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Klappentext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Online Access
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    Stabi Berlin
    UB Potsdam
  • 2
    Online Resource
    Online Resource
    Comics and Agency (2022)
    Berlin : De Gruyter
    Details
    UID:
    gbv_182245607X
    Format: 1 Online-Ressource (VI, 305 Seiten)
    Edition: Issued also in print
    ISBN: 9783110754575 , 9783110754483
    Series Statement: Comics studies volume 1
    Content: This volume aims to intensify the interdisciplinary dialogue on comics and related popular multimodal forms (including manga, graphic novels, and cartoons) by focusing on the concept of medial, mediated, and mediating agency. To this end, a theoretically and methodologically diverse set of contributions explores the interrelations between individual, collective, and institutional actors within historical and contemporary comics cultures. Agency is at stake when recipients resist hegemonic readings of multimodal texts. In the same manner, “authorship” can be understood as the attribution of agency of and between various medial instances and roles such as writers, artists, colorists, letterers, or editors, as well as with regard to commercial rights holders such as publishing houses or conglomerates and reviewers or fans. From this perspective, aspects of comics production (authorship and institutionalization) can be related to aspects of comics reception (appropriation and discursivation), and circulation (participation and canonization), including their potential for transmedialization and making contributions to the formation of the public sphere.
    Note: Frontmatter , Contents , Comics and Agency , What We Do with Comics: The Agency of Collectors in Dylan Horrock’s Hicksville , Tintin’s Global Journey: Editors as Invisible Actors behind the Comics Industry of the 1960s , How a German Publisher Appropriates Comics It Did Not Originally Publish , The Agents of Doom: An Empirical Approach to Transmedia Actors , Agency in the Making: Distribution and Publication as Topics in Nikolas Mahler’s Die Goldgruber Chroniken and the Anthology Drawn & Quarterly , Comics Artist versus Artistic Genius: Kverneland and Fiske’s Approach to Artists, Metafiction, and Allusion to Contemporary Sources in Kanon , Death of the Endless and Fan Projections , “I Always Win”: Corporate Comics, Delinquent Fans, and the Body of Richard C. Meyer , Pilgrimage to Hall H: Fan Agency at Comic-Con , Librarians, Agency, Young People, and Comics: Graphic Account and the Development of Graphic Novel Collections in Libraries in Britain in the 1990s , Learning from Pupils about Conviviality , Ada in the Jungle and Aya of Yop City: Negotiating “Africa” in Comics , Telling Stories with Photo Archives: Intermedial Agency in Documentary Comics , Who Controls the Speech Bubbles? Reflecting on Agency in Comic-Games , Notes on Contributors , Index , Issued also in print , In English
    Additional Edition: ISBN 9783110754407
    Additional Edition: Erscheint auch als Druckausgabe Comics and agency Berlin : De Gruyter, 2022 ISBN 9783110754407
    Additional Edition: ISBN 3110754401
    Language: English
    Subjects: General works
    RVK:
    AP 88796
    Keywords: Comic ; Agency-Theorie ; Erzählforschung ; Fan
    DOI: 10.1515/9783110754483
    URL: kostenfrei
    URL: kostenfrei
    URL: Cover  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    Stabi Berlin
    UB Potsdam
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