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  • Filmuniversität Babelsberg  (6)
  • Berlin International  (2)
  • Kreismedienzentrum Teltow-Fläming  (1)
  • Moses Mendelssohn Zentrum
  • Grünes Gedächtnis
  • Ward, Peter  (9)
Type of Medium
Language
Region
  • 1
    UID:
    b3kat_BV014001834
    Format: 271 S. , Abb.
    Edition: 2. ed.
    ISBN: 0240516494
    Series Statement: Media manual
    Language: English
    Keywords: Studiotechnik ; Fernsehkamera ; Einführung
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Oxford u.a. : Focal Pr.
    UID:
    b3kat_BV017004123
    Format: XIV, 261 S. , Ill.
    Edition: 2. ed
    ISBN: 0240516818
    Language: English
    Keywords: Film ; Bildaufbau ; Anleitung ; Anleitung
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  • 3
    Book
    Book
    München ; Zürich : Piper
    UID:
    kobvindex_VBRD-i97834927031300380
    Format: 380 S.
    Edition: Dt. Erstausg.
    ISBN: 9783492703130
    Uniform Title: Time Rep
    Content: Sie kommen in Frieden ... oder so! - Die Invasoren kamen aus der Vergangenheit. Aus der Zukunft kehrten sie zurück, um uns endgültig zu unterwerfen. In der Gegenwart trafen sie auf einen Mann, mit dem sie nicht gerechnet hatten: Geoff Stamp. Er hatte gerade seinen neuen Job angetreten. Und sah es gar nicht ein, sich dies durch ein paar außerirdische Reptilien zunichte machen zu lassen ...
    Language: German
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  • 4
    Book
    Book
    Oxford [u.a.] : Focal Pr.
    UID:
    b3kat_BV048752269
    Format: 229 S. , Ill.
    ISBN: 0240516052
    Language: English
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  • 5
    Book
    Book
    Oxford u.a. : Focal
    UID:
    b3kat_BV010431538
    Format: 186 S. , Ill.
    ISBN: 0240513606
    Series Statement: Media maual series
    Language: Undetermined
    Keywords: Kamera ; Film
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  • 6
    Book
    Book
    Oxford [u.a.] : Focal Pr.
    UID:
    b3kat_BV048692432
    Format: 224 S. , Ill.
    Edition: third ed.
    ISBN: 0240516044
    Series Statement: media manual
    Language: English
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  • 7
    Book
    Book
    Oxford u.a. : Focal Press
    UID:
    b3kat_BV011420891
    Format: 161 S. , Ill.
    ISBN: 0240514211
    Language: Undetermined
    Keywords: Film ; Bildaufbau
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  • 8
    Online Resource
    Online Resource
    Vancouver : UBC Press
    UID:
    kobvindex_INTEBC3412286
    Format: 1 online resource (201 pages)
    Edition: 1st ed.
    ISBN: 9780774852258
    Content: Peter Ward looks at how spaces in the Canadian home have changed over the last three centuries, and how family and social relationships have shaped -- and been shaped by -- these changing spaces
    Note: Intro -- Contents -- Acknowledgments -- 1 Housing and Privacy -- 2 Interiors -- Little House, Big House -- The Question of Crowding -- The Organization of Household Space -- Domestic Technology and Interior Spaces -- The Bathroom -- The Parlour -- The Kitchen -- The Bedroom -- The Apartment -- 3 The House in Its Setting -- The Farmhouse -- The Villa -- The Home in City and Suburb -- The Front of the House -- Porches, Verandahs, Patios, Decks -- Gardens and Yards -- 4 Privacy and the Canadian Home -- Notes -- Suggested Reading -- Illustration Credits -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W.
    Additional Edition: Print version Ward, Peter A History of Domestic Space Vancouver : UBC Press,c2007 ISBN 9780774806848
    Language: English
    Keywords: Electronic books ; Electronic books
    URL: FULL  ((OIS Credentials Required))
    URL: FULL  ((OIS Credentials Required))
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  • 9
    Online Resource
    Online Resource
    Oxford : Taylor and Francis Group
    UID:
    kobvindex_INTEBC297073
    Format: 1 online resource (281 pages)
    Edition: 2nd ed.
