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  • 1
    Online Resource
    Online Resource
    Supporting argumentation in online political debate: Evidence from an experiment of collective deliberation
    SAGE Publications ; 2018
    In:  New Media & Society Vol. 20, No. 4 ( 2018-04), p. 1320-1341
    Details
    In: New Media & Society, SAGE Publications, Vol. 20, No. 4 ( 2018-04), p. 1320-1341
    Abstract: In this article, we report the results of an e-democracy experiment in which a group of supporters of a large political party were asked to debate online about ways to reform the electoral law. We compare a traditional forum with an online collaborative argumentation platform to capture the various proposals and their associated pros and cons. The aim of this study is to assess the capability of this tool to support online collective deliberation in a real-world case, as compared to an online discussion supported by a forum. By comparing users’ experience across several metrics related to usability, activity levels, and quality of collaboration, our findings show that the forum produced more activity and ideas and its users perceived a better quality of the collaboration process, while the argumentation tool helped to reduce the amount of self-referential arguments and encourage viewing and rating of others’ posts.
    Type of Medium: Online Resource
    ISSN: 1461-4448 , 1461-7315
    URL: Article
    DOI: 10.1177/1461444817691509
    RVK:
    MN 1000
    RVK:
    AP 10792.2
    RVK:
    AP 10790.6
    Language: English
    Publisher: SAGE Publications
    Publication Date: 2018
    detail.hit.zdb_id: 1476527-5
    detail.hit.zdb_id: 2684519-2
    detail.hit.zdb_id: 2016312-5
    detail.hit.zdb_id: 2686704-7
    SSG: 24,1
    SSG: 3,4
    SSG: 3,5
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  • 2
    Online Resource
    Online Resource
    Representing the victorious past: Chinese revolutionary TV drama between propaganda and marketization
    SAGE Publications ; 2022
    In:  Media, Culture & Society Vol. 44, No. 1 ( 2022-01), p. 105-120
    Details
    In: Media, Culture & Society, SAGE Publications, Vol. 44, No. 1 ( 2022-01), p. 105-120
    Abstract: This paper examines the changes and continuities in TV representations of Chinese Communist Party’s revolutionary history and interprets them within the broader context of China’s political, economic and cultural transformations since the 1990s. Drawing on a comparative analysis of three state-sponsored TV dramas produced between the late 1990s and mid-2010s, it traces how the state-sanctioned revolutionary narratives have changed over time in response to the Party’s propaganda imperatives on the one hand, and to the market-oriented production environment on the other. The paper argues that while recent TV productions in the new century have made increasing concessions to audience taste by adopting visually stimulating depictions and introducing fictional characters as points of identification for the audience, the revolutionary narratives were still aligned with the Party’s propaganda agenda at different times. This shows the ongoing competition between ideological and commercial interests in Chinese TV production during the era of market reforms.
    Type of Medium: Online Resource
    ISSN: 0163-4437 , 1460-3675
    URL: Article
    DOI: 10.1177/01634437211022721
    RVK:
    AP 10100
    RVK:
    AP 10746
    RVK:
    PM 7370
    Language: English
    Publisher: SAGE Publications
    Publication Date: 2022
    detail.hit.zdb_id: 1482824-8
    SSG: 2
    SSG: 3,4
    SSG: 3,5
    SSG: 3,6
    SSG: 3,7
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  • 3
    Online Resource
    Online Resource
    Unveiling television’s apparatus on screen as a ‘para-interactive’ strategy
    SAGE Publications ; 2015
    In:  Media, Culture & Society Vol. 37, No. 5 ( 2015-07), p. 737-752
    Details
    In: Media, Culture & Society, SAGE Publications, Vol. 37, No. 5 ( 2015-07), p. 737-752
    Abstract: Broadcast television faces new challenges in the rapidly changing media environment. This article proposes ‘para-interactivity’ as a concept that identifies the ways television addresses its audiences in the digital age. Para-interactivity is a term that brings together several salient elements in contemporary television texts as well as positing a contemporary context for established and familiar television strategies. It identifies elements embraced by television, which echo interactive communication processes and are characteristic of digital media and participatory culture, but when employed by and adapted to television, they do not usually construct communication that is actually interactive. This article focuses on one of these para-interactive strategies: unvelling television’s apparatus on screen. This strategy implies an inclusive viewing experience and a seemingly more equal and reciprocal relationship between television and its viewers. However, I argue that what is presented to the viewers is nothing but a ‘staged backstage’, while television industry surrounds itself in real and legal fences. Drawing on Israeli commercial television texts, this article contributes to the understanding of contemporary transformations in television as a medium and as a cultural industry.
