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  • Brandenburg  (4)
  • Berlin International  (4)
  • SB Calau
  • Towse, Ruth  (4)
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  • 1
    Online Resource
    Online Resource
    Northampton, Mass : Edward Elgar Pub
    UID:
    b3kat_BV047923820
    Format: 1 Online-Ressource (512 Seiten) , ill
    ISBN: 9781781008003
    Note: Includes bibliographical references and index , Several of the authors question the efficacy of copyright, which is increasingly regarded as benefiting multinational organisations rather than individual authors and performers. Others are less critical of copyright per se, but question its ability to meet the new challenges of a digital era. Some of the specific issues covered include: law and international transactions of copyrighted material; economic analysis of copyright and freedom of expression; music licensing in the digital age; the role of copyright in stimulating cultural development; internet distribution of copyright material; and the problems of licensing museum images
    Additional Edition: Erscheint auch als Druckausgabe ISBN 1840643382
    Additional Edition: Erscheint auch als Druckausgabe ISBN 9781840643381
    Additional Edition: Erscheint auch als Druckausgabe ISBN 9781845422349
    Language: English
    Subjects: Economics , Comparative Studies. Non-European Languages/Literatures , Ethnology , Musicology
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    Keywords: Kulturindustrie ; Kulturwirtschaft ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: FULL  ((Currently Only Available on Campus))
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cheltenham ; Northampton, Mass : Edward Elgar
    UID:
    b3kat_BV047923982
    Format: 1 Online-Ressource (xi, 439 Seiten) , ill
    Edition: 2nd ed
    ISBN: 9780857930576
    Note: Includes bibliographical references and index , Application of welfare economics / William J. Baumol -- Art auctions / Orley Ashenfelter and Kathryn Graddy -- Art dealers / Olav Velthuis -- Art markets / Olav Velthuis -- Art prices / Dominique Sagot-Duvauroux -- Artistic freedom / Michael Rushton -- Artists' labour markets / Françoise Benhamou --Artists' rights / Michael Rushton -- Awards / Nachoem M. Wijnberg -- Baumol's cost disease / James Heilbrun -- Broadcasting / Glenn Withers and Katrina Alford -- Cinema / Samuel Cameron -- Contingent valuation / Tiziana Cuccia -- Copyright / William M. Landes -- Costs of production / Mervi Taalas -- Creative economy / Tyler Cowen -- Creative industries / Ruth Towse -- Creativity / Ruth Towse -- Criticism / Samuel Cameron -- Cultural capital / David Throsby --Cultural districts / Walter Santagata -- Cultural entrepreneurship / Mark Blaug and Ruth Towse -- Cultural statistics / David Throsby -- Cultural tourism / Lluís Bonet -- Cultural value / Jen D. Snowball -- , Demand / Louis Lévy-Garboua and Claude Montmarquette -- Digitalization / Anders Henten and Reza Tadayoni -- Economic impact of the arts / Bruce A. Seaman -- Experience goods / Michael Hutter -- Festivals / Bruno S. Frey -- Globalization / Keith Acheson -- Heritage / Françoise Benhamou -- International trade / Günther G. Schulze -- The internet : culture for free / Joëlle Farchy -- The internet : economics / Fabrice Rochelandet -- Management of the arts / François Colbert -- Marketing the arts / François Colbert -- Media economics and regulation / Gillian Doyle -- Motion Pictures / Darlene C. Chisholm -- Museums / Víctor Fernández-Blanco and Juan Prieto-Rodríguez -- The music industry / Andrew E. Burke -- Non-profit organizations / Dick Netzer -- Opera and ballet / Ruth Towse -- Orchestras / William A. Luksetich. -- Participation / Charles M. Gray --Performance indicators / Giacomo Pignataro -- Performing arts / Ruth Towse -- Poverty and support for artists -- , Hans Abbing -- Pricing the arts / Michael Rushton -- Principal-Agent analysis / Michele Trimarchi -- Public choice / Isidoro Mazza -- Public support / Bruno S. Frey -- Publishing / Christian Hjorth-Andersen -- Regulation / Ilde Rizzo -- Resale rights / Victor Ginsburgh -- Superstars / Günther G. Schulze -- Tax Concessions / John O'Hagan -- Television / Christopher Maule -- Theatre / Daniel Urrutiaguer -- Welfare economics / Mark Blaug , The second edition of this widely acclaimed and extensively cited collection of original contributions by specialist authors reflects changes in the field of cultural economics over the last eight years. Thoroughly revised chapters alongside new topics and contributors bring the Handbook up to date, taking into account new research, literature and the impact of new technologies in the creative industries
    Additional Edition: Erscheint auch als Druckausgabe ISBN 1848448872
    Additional Edition: Erscheint auch als Druckausgabe ISBN 9781848448872
    Language: English
    Subjects: Economics
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    Keywords: Kulturindustrie ; Kulturwirtschaft ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: FULL  ((Currently Only Available on Campus))
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cheltenham, U.K : Edward Elgar
    UID:
    gbv_102343430X
    Format: 1 Online-Ressource (xiii, 441 pages) , diagrams
    ISBN: 9781781004876
    Series Statement: Elgar original reference
    Content: 'Two concepts that have become increasingly prominent in debate about contemporary economic policy are the digital economy and the creative economy. This pioneering Handbook brings these two concepts together, with contributions from a wide range of scholars in economics, law, cultural studies, media and communications. A particular focus of the volume is on copyright issues in the digital environment, especially in the audio-visual, publishing and media industries. This book provides an authoritative overview that will be essential reading for students, researchers and policy-makers working in this rapidly evolving field.' (David Throsby, Macquarie University, Australia). -- Digital technologies have transformed the way many creative works are generated, disseminated and used. They have made cultural products more accessible, challenged established business models and the copyright system, and blurred the boundary between producers and consumers. This unique resource presents an up-to-date overview of academic research on the impact of digitization in the creative sector of the economy. In 37 chapters, this coherent volume brings together contributions by experts on many aspects of digitization in the creative industries. With its interdisciplinary approach and detailed studies of digitization in the arts, media and cultural industries, the Handbook provides accessible material for a range of courses. It will be thought-provoking reading for academics, researchers, students and policy-makers interested in progress in the creative economy.
