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  • Filmuniversität Babelsberg  (7)
  • Stasi-Unterlagen-Archiv
  • Stiftung FVV
  • Müncheberg ZALF
  • GB Zeuthen
  • Bauer, Evgenij Francevic  (7)
Type of Medium
Language
Region
Library
  • Filmuniversität Babelsberg  (7)
  • Stasi-Unterlagen-Archiv
  • Stiftung FVV
  • Müncheberg ZALF
  • GB Zeuthen
Years
Keywords
  • 1
    UID:
    b3kat_BV048742793
    Format: [VHS] (95 Min.) , s/w , Stummfilm
    Uniform Title: Ditja bolschowo goroda
    Content: Stummfilmdrama über Herren und Knechte im aristokratischen Milieu des zaristischen Rußlands. Ein Hausmädchen wird vom kranken Sohn der reichen Familie betrogen, der Vater des Mädchens ist der stoische Portier des Hauses - alle, Reiche wie Arme, sind Opfer ihrer gesellschaftlichen Rollen. Der Regisseur arbeitete als Schauspieler, Karikaturist, Journalist, Theatermanager und Fotograf. Bauer war einer der prägensten Regisseure des zaristischen Kinos, seine Filme übten einen entscheidenden Einfluß auf den sowjetischen Avantgarde-Film aus. [Film-Dienst]
    Note: Stummfilm mit dt. Zwischentiteln
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    b3kat_BV048721143
    Format: [DVD-R] (35 , 40 ; 13 Min.) : s/w
    Series Statement: Early Russian Cinema Vol. 10
    Uniform Title: Early Russian Cinema
    Content: Between the February and October revolutions in 1917, Russian cinema reflected urgent new themes, as in "The Revolutionary". But Bauer also continued his vein of tragic melodrama in what was be his last film, "For Luck" - designed by and featuring as an actor the young Kuleshov. A poignant fragment, "Behind the Screen", shows the stars Mozzhukhin and Lisenko on the eve of their departure into exile [Cover]
    Content: "Behind the Screen" (Fragment) (Kulisy ekrana). Alternate title: " A Life destroyed by Pitiless Fate" (Razbita zhizn’ bezzhalostnoi sud’boi). Director/Screenplay: Georgii Azagarov (?) & Aleksandr Volkov (?) ... Production Company: Ermol’ev. Released November 28, 1917. Drama in 2 parts. [Only one reel preserved.] Cast: Ivan Mozzhukhin (Himself). Natalia Lisenko (Herself). Nikolai Panov (Studio director). Themselves: Lirskii, Iona Talanov, and Andrei Brei. [www.milestonefilms.com]
    Content: An anthology in ten volumes of Russian filmmaking from the early years of the 20th century. The films were rediscoved at the Pordenone Silent Film Festival in 1989. This selection was made by Ian Christie for an exhibition ‘Twilight of the Tsars’ at London’s Hayward Gallery in 1991. The films were transferred at appropriate running speeds, with improvised music by Neil Brand, and English subtitles by Julian Graffy of the School of Slavonic and European Studies, University of London. The collection includes adaptations of classic authors and examples of popular genres. (bfi)
    Note: Stummfilm mit russ. Zwischentiteln & engl. UT
    Language: Undetermined
    Keywords: DVD-Video
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    b3kat_BV048721142
    Format: [DVD-R] (16 , 65 ; 3 Min.) : s/w
    Series Statement: Early Russian Cinema Vol. 9
    Uniform Title: Early Russian Cinema
    Content: A panorama of Russian cinama's social at the height of its ambition. "Antosha Ruined by a Corset" (1916) is a racy, knowing urban comedy by Russia's leading screen comedian, Anton Fertner. "A Life for a Life" (1916) marked the pinnacle of Bauer's ambition to equal lavish foreign production standards. And The Funeral of Vera Kholodnaia recorded the vast public response to the early death of Russia's greatest star in 1919. [Cover]
    Content: Vera Wassiljewna Kholodnaya (1893-1919) war der erste Star des russischen Stummfilms [wikipedia.org]
    Content: An anthology in ten volumes of Russian filmmaking from the early years of the 20th century. The films were rediscoved at the Pordenone Silent Film Festival in 1989. This selection was made by Ian Christie for an exhibition ‘Twilight of the Tsars’ at London’s Hayward Gallery in 1991. The films were transferred at appropriate running speeds, with improvised music by Neil Brand, and English subtitles by Julian Graffy of the School of Slavonic and European Studies, University of London. The collection includes adaptations of classic authors and examples of popular genres. (bfi)
    Note: Stummfilm mit russ. Zwischentiteln & engl. UT
    Language: Undetermined
    Keywords: DVD-Video
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    b3kat_BV048721138
    Format: [DVD-R] (37 , 18 ; 38 Min.) : s/w
    Series Statement: Early Russian Cinema Vol. 7
    Uniform Title: Early Russian Cinema
    Content: Evgenii Bauer is the major discoveryfrom early Russian cinema. In a mere five prolific years, he achieved mastery in several genres, including the social melodrama of "A Child of the Big City" (1913), erotic comedy like "The 1002nd Ruse" (1915) and the psychological melodrama of "Daydreams" (1915). Admired by his contemporaries, he raised Russian cinema to an unparalleled artistic level before his early death in mid-1917 [Cover]
