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  • Berlin International  (3)
  • Kreisbibliothek Havelland Rathenow
  • Stiftung FVV
  • SB Prenzlau
  • Conference papers and proceedings  (3)
Type of Medium
Language
Region
Library
  • Berlin International  (3)
  • Kreisbibliothek Havelland Rathenow
  • Stiftung FVV
  • SB Prenzlau
  • HPol Brandenburg  (1)
Years
  • 1
    Online Resource
    Online Resource
    Paris, France :Publications de l'Institut national d'histoire de l'art,
    UID:
    kobvindex_INT0004504
    Format: 1 electronic resource (143 pages) , illustrations, plans.
    Edition: Nouvelle édition [en ligne].
    ISBN: 9782917902653 , 2917902655
    Content: MACHINE-GENERATED SUMMARY NOTE: "Ce colloque s'insère dans un ensemble de manifestations consacrées à la théorie de l'art : une table ronde introductive en avril 2009 sur la problématique organisée à Paris par Milovan Stanic (université Paris IV) au Centre allemand d'histoire de l'art à Paris, et un colloque sur la théorie des arts figuratifs à Saint-Pétersbourg (direction Milovan Stanic) en 2010. Il est exclusivement dévolu à l'architecture de la Renaissance à nos jours, dans le prolongement du programme de recherche Architectura du CESR, dont l'une des bases est consacrée aux livres d'architecture (XVIe-XVIIe siècle). En même temps que l'architecture 'à l'antique', la Renaissance voit renaître la théorie de l'architecture. Qu'il s'agisse de gloses du traité de Vitruve ou d'entreprises autonomes, les traités fleurissent, du De re ædificatoria d'Alberti (Florence, 1485) à l'Idea della architettura universale de Scamozzi (Venise, 1615), en passant par l'œuvre de Serlio, la plus vaste entreprise éditoriale du Cinquecento, la Regola de Vignole (Rome, 1562) maintes fois rééditée et les Quattro libri d'architettura de Palladio (Venise, 1570). Tous ces ouvrages formalisent une pratique de l'art de bâtir dont les représentations mentales restaient implicites au Moyen Âge, limitées aux transmissions traditionnelles des savoir-faire au sein des corporations. Ils ont été souvent réédités, lus et médités tout au long des XVIIe et XVIIIe siècles ; et ils marquaient encore l'enseignement de l'École des beaux-arts au début du XXe siècle. Comment la théorie développée dans les traités de la Renaissance a-t-elle contribué à former la pensée architecturale des architectes des siècles suivants ? Telle est la question à laquelle les intervenants, historiens de l'architecture, architectes et critiques contemporains, tenteront de fournir des éléments de réponse." -- "This conference is part of a series of events devoted to art theory: an introductory round table in April 2009 on the problem organized in Paris by Milovan Stanic (University of Paris IV) at the German Center for Art History in Paris, and a symposium on the theory of figurative arts in Saint Petersburg (direction Milovan Stanic) in 2010. It is exclusively devoted to architecture from the Renaissance to the present day, as an extension of the CESR Architectura research program, one of the bases of which is devoted to architectural books (16th-17th century). At the same time as 'antique' architecture, the Renaissance saw the rebirth of the theory of architecture. Whether glosses of the Vitruvian treaty or autonomous enterprises, the treaties flourish, from De re ædificatoria d'Alberti (Florence, 1485) to the Idea della architettura universale de Scamozzi (Venice, 1615), in passing by the work of Serlio, the largest editorial enterprise in Cinquecento, the Regola de Vignole (Rome, 1562), which has been repeatedly reissued, and the Quattro libri d'Architettura by Palladio (Venice, 1570). All these works formalize a practice of the art of building, the mental representations of which remained implicit in the Middle Ages, limited to the traditional transmissions of know-how within corporations. They were often reissued, read and meditated throughout the 17th and 18th centuries; and they still marked the teaching of the School of Fine Arts at the beginning of the 20th century. How did the theory developed in the Renaissance treatises contribute to shaping the architectural thought of architects of the following centuries? This is the question to which the speakers, architectural historians, architects and contemporary critics, will try to provide some answers."
    Note: EDITORIAL NOTE: originally published: 2012. , CONFERENCE NOTE: papers presented at a Colloque international, CESR, Tours, 3-4 June 2009, Ensa Paris-Malaquais, 5 June 2009.