    Type of Medium: Online Resource
    ISSN: 0163-4437 , 1460-3675
    URL: Article
    DOI: 10.1177/0163443715577245
    RVK:
    AP 10100
    RVK:
    AP 10746
    RVK:
    PM 7370
    Language: English
    Publisher: SAGE Publications
    Publication Date: 2015
    detail.hit.zdb_id: 1482824-8
    SSG: 2
    SSG: 3,4
    SSG: 3,5
    SSG: 3,6
    SSG: 3,7
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  • 4
    Online Resource
    Online Resource
    Look at me, I’m on TV: the political dimensions of reality television participation
    SAGE Publications ; 2022
    In:  Media, Culture & Society Vol. 44, No. 3 ( 2022-04), p. 497-513
    Details
    In: Media, Culture & Society, SAGE Publications, Vol. 44, No. 3 ( 2022-04), p. 497-513
    Abstract: It has been over 20 years since the reality television genre attracted the attention of fans, critics and scholars. Reality programmes produced high viewing figures, suggesting a strong appetite for the form; critics dismissed the programmes as mindless and the participants as desperate for fame; and scholars assessed the formats, audiences and meanings of reality television, offering a complex, if rarely celebratory, account. While some commentators and scholars made connections between vote-based formats and electoral systems, or between opportunities afforded audiences for the deliberation of social issues and the idealized public sphere, the civic dimension of participation itself has not been explored. In this article, we take a closer look at reality television participants, drawing on press interviews and coverage in order to highlight how participants enact representative performances that might supplement more formal modes of democratic representation.
    Type of Medium: Online Resource
    ISSN: 0163-4437 , 1460-3675
    URL: Article
    DOI: 10.1177/01634437211036979
    RVK:
    AP 10100
    RVK:
    AP 10746
    RVK:
    PM 7370
    Language: English
    Publisher: SAGE Publications
    Publication Date: 2022
    detail.hit.zdb_id: 1482824-8
    SSG: 2
    SSG: 3,4
    SSG: 3,5
    SSG: 3,6
    SSG: 3,7
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  • 5
    Online Resource
    Online Resource
    An interreality study of race and homicide news coverage in Baton Rouge, Louisiana
    SAGE Publications ; 2023
    In:  Crime, Media, Culture: An International Journal Vol. 19, No. 2 ( 2023-06), p. 209-232
    Details
    In: Crime, Media, Culture: An International Journal, SAGE Publications, Vol. 19, No. 2 ( 2023-06), p. 209-232
    Abstract: Building on ethnic blame discourse, the social threat hypothesis, and media bias theories, this article makes a quantitative interreality comparison between homicide news coverage and homicide statistics in Baton Rouge, Louisiana—a city with one of the highest homicide rates in the United States of America. Findings reveal that Whites made up 2% of homicide victims in 2018 in Baton Rouge, but represented almost 40% of homicide victims in the news. Press releases issued by local law enforcement also overrepresented White homicide victims, as did follow-up stories. Findings on homicide suspects showed that Whites and Latinos were overrepresented, and Blacks were underrepresented.
    Type of Medium: Online Resource
    ISSN: 1741-6590 , 1741-6604
    URL: Article
    DOI: 10.1177/17416590221091851
    RVK:
    AP 10215.8
    Language: English
    Publisher: SAGE Publications
    Publication Date: 2023
    detail.hit.zdb_id: 2183400-3
    SSG: 2
    SSG: 2,1
    SSG: 3,5
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  • 6
    Online Resource
    Online Resource
    Book Review: Programmed Inequality: How Britain Discarded Women Technologists and Lost its Edge in Computing
    SAGE Publications ; 2019
    In:  Convergence: The International Journal of Research into New Media Technologies Vol. 25, No. 5-6 ( 2019-12), p. 1186-1188
    Details
    In: Convergence: The International Journal of Research into New Media Technologies, SAGE Publications, Vol. 25, No. 5-6 ( 2019-12), p. 1186-1188
    Type of Medium: Online Resource
    ISSN: 1354-8565 , 1748-7382
    URL: Article
    DOI: 10.1177/1354856519856621
    RVK:
    AP 10208
    Language: English
    Publisher: SAGE Publications
    Publication Date: 2019
    detail.hit.zdb_id: 2210278-4
    SSG: 3,5
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  • 7
    Online Resource
    Online Resource
    Woody Abstracted: Film Experiments in the Cartoons of Shamus Culhane
    SAGE Publications ; 2011
    In:  Animation Vol. 6, No. 1 ( 2011-03), p. 39-53
    Details
    In: Animation, SAGE Publications, Vol. 6, No. 1 ( 2011-03), p. 39-53
    Abstract: In his autobiography, animator Shamus Culhane describes the mid-1940s as a period of artistic awakening for him, when he engaged with the works of film theorists such as Russian Formalists Sergei Eisenstein and Vsevolod Pudovkin.Working at that point as a director at the Walter Lantz studio, he resolved to put theory to practice and began experimenting within the Lantz cartoons, taking liberties with approved storyboards to apply modern techniques.Working largely on such commercial fare as Woody Woodpecker cartoons, Culhane had little latitude to create anything that was avant-garde, so he employed a hit-and-run approach, offering moments of musical and filmic experimentation.Although the Woody cartoons might seem an unlikely vehicle for this, this article reveals how the wild and zany Woodpecker characterization provided a fairly ideal opportunity for Culhane’s modernist mischief to blend in with the frenetic vigor of these short films.
