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  • Kinemathek  (2)
  • Moses Mendelssohn Zentrum  (1)
  • GB Hohenleipisch
  • 2020-2024  (3)
Type of Medium
Language
Region
Library
Virtual Catalogues
Year
Subjects(RVK)
  • 1
    UID:
    b3kat_BV047267066
    Format: 198 Seiten , Illustrationen , 20.5 cm x 13 cm
    ISBN: 9783948075934 , 394807593X
    Series Statement: Edition Sonderwege
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    Language: German
    Subjects: History
    RVK:
    Keywords: Deutschland ; Kolonialismus ; Geschichtsrevisionismus ; Deutschland ; Kolonialismus ; Geschichte 1884-1919 ; Deutschland ; Kolonialismus ; Geschichte 1884-1919 ; Geschichtsbild
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    New York : Oxford University Press
    UID:
    gbv_1677213434
    Format: 256 Seiten , Illustrationen
    ISBN: 9780190889968 , 9780190889951
    Content: ""This is not a book about Hitchcock. There are many of those in critical circles, and I wouldn't presume to add a great deal more to the landmark studies of scholars such as Raymond Bellour, Robin Wood, and William Rothman, among many others. But it is a book that attempts to situate Hitchcockian cinema, and more specifically, an aspect of the Hitchcockian style in the aftermath of Hitchcock's rich, complex, and sometimes unwieldy filmmaking career. In a series of discussions with François Truffaut in 1962, Hitchcock, then at the height of his influence as a filmmaker and prior to the perceived decline of his cinema in the later 1960s, gestures toward an artistic disposition in the following exchange on Rear Window (1954): "Truffaut: I imagine that the story appealed to you primarily because it represented a technical challenge: a whole film from the viewpoint of one man, and embodied in a single, large set. Hitchcock: Absolutely. It was a possibility of doing a purely cinematic film. You have an immobilized man looking out. That's one part of the film. The second part shows what he sees and the third part shows how he reacts. This is actually the purest expression of a cinematic idea." ""--
    Note: Includes bibliographical references and index -- Includes filmography
    Additional Edition: ISBN 9780190889975
    Additional Edition: ISBN 9780190889982
    Additional Edition: ISBN 9780190889999
    Additional Edition: Erscheint auch als Online-Ausgabe Issacs, Bruce The art of pure cinema New York : Oxford University Press, 2020
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Hitchcock, Alfred 1899-1980 ; Rezeption
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    gbv_1871518210
    Format: x, 332 Seiten , Illustrationen
    ISBN: 9781350371644 , 9781350371651
    Content: "The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. Buried in a private archive, scholars have never had access to the original play script and so could not fully chart the evolution of Frankenstein from book to stage to screen. In Peggy Webling's Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1928 Library of Congress version of the play Frankenstein with a short manuscript census - the 1927 British Library version of the first production of the play in Preston, Lancashire - the 1930 Prompt Script for the London production, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatres managers and Universal Pictures, family letters about the production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Exposition on Webling's life that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and how the 1931 film compares Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history"--
    Note: Includes bibliographical references and index , Peggy Webling's story -- The other woman who created Frankenstein -- From Peake to Whale, and Webling's missing link -- 1927 version, registered with the Lord Chamberlain on 25 November 1927 -- 1928 version, copyrighted with the US Library of Congress on 7 September 1928 -- 1930 prompt script, performed in London 10 February-12 April 1930,
    Additional Edition: ISBN 9781350371668
    Additional Edition: ISBN 9781350371675
    Additional Edition: Erscheint auch als Online-Ausgabe Peggy Webling and the story behind Frankenstein London : Bloomsbury Academic, 2024 ISBN 9781350371668
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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