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  • Staatliche Museen  (4)
  • HWR Berlin  (3)
  • Technikmuseum Berlin
  • Hertie School
  • SB Joachimsthal
  • Schwarze
Type of Medium
Language
Region
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  • 1
    UID:
    b3kat_BV039982832
    Format: 1 Online-Ressource
    Series Statement: eHRAF World Cultures
    Content: The African American Collection provides information on history, race relations, civil rights movement, culture and contemporary economic problems, circa 1620s to 2000s. Davis and Pinkey cover from the earliest days of slavery up to about 1970. Four documents deal with racial segregation and discrimination both prior to and immediately after the civil rights movements. Three documents feature in-depth portrayals of individual life histories, communities and families, and kinship networks and migration patterns. Two documents provide a theoretically complex discussion of race relations and opportunities in urban communities. Two recent documents address deconstructing erroneous representations of African Americans in scholarly discourse and public policy and education and popular culture. The remaining documents discuss the continuity of racial discrimination and class- and gender-based exploitation in the lives of African American women and artists
    Note: Culture Summary: African Americans - Molefi Kete Asante - 2010 -- - Black Americans - Alphonso Pinkney - [1975] -- - Drylongso: a self-portrait of Black America - [edited by] John Langston Gwaltney - 1981 -- - Soulside: inquiries into ghetto culture and community - Ulf Hannerz - 1969 -- - Deep South: a social anthropological study of caste and class - written by Allison Davis, Burleigh B. Gardner and Mary R. Gardner, directed by W. Lloyd Warner - 1941 -- - Black metropolis: a study of Negro life in a northern city [Vol. 1 - By St. Clair Drake and Horace R. Cayton - 1970 -- - Black metropolis: a study of Negro life in a northern city [Vol. 2 - By St. Clair Drake and Horace R. Cayton - 1970 -- - Family and childhood in a Southern Negro community - Virginia Heyer Young - 1970 -- , - Spout Spring: a Black community - by Peter Kunkel and Sara Sue Kennard - 1971 -- - After freedom: a cultural study in the Deep South - Hortense Powdermaker ; with a new preface by Elliott M. Rudwick - 1968 -- - Black Corona: race and the politics of place in an urban community - Steven Gregory - 1998 -- - Blacked out: dilemmas of race, identity, and success at Capital High - Signithia Fordham - 1996 -- - All our kin - Carol Stack - 1997 -- - The color-blind - Lee D. Baker - 1998 -- - Purity, soul food, and Sunni Islam: explorations at the intersection of consumption and resistance - Carolyn Rouse, Janet Hoskins - 2004 -- - Black like this: race, generation, and rock in the post-civil rights era - Maureen Mahon - 2000 -- - Resistance and resilience: the sojourner syndrome and the social context of reproduction in central Harlem - Leith Mullings - 2005
    Language: English
    Subjects: Ethnology
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    Keywords: USA ; Schwarze
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 2
    Book
    Book
    [London] : Penguin Books, Penguin Random House UK
    UID:
    b3kat_BV048508104
    Format: vii, 247 Seiten
    ISBN: 9780241408407
    Series Statement: Penguin Modern Classics
    Language: English
    Subjects: Sociology
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    Keywords: USA ; Rassenfrage ; Schwarze Frau ; USA ; Frauenemanzipation ; Schwarze ; USA ; Schwarze Frau ; Klassenkampf
    Author information: Davis, Angela Y. 1944-
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  • 3
    UID:
    b3kat_BV003697625
    Format: XIV, 138 S.