    Type of Medium: Online Resource
    ISSN: 1746-8477 , 1746-8485
    URL: Article
    DOI: 10.1177/1746847710391228
    RVK:
    AP 10111.5
    Language: English
    Publisher: SAGE Publications
    Publication Date: 2011
    detail.hit.zdb_id: 2243969-9
    SSG: 3,5
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  • 8
    Online Resource
    Online Resource
    Newspaper Objectivity in the 1952 Campaign
    SAGE Publications ; 1954
    In:  Journalism Quarterly Vol. 31, No. 3 ( 1954-06), p. 285-296
    Details
    In: Journalism Quarterly, SAGE Publications, Vol. 31, No. 3 ( 1954-06), p. 285-296
    Abstract: The usefulness of quantitative methods in judging newspaper bias is demonstrated by this investigation, in which indices of objectivity are developed for a sample of eight prominent U. S. dailies. Matched on the basis of circulation, four of the papers supported Eisenhower and four were for Stevenson.
    Type of Medium: Online Resource
    ISSN: 0022-5533
    URL: Article
    DOI: 10.1177/107769905403100301
    RVK:
    AP 10100
    RVK:
    AP 20100
    RVK:
    MA 1000
    Language: English
    Publisher: SAGE Publications
    Publication Date: 1954
    detail.hit.zdb_id: 2070253-X
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  • 9
    Online Resource
    Online Resource
    Interplay between media-related perceptions and perceptions of hostility in international conflicts: Results from a study of German and Greek citizens
    SAGE Publications ; 2021
    In:  International Communication Gazette Vol. 83, No. 6 ( 2021-10), p. 567-592
    Details
    In: International Communication Gazette, SAGE Publications, Vol. 83, No. 6 ( 2021-10), p. 567-592
    Abstract: During the European debt crisis, German and Greek media frequently reported on the political conflict between the two countries. This article examines to what extent the media coverage in one country about the other is considered by German and Greek citizens to be hostile (‘hostile media perception’) and influential (‘influence of presumed influence’). Data from a comparative survey in Germany ( n = 492) and Greece ( n = 484) show that news coverage by foreign media on the European debt crisis is perceived by respondents as hostile against their own country and as influential. Moreover, both media-related perceptions are linked with intensified perceptions of hostility, such as assumptions that an individual’s country is not respected in the other country or that the other country’s citizens are demanding that the individual’s country be punished. Based on these results, it is discussed whether media-related perceptions can have a conflict-intensifying effect in international crises.
    Type of Medium: Online Resource
    ISSN: 1748-0485 , 1748-0493
    URL: Article
    DOI: 10.1177/1748048520970062
    RVK:
    AP 10300
    Language: English
    Publisher: SAGE Publications
    Publication Date: 2021
    detail.hit.zdb_id: 1484883-1
    SSG: 3,5
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  • 10
    Online Resource
    Online Resource
    Framing the consumer : Copyright regulation and the public
    SAGE Publications ; 2013
    In:  Convergence: The International Journal of Research into New Media Technologies Vol. 19, No. 1 ( 2013-02), p. 9-24
    Details
    In: Convergence: The International Journal of Research into New Media Technologies, SAGE Publications, Vol. 19, No. 1 ( 2013-02), p. 9-24
    Abstract: With illegal downloading at the centre of debates about the creative economy, various policy initiatives and regulatory attempts have tried (and largely failed) to control, persuade and punish users into adhering to copyright law. Rights holders, policymakers, intermediaries and users each circulate and maintain particular attitudes about appropriate uses of digital media. This article maps the failure of regulation to control user behaviour, considers various policy and academic research approaches to understanding users, and introduces an analytical framework that re-evaluates user resistance as expressions of legitimate justifications. A democratic copyright policymaking process must accommodate the modes of justification offered by users to allow copyright law to reconnect with the public interest goals at its foundation.
    Type of Medium: Online Resource
    ISSN: 1354-8565 , 1748-7382
    URL: Article
    DOI: 10.1177/1354856512456788
    RVK:
    AP 10208
    Language: English
    Publisher: SAGE Publications
    Publication Date: 2013
    detail.hit.zdb_id: 2210278-4
    SSG: 3,5
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