    ISBN: 9780080497693
    Note: Intro -- Picture Composition for Film and Television -- Copyright -- Contents -- Preface -- 1 Invisible technique -- Learning the ropes -- A moving photograph -- Continuity cinema -- The shot -- The creation of 'invisible' technique -- Standard camerwork conventions -- Realistic representation -- Mechanical reproduction -- Framing a shot -- Composition -- Does the shot work? -- Intuition -- 'I see what you mean!' -- Why composition is important -- Control of composition -- Visual design techniques -- Cultural influences -- Changing fashions -- Summary -- 2 Alternative technique -- Jump cuts -- Alternatives -- It's magic -- Realism and imagination -- The film moment is always now -- Why people dislike the rejection of standard conventions -- Storytelling -- Don't wake me up -- Definition of alternative conventions -- Conventions -- Summary -- 3 The lens, the eye and perception -- Introduction -- The imprint of the lens -- The eye and a lens -- Size constancy -- How do we understand what we are looking at? -- Characteristics of perception -- Summary -- 4 The lens and perspective -- Perception and depth -- Depth indicators and their relationship to the lens -- Focal length -- Angle of view -- Depth-of-field -- fno -- Zoom -- Focus -- The structural skeleton of a shot -- Horizon line and camera height as a compositional device -- Controlling space with choice of lens angle/camera distance -- The internal space of a shot -- Production style and lens angle -- Estimating distance -- Accentuating depth -- Summary -- 5 Visual design -- Introduction -- Movement -- Sound -- Controlling composition -- Design techniques -- Grouping and organization -- Balance -- Figure and ground -- Shape -- Line -- Rhythm and visual beat -- Pattern -- Interest -- Direction -- Colour -- Scale -- Abstraction -- Understanding an image -- Summary -- 6 Frame , Composition and the frame -- Frame - an invisible focus of power -- Static viewpoint -- A hard cut-off -- Limited depth and perspective indicators -- Monochrome -- The edge of frame as a reference -- Frames within frames -- A second frame -- Frame and divided interest -- Summary -- 7 The shape of the screen -- Aspect ratio -- The shape of the screen and composition -- Viewfinder as an editing tool -- Could it have been different? -- The invention of a world format standard -- Widescreen returns -- Design of the TV aspect ratio -- HDTV -- The need for a universal video format -- 16:9 television widescreen -- A reasonable compromise between competing aspect ratios -- The divine proportion -- Widescreen - the shape of a banknote -- Summary of film and television formats mentioned -- 8 Widescreen composition and film -- Finding ways to compose for the new shape -- Widescreen advantages -- Selling off the redundant format -- Pan and scan -- Cinematographers alarmed -- Boom in shot -- The growth of multiplexes -- Common topline and super 35 -- Summary -- 9 Widescreen composition and TV -- Introduction -- Letterboxing -- Aspect ratio conversion -- Protect and save -- Shooting for two formats -- Composing for 16:9 -- Fidgety zooms -- Transitional period -- The viewer takes control -- Inserting 4:3 material into a 16:9 production -- Compilation programmes -- Distortion and definition -- Widescreen equals spectacle -- Screen size -- Endnote, or in a different aspect ratio, NDNOT -- Summary -- 10 Past influences -- Intuition -- Early influences -- The Rule of Thirds -- More recent influences -- Summary -- 11 News and documentary -- Fact and fiction -- Realism and fantasy -- Film as illusion -- Objectivity -- Record versus comment -- Operational awareness -- Realistic camerawork -- Technology as an aid to 'realism' -- Documentary programmes -- Professionalism , Engaging the attention of the audience -- Summary -- 12 Composition styles -- Visual styles -- Style and technique -- Technological development -- Staging the artistes -- Studio or location shooting -- Shot structure and editing -- Stylistic flourishes -- Multi-camera live television conventions -- The introduction of the zoom and television picture composition -- Portable cameras -- Customary technique -- Genre -- Summary of the history of style -- 13 Lighting and composition -- The key pictorial force -- Gradations of brightness -- Contrast range -- Exposure -- Characteristics of light -- Lighting technique -- Past influences -- Controlled lighting and composition -- Naturalism and found light -- Television lighting -- Any two from cheap, good or fast - but not all three -- Expressing an idea through an image -- Decorative lighting -- Summary -- 14 Colour -- How the eye sees colour -- White balance -- Colour correction -- Colour as subject -- Monochrome -- Colour and composition -- Colour symbolism -- Summary -- 15 Staging -- Introduction to staging -- Where shall I stand? -- What is staging? -- Staging people and staging action -- Figure composition -- Working at speed -- Summary -- 16 Movement -- Camera movement -- Invisible movement -- The development shot -- Accentuating the effect of camera movement -- Summary -- 17 Shooting for editing -- Invisible stitching -- Selection and structure -- Basic editing conventions -- Selection and editing -- Telling a story - fact and fiction -- News - unscripted shot structure -- Variety of shot -- Recap on basic advice for shooting for editing -- Interviews -- How long should a shot be held? -- Basic editing principles -- Types of edit -- Emphasis, tempo and syntax -- Multi-camera camerawork -- Dance and composition -- Summary -- Endnote -- Bibliography -- Index
    Additional Edition: Print version Ward, Peter Picture Composition Oxford : Taylor & Francis Group,c2002 ISBN 9780240516813
    Language: English
    Keywords: Electronic books ; Electronic books
    URL: FULL  ((OIS Credentials Required))
    URL: FULL  ((OIS Credentials Required))
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