    Content: Jewgeni Franzewitsch Bauer gehörte neben Jakow Protasanow zu den bedeutendsten und einflussreichsten Filmemachern des vorrevolutionären Russland. Er schuf Komödien, patriotische Kriegsfilme, Sozialdramen und vor allem psychologische Melodramen um die Themen "Liebe und Tod" mit tragischem Ausgang. Dabei setzte er intensiv filmische Mittel wie Rückblende, bewegte Kamera, Nahaufnahme, lichtdramaturgische Effekte und Split-Screen-Technik ein. Das Innenleben seiner Filmfiguren brachte er symbolistisch mittels Traumsequenzen und deren düsteren Visionen zum Ausdruck...In seiner nur vierjährigen Filmkarriere von 1913 bis 1917 schuf er 82 Filme von denen etwa ein Viertel die Zeiten überlebt hat. Einer seiner Assistenten und Schüler war der spätere Theoretiker und Regisseur des Sowjetfilms Lew Kuleschow. [wikipedia.org]
    Content: An anthology in ten volumes of Russian filmmaking from the early years of the 20th century. The films were rediscoved at the Pordenone Silent Film Festival in 1989. This selection was made by Ian Christie for an exhibition ‘Twilight of the Tsars’ at London’s Hayward Gallery in 1991. The films were transferred at appropriate running speeds, with improvised music by Neil Brand, and English subtitles by Julian Graffy of the School of Slavonic and European Studies, University of London. The collection includes adaptations of classic authors and examples of popular genres. (bfi)
    Note: Stummfilm mit russ. Zwischentiteln & engl. UT
    Language: Undetermined
    Keywords: DVD-Video
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    b3kat_BV048721137
    Format: [DVD-R] (30 , 64 Min.) : s/w
    Series Statement: Early Russian Cinema Vol. 6
    Uniform Title: Early Russian Cinema
    Content: Despite strict censorship intended to prevent any inflammatory material reaching the screen, many early Russian films achieved a remarkably candid portrayal of social conditions. Goncharov's "The Peasants' Lot" (1912) portrayed the hardship of rural life, while an early film by Bauer, "Silent Witness" (1914) dealt frankly with servants' views of their masters in a Moscow mansion. [www.worldcat.org]
    Content: An anthology in ten volumes of Russian filmmaking from the early years of the 20th century. The films were rediscoved at the Pordenone Silent Film Festival in 1989. This selection was made by Ian Christie for an exhibition ‘Twilight of the Tsars’ at London’s Hayward Gallery in 1991. The films were transferred at appropriate running speeds, with improvised music by Neil Brand, and English subtitles by Julian Graffy of the School of Slavonic and European Studies, University of London. The collection includes adaptations of classic authors and examples of popular genres. (bfi)
    Note: Stummfilm mit russ. Zwischentiteln & engl. UT
    Language: Undetermined
    Keywords: DVD-Video
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    b3kat_BV048715080
    Format: [DVD] (145 Min.) , s/w , viragiert ; Stummfilm
    Uniform Title: Mad Love - Three Films by Evgenii Bauer
    Content: This compilation features a specially commissioned new music score for each of the films, by Laura Rossi, Nicholas Brown and Joby Talbot. The release also includes a video essay by Russian film historian Yuri Tsivian. [Cover]
    Content: Der sterbende Schwan (1917): Eine stumme Tänzerin beeindruckt einen Maler mit ihrer Gestaltung des "Sterbenden Schwans" so nachdrücklich, daß er ihren sterbenden Körper als Bildnis des Todes schlechthin zu porträtieren beginnt. Als sich sein Modell in einen anderen Mann verliebt, verfällt er in Panik und Wahnsinn. Stummfilm-Drama mit der berühmten russischen Ballerina Vera Karalli in der Hauptrolle. [Film-Dienst]
    Content: Nach dem Tode (1915): Die Zwangsfantasien eines Wissenschaftlers kreisen immer aufs neue um das Leben einer Frau, die Selbstmord begangen hat. In einer Reihe von Rückblenden erweckt der Regisseur die Tote zu flüchtigem Leben - nur um sie wieder verschwinden zu lassen, ganz so, als wolle er damit die Unmöglichkeit der Liebe beweisen. Bauer war einer der prägensten Regisseure des zaristischen Kinos, seine Filme übten einen entscheidenden Einfluß auf den sowjetischen Avantgarde-Film aus. [Film-Dienst]
    Note: Stummfilm mit russ. Zwischentiteln & engl. UT
    Language: Undetermined
    Keywords: DVD-Video
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    b3kat_BV048694836
    Format: [VHS] (182 Min.) , s/w , viragiert ; Stummfilm
    Uniform Title: Mad Love - Three Films
    Content: This compilation features a specially commissioned new music score for each of the films, by Laura Rossi, Nicholas Brown and Joby Talbot. The release also includes a video essay by Russian film historian Yuri Tsivian. [Cover]
    Content: Der sterbende Schwan (1917): Eine stumme Tänzerin beeindruckt einen Maler mit ihrer Gestaltung des "Sterbenden Schwans" so nachdrücklich, daß er ihren sterbenden Körper als Bildnis des Todes schlechthin zu porträtieren beginnt. Als sich sein Modell in einen anderen Mann verliebt, verfällt er in Panik und Wahnsinn. Stummfilm-Drama mit der berühmten russischen Ballerina Vera Karalli in der Hauptrolle. [Film-Dienst]
    Content: Nach dem Tode (1915): Die Zwangsfantasien eines Wissenschaftlers kreisen immer aufs neue um das Leben einer Frau, die Selbstmord begangen hat. In einer Reihe von Rückblenden erweckt der Regisseur die Tote zu flüchtigem Leben - nur um sie wieder verschwinden zu lassen, ganz so, als wolle er damit die Unmöglichkeit der Liebe beweisen. Bauer war einer der prägensten Regisseure des zaristischen Kinos, seine Filme übten einen entscheidenden Einfluß auf den sowjetischen Avantgarde-Film aus. [Film-Dienst]
    Note: Stummfilm mit russ. Zwischentiteln & engl. UT
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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