    ISBN: 0313220824
    Language: English
    Subjects: American Studies , English Studies
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    Keywords: USA ; Kunst ; Schwarze ; Geschichte 1779-1979 ; Bibliografie ; Bibliografie
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  • 4
    Book
    Book
    Lanham : Rowman & Littlefield
    UID:
    b3kat_BV045908746
    Format: xxviii, 382 Seiten , Illustrationen
    ISBN: 9781538101452
    Content: "The Black Arts Movement (BAM) encompassed a group of artists, musicians, novelists, and playwrights whose work combined innovative approaches to literature, film, music, visual arts, and theatre. With a heightened consciousness of black agency and autonomy--along with the radical politics of the civil rights movement, the Black Muslims, and the Black Panthers--these figures represented a collective effort to defy the status quo of American life and culture. Between the late 1950s and the end of the 1970s, the movement produced some of America's most original and controversial artists and intellectuals. In Encyclopedia of the Blacks Arts Movement, Verner D. Mitchell and Cynthia Davis have collected essays on the key figures of the movement, including Maya Angelou, James Baldwin, Amiri Baraka, Nikki Giovanni, Larry Neal, Sun Ra, Sonia Sanchez, Ntozake Shange, and Archie Shepp. Additional entries focus on Black Theatre magazine, the Negro Ensemble Company, lesser known individuals--including Kathleen Collins, Tom Dent, Bill Gunn, June Jordan, and Barbara Ann Teer--and groups, such as AfriCOBRA and the New York Umbra Poetry Workshop. The Black Arts Movement represented the most prolific expression of African American literature since the Harlem Renaissance of the 1920s. Featuring essays by contemporary scholars and rare photographs of BAM artists, Encyclopedia of the Blacks Arts Movement is an essential reference for students and scholars of twentieth-century American literature and African American cultural studies." -- Provided by publisher
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-5381-0146-9
    Language: English
    Subjects: American Studies , English Studies , Sociology , Art History
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    Keywords: Black arts movement ; USA ; Kultur ; Black Muslims ; Black Panther Party ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980 ; Enzyklopädie ; Wörterbuch
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  • 5
    UID:
    b3kat_BV047688636
    Format: 1 Online-Ressource (xxxiii, 436 Seiten)
    Edition: revised and updated third edition
    ISBN: 9781469663746 , 9781469663739
    Note: Description based on publisher supplied metadata and other sources , Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Foreword: Why Black Marxism? Why Now? -- Preface: Unhushable Wit: Pedagogy, Laughter, and Joy in the Classrooms of Cedric J. Robinson -- Preface to the 2000 Edition -- Preface -- Acknowledgments -- Introduction -- Part 1. The Emergence and Limitations of European Radicalism -- 1. Racial Capitalism: The Nonobjective Character of Capitalist Development -- Europe's Formation -- The First Bourgeoisie -- The Modern World Bourgeoisie -- The Lower Orders -- The Effects of Western Civilization on Capitalism -- 2. The English Working Class as the Mirror of Production -- Poverty and Industrial Capitalism -- The Reaction of English Labor -- The Colonization of Ireland -- English Working-Class Consciousness and the Irish Worker -- The Proletariat and the English Working Class -- 3. Socialist Theory and Nationalism -- Socialist Thought: Negation of Feudalism or Capitalism? -- From Babeuf to Marx: A Curious Historiography -- Marx, Engels, and Nationalism -- Marxism and Nationalism -- Conclusion -- Part 2. The Roots of Black Radicalism -- 4. The Process and Consequences of Africa's Transmutation -- The Diminution of the Diaspora -- The Primary Colors of American Historical Thought -- The Destruction of the African Past -- Premodern Relations between Africa and Europe -- The Mediterranean: Egypt, Greece, and Rome -- The Dark Ages: Europe and Africa -- Islam, Africa, and Europe -- Europe and the Eastern Trade -- Islam and the Making of Portugal -- Islam and Eurocentrism -- 5. The