    Additional Edition: ISBN 9781781004869
    Additional Edition: ISBN 9781781004883
    Additional Edition: Erscheint auch als Druck-Ausgabe Handbook on the digital creative economy Cheltenham : Elgar, 2013 ISBN 9781781004869
    Additional Edition: ISBN 9781781004883
    Language: English
    Subjects: Economics
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    Keywords: Internetökonomie ; Kulturwirtschaft
    URL: FULL  ((Currently Only Available on Campus))
    Author information: Towse, Ruth 1943-
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Cheltenham, UK : Edward Elgar Pub
    UID:
    gbv_1023448521
    Format: 1 Online-Ressource (xii, 312 p) , cm
    ISBN: 9781785366840
    Series Statement: The international library of critical writings in economics 224
    Content: It is widely recognised that many copyright issues are also economic issues. As a result the level of interest in the economics of copyright continues to grow. This carefully edited book presents a selection of the most important recent contributions to a wide range of economic topics on copyright. These include the copyright term, infringement issues, administration of copyright, incentives to artists and open source. There is relevance here for a wide readership, from teachers and students of economics, law, cultural and media studies to practitioners and policymakers
    Content: Recommended readings (Machine generated): George A. Akerlof, Kenneth J. Arrow, Timothy F. Bresnahan, James M. Buchanan, Ronald H. Coase, Linda R. Cohen, Milton Friedman, Jerry R. Green, Robert W. Hahn, Thomas W. Hazlett, C. Scott Hemphill, Robert E. Litan, Roger G. Noll, Richard Schmalensee, Steven Shavell, Hal R. Varian, and Richard J. Zeckhauser (2002), 'Brief as Amici Curiae in Support of Petitioners', Eric Eldred et al v. John D. Ashcroft, Attorney General, the Supreme Court of the United States of America, No. 01-618, title page, i-iii, 1-15, appendices 6 -- Stan J. Liebowitz and Stephen Margolis (2005), 'Seventeen Famous Economists Weigh in on Copyright: The Role of Theory, Empirics and Network Effects', Harvard Journal of Law and Technology, 18 (2), Spring, 435-57 -- William M. Landes and Richard A. Posner (2003), 'Indefinitely Renewable Copyright', University of Chicago Law Review, 70 (2), Spring, 471-518 -- Justin P. Johnson and Michael Waldman (2005), 'The Limits of Indirect Appropriability in Markets for Copiable Goods', Review of Economic Research on Copyright Issues, 2 (1), June, 19-37 -- Martin Peitz and Patrick Waelbroeck (2006), 'Piracy of Digital Products: A Critical Review of the Theoretical Literature', Information Economics and Policy, 18, 449-76 -- Ivan P. L. Png (2006), 'Copyright: A Plea for Empirical Research', Review of Economic Research on Copyright Issues, 3 (2), 3-13 -- Michele Boldrin and David Levine (2002), 'The Case Against Intellectual Property', American Economic Review, Papers and Proceedings, 92 (2), 209-12 -- William J. Baumol (2004), 'The Socially Desirable Size of Copyright Fees', Review of Economic Research on Copyright Issues, 1 (1), 83-92 -- Arthur Snow and Richard Watt (2005), 'Risk Sharing and the Distribution of Copyright Collective Income', in Lisa N. Takeyama (ed), Wendy J. Gordon (ed) and Ruth Towse (ed) (eds), Developments in the Economics of Copyright, Chapter 2, Cheltenham, UK and Northampton, MA, USA: Edward Elgar, 23-36 -- Fabrice Rochelandet (2003), 'Are Copyright Collecting Societies Efficient Organisations? An Evaluation of Collective Administration of Copyright in Europe', in Wendy J. Gordon (ed) and Richard Watt (ed) (eds), The Economics of Copyright, Chapter 10, Cheltenham, UK and Northampton, MA, USA: Edward Elgar, 176-97 -- Amit Gayer and Oz Shy (2006), 'Publishers, Artists and Copyright Enforcement', Information Economics and Policy, 18, 374-84 -- Ruth Towse (2006) 'Copyright and Artists: A View From Cultural Economics', Journal of Economic Surveys, 20 (4), 567-85 -- Josh Lerner and Jean Tirole (2005), 'The Economics of Technology Sharing: Open Source and Beyond', Journal of Economic Perspectives, 19 (2), Spring, 99-120 -- Justin Pappas Johnson (2002), 'Open Source Software: Private Provision of a Public Good', Journal of Economics and Management Strategy, 11 (4), Winter, 637-62
    Note: Includes bibliographical references , The recommended readings are available in the print version, or may be available via the link to your library's holdings
    Additional Edition: Erscheint auch als Druck-Ausgabe Recent trends in the economics of copyright Cheltenham [u.a.] : Elgar, 2008 ISBN 9781847200457
    Additional Edition: ISBN 1847200451
    Language: English
    Subjects: Law
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    Keywords: Electronic books ; Electronic books
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: FULL  ((Currently Only Available on Campus))
    Library Location Call Number Volume/Issue/Year Availability
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