    Language: French
    Keywords: Conference papers and proceedings
    URL: FULL
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    kobvindex_INT0004357
    Format: 1 electronic resource (xv, 146 pages).
    Edition: Reprint.
    ISBN: 9780415344296 , 0415344298 , 9780415649230 , 0415649234 , 9780203023594 , 0203023595
    Series Statement: Routledge studies in the history of economics ; 75
    Content: MACHINE-GENERATED SUMMARY NOTE: "Throughout the history of economic ideas, it has often been asserted that experimentation is impossible, yet, in fact, history shows that the idea of 'experimentation' has always been important, and as such has been interpreted and put to use in many ways. Rich in historical detail, the essays in this topical volume deal with such issues as laboratory experimentation, the observed transition from a post-war economics to a contemporary discipline, the contrasting positions of Friedrich Hayek and Oskar Morgenstern, the socio-economic experiments proposed by Ernest Solvay and Knut Wicksell, and a rigorous examination of the way in which economic models can or cannot be construed as valid experiments producing useful knowledge. A testament to the variety of ways in which experimentation has been of importance in the creation of economic knowledge, these wide-ranging essays will interest those seeking to expand their historical understanding of the discipline, be they theorists, historians, philosophers, advanced students or researchers."
    Note: EDITORIAL NOTE: originally published: hardback edition 2005, paperback edition 2012. , CONFERENCE NOTE: papers presented at the 5th Annual European Conference on the History of Economics, Cachan, France, 22-24 April 1999.
    Language: English
    Keywords: Conference papers and proceedings
    URL: FULL
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Paris, France :Publications de l'Institut national d'histoire de l'art,
    UID:
    kobvindex_INT0004503
    Format: 1 electronic resource (120 pages) : , illustrations.
    Edition: Nouvelle édition [en ligne].
    ISBN: 9782917902622 , 2917902620
    Content: MACHINE-GENERATED SUMMARY NOTE: "Si l'on connaît les relations étroites qui lièrent, au XIXe siècle, l'architecture et la photographie, les relations entre l'architecte et le photographe, la façon, notamment, dont le premier apprend rapidement à solliciter et utiliser le second, en influant sur sa pratique, n'ont été abordées que ponctuellement à l'occasion d'études ou d'expositions monographiques. Citons pour mémoire l'exposition 'Le photographe et l'architecte. Edouard Baldus, Hector-Martin Lefuel et le chantier du Nouveau Louvre de Napoléon III' (musée du Louvre, 1995) réalisée en grande partie à partir du fonds de l'Agence d'architecture du Louvre, ou des expositions monographiques consacrées à des architectes ('Alfred Nicolas Normand', CNMHS, 1978 ou 'Charles Garnier, un architecte pour un empire', Paris, ENSBA, 2010). Pourtant, dans leur double volonté de former de vastes corpus visuels pouvant servir de références à leurs projets et de documenter leurs œuvres bâties, y compris dans les phases provisoires de leur mise en œuvre, l'architecte trouve dans le photographe un partenaire décisif, dont il apprendra vite à orienter l'objectif, voire à retoucher ou à recadrer les images, notamment pour les publier." -- "If we know the close relationships which, in the 19th century, linked architecture and photography, the relations between architect and photographer, in particular, the way in which the former quickly learned to solicit and use the latter, influencing his practice, have only been tackled occasionally during studies or monographic exhibitions. The exhibition 'The Photographer and the Architect is worth remembering. Edouard Baldus, Hector-Martin Lefuel and the construction of the New Louvre by Napoleon III '(Louvre museum, 1995) made largely from the funds of the Louvre Architecture Agency, or monographic exhibitions dedicated to architects ('Alfred Nicolas Normand', CNMHS, 1978 or 'Charles Garnier, an architect for an empire', Paris, ENSBA, 2010). However, in their double desire to form vast visual corpora which can serve as references to their projects and to document their constructed works, including in the provisional phases of their implementation, the architect finds in the photographer a decisive partner, whose he will quickly learn to orient the lens, even to retouch or crop the images, in particular to publish them."
    Note: EDITORIAL NOTE: originally published: 2016.
    Language: French
    Keywords: Conference papers and proceedings
    URL: FULL
    Library Location Call Number Volume/Issue/Year Availability
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