Atlantic Slave Trade and African Labor -- The Genoese Bourgeoisie and the Age of Discovery -- Genoese Capital, the Atlantic, and a Legend -- African Labor as Capital -- The Ledgers of a World System -- The Column Marked "British Capitalism" -- 6. The Historical Archaeology of the Black Radical Tradition , History and the Mere Slave -- Reds, Whites, and Blacks -- Black for Red -- Black Resistance: The Sixteenth Century -- Palmares and Seventeenth-Century Marronage -- Black Resistance in North America -- The Haitian Revolution -- Black Brazil and Resistance -- Resistance in the British West Indies -- Africa: Revolt at the Source -- 7. The Nature of the Black Radical Tradition -- Part 3. Black Radicalism and Marxist Theory -- 8. The Formation of an Intelligentsia -- Capitalism, Imperialism, and the Black Middle Classes -- Western Civilization and the Renegade Black Intelligentsia -- 9. Historiography and the Black Radical Tradition -- Du Bois and the Myths of National History -- Du Bois and the Reconstruction of History and American Political Thought -- Slavery and Capitalism -- Labor, Capitalism, and Slavery -- Slavery and Democracy -- Reconstruction and the Black Elite -- Du Bois, Marx, and Marxism -- Bolshevism and American Communism -- Black Nationalism -- Blacks and Communism -- Du Bois and Radical Theory -- 10. C. L. R. James and the Black Radical Tradition -- Black Labor and the Black Middle Classes in Trinidad -- The Black Victorian Becomes a Black Jacobin -- British Socialism -- Black Radicals in the Metropole -- The Theory of the Black Jacobin -- Coming to Terms with the Marxist Tradition -- 11. Richard Wright and the Critique of Class Theory -- Marxist Theory and the Black Radical Intellectual -- The Novel as Politics -- Wright's Social Theory -- Blacks as the Negation of Capitalism -- The Outsider as a Critique of Christianity and Marxism -- 12. An Ending -- Notes -- Bibliography -- Index
    Additional Edition: Erscheint auch als Druck-Ausgabe Robinson, Cedric J. Black Marxism, Revised and Updated Third Edition Chapel Hill : University of North Carolina Press,c2021 ISBN 9781469663715
    Language: English
    Keywords: Schwarze ; Marxismus ; Radikalismus ; Afrika ; Marxismus ; USA ; Marxismus ; Schwarze
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  • 6
    UID:
    gbv_715758608
    Format: 143 S. , zahlr. Ill. , 25 cm
    ISBN: 9780911886788
    Content: "Revealing the African Presence in Renaissance Europe" invites visitors to explore the roles of Africans and their descendants in Renaissance Europe as revealed in compelling paintings, drawings, sculpture and printed books of the period. Vivid portraits from life both encourage face-to-face encounters with the individuals themselves and pose questions about the challenges of color, class, and stereotypes that this new diversity brought to Europe. Despite the importance of the questions posed for audiences today, this is the first time they have been addressed in a major exhibition. Organized by the Walters, the exhibition opened in Baltimore on October 14 and at the Princeton University Art Museum in February 2013. It featured about 75 works of art drawn from the Walters, major museums in the U.S. and Europe, and private collections
    Note: Includes bibliographical references , Foreword , Introduction: revealing the African presence in Renaissance Europe , The lives of African slaves and people of African descent in Europe during the Renaissance , "Leo Africanus" presents Africa to Europeans , Free men and women of African ancestry in Renaissance Europe , Portraits of African ambassadors and rulers in Renaissance Europe , Afterword , Includes bibliographical references
    Language: English
    Keywords: Europa ; Kunst ; Renaissance ; Afrikaner ; Schwarze ; Schwarzenbild ; Geschichte 1420-1600 ; Ausstellungskatalog ; Ausstellungskatalog
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  • 7
    UID:
    gbv_230440673
    Format: xv, 558 p. incl. tables, diagrs., forms , 20 cm
    Language: English
    Keywords: USA ; Schwarze ; Rassismus ; Sozialstruktur
    Author information: Gardner, Burleigh B. 1902-
    Author information: Warner, W. Lloyd 1898-1970
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