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  • 1
    UID:
    gbv_103033577X
    Format: 399 Seiten
    ISBN: 9783945852262
    Note: Literaturverzeichnis: Seite 392-395 , "This book is published on the occasion of 'Victor Papanek: The Politics of Design', an exhibition by the Vitra Design Museum and the Barcelona Design Museum, in collaboration with the Victor J. Papanek Foundation, University of Applied Arts Vienna. Vitra Design Museum, Weil am Rhein, 29 September 2018-10 March 2019, Barcelona Design Museum, 30 October 2019-2 February 2020" - Colophon
    Additional Edition: Parallele Sprachausgabe Papanek, Victor, 1926 - 1998 Victor Papanek - the politics of design
    Additional Edition: ISBN 9783945852255
    Language: English
    Keywords: Design ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband ; Case studies ; Exhibition catalogues
    Author information: Papanek, Victor 1926-1998
    Author information: Clarke, Alison J.
    Author information: Kries, Mateo 1974-
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  • 2
    UID:
    kobvindex_INT0002733
    Format: 46 pages , richly illustrated (chiefly colour) , 21 x 21 cm
    ISBN: 9783935062138 , 3935062133
    Content: "Zwischen diesen beiden Extrempolen [Joseph Maria Olbrich und Bernhard Hoetger], die beispielhaft die Spannweite der Formen, Inhalte und Chronologie markieren, erschließen Ausstellung und Publikation erstmals die ganz eigene und wesentliche Rolle der Plakatkunst im Konzert der Künste auf der Mathildenhöhe Darmstadt. Die Urform moderner Werbung, die Plakatreklame, wurde wie alles hier auf der Mathildenhöhe von Anfang an ganzheitlich gedacht. So entwarf Olbrich zum Plakat zugleich den Werbeträger: ein markantes, beidseitig einsetzbares Billboard -- hohe Kunst der Werbung und zugleich ganz pragmatisch Teil des Ausstellungszauns. Die bedeutenden Bestände des Instituts Mathildenhöhe, Städtische Kunstsammlung Darmstadt konnten für diese Ausstellung durch wertvolle Leihgaben ergänzt werden. Dank geht dafür an das Museum für Kunst und Gewerbe Hamburg, den Museumsberg Flensburg, die Universitäts- und Landesbibliothek und das Hessische Landesmuseum Darmstadt sowie an zwei Privatsammlungen." -- "Between these two extreme poles [Joseph Maria Olbrich and Bernhard Hoetger], who exemplify the range of forms, contents and chronology, exhibition and publication open up for the first time the very own and essential role of poster art in the Concert of the Arts on the Mathildenhöhe in Darmstadt. The original form of modern advertising, the billboard advertisement, like all here on the Mathildenhöhe was conceived holistically from the beginning. For example, Olbrich designed the poster as an advertising medium: a striking billboard that can be used on both sides - high art of advertising and at the same time very pragmatic part of the exhibition fence. The important holdings of the Institut Mathildenhöhe, Städtische Kunstsammlung Darmstadt could be supplemented by valuable loans for this exhibition. Thanks go to the Museum of Arts and Crafts Hamburg, the Museumsberg Flensburg, the University and State Library and the Hessian State Museum Darmstadt as well as to two private collections."
    Note: 3 Ralf Beil: Plakatkunst Made in Darmstadt: Vorwort und Dank -- 6 Philipp Gutbrod: "Für die Plakatkunst ein idealer Raum" (Joseph Maria Olbrich) -- 10 Joseph Maria Olbrich (22.12.1867 Troppau - 8.8.1908 Düsseldorf) -- 16 Hans Christiansen (6.3.1866 Flensburg - 5.1.1945 Wiesbaden) -- 24 Peter Behrens (14.4.1868 Hamburg - 27.2.1940 Berlin) -- 26 Paul Bürck (3.9.1878 Strassburg - 18.4.1947 München) -- 31 Johann Vincenz Cissarz (22.1.1873 Danzig - 22.12.1942 Frankfurt am Main) -- 37 Friedrich Wilhelm Kleukens (7.5.1878 Achim bei Bremen - 22.8.1956 Nürtingen) -- 41 Bernhard Hoetger (4.5.1874 Hörde - 18.7.1949 Beatenberg) -- 43 Anmerkungen -- 46 Literaturverzeichnis -- Impressum. -- Provided by Hans-Dieter Klingemann Library
    Language: German
    Keywords: Exhibition catalogues
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  • 3
    UID:
    kobvindex_INT0004265
    Format: 328 pages , richly illustrated (black and white, and colour) , 25 x 19 cm
    ISBN: 9783945852118 , 3945852110
    Content: "'Hello, Robot. Design between Human and Machine' investigates how robotics is increasingly becoming part of our everyday lives. The exhibition shows that design in its traditional function as a mediator is indispensable if robots are to become a visible reality and not just remain hidden in washing machines, cars and cash machines. The catalogue points out where we already encounter these intelligent machines and where we may come across them in the near future: in the industry, in the military and in everyday settings; at nurseries and retirement homes; in our bodies and in the cloud; when shopping and having sex; in video games and, of course, in film and literature. In a series of in-depth essays and interviews, experts such as science-fiction author Bruce Sterling or the design duo Dunne & Raby explore the question of how we deal with an environment that is rapidly becoming more digital, smarter and more autonomous. They highlight our often ambivalent relationship to new technologies and discuss the opportunities and challenges that present themselves to us as individuals and as a society in this context. In this regard, 'Hello, Robot.' broadens the scope of the discussion to include the ethical and political questions with which we are faced today in the light of technological advances in robotics, while confronting us with the contradictions that are often found in the answers to these questions."
    Note: EDITORIAL NOTE: "Hello, robot. has been layouted by an algorithm in collaboration with Double Standards, Berlin." -- Page [1]
    Language: English
    Keywords: Exhibition catalogues
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