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  • Image  (3)
  • Berlin International  (3)
  • HPol Brandenburg
  • Haus Wannsee-Konferenz
  • SB Bad Liebenwerda
  • 2015-2019  (3)
Type of Medium
Language
Region
Years
Year
Subjects(RVK)
  • 1
    UID:
    gbv_1046102648
    Format: 248 Seiten , 24 cm x 28 cm
    ISBN: 9783868325089
    Language: German
    Subjects: Art History
    RVK:
    Keywords: Strathmann, Carl 1866-1939 ; Malerei ; Bildband ; Ausstellungskatalog ; Exhibition catalogues
    Author information: Kennedy, Julie 1970-
    Author information: Strathmann, Carl 1866-1939
    Author information: Kirchberger, Nico 1980-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Image
    Image
    Seattle, WA, USA : University of Washington Press | ©2012
    UID:
    kobvindex_INT0002864
    Format: xv, 278 pages , richly illustrated (colour) , 25 cm
    Edition: 5th printing
    ISBN: 9780295991559 , 0295991550
    Content: "Furniture Studio explores the origins, methods, results, and influence of the unique and highly successful furniture design and fabrication studios offered by the University of Washington Department of Architecture. The furniture program, initiated by Andris Vanags, is an immersion into the role of materials, design, and making in architectural education. Students directly engage the physical properties of materials, and the knowledge gained through this engagement enriches the design and fabrication process. The experiences of its graduates reveal that the studio fosters creative thinking that truly integrates design and making. Ochsner presents historical background to shop-based courses, including furniture studio; traces the careers of four representative graduates of the program; and suggests implications from this program for architectural education and individual achievement beyond the University of Washington. Eleven students and the projects they created in the winter 2009 studio are profiled, and the book contains a fully illustrated catalogue of exemplary student projects from 1989 to the present. Illustrations and descriptions throughout the book showcase the heirloom-quality projects created by the students, many of which won awards in competitions."
    Note: EDITORIAL NOTE: originally published 2012 , I Preface and acknowledgments -- Introduction: the reality of making -- Origins: building a program -- One quarter: winter 2009 -- Interpreting a pedagogy: furniture and architecture -- Examples of excellence: selected projects, 1989-2009 -- Beyond the university: continuing influence -- The future: furniture studio after 2009 -- Appendix A. Furniture Fest, 2009 -- Appendix B. Award-winning projects, 1990-2010 - Notes - General background reading - Index
    Language: English
    Keywords: Case studies
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  • 3
    UID:
    kobvindex_INT2432
    Format: 37 pages : , illustrations (colour) ; , 30 cm.
    Content: "This thesis consists of a research part and a design project part. The rest of the research part is organised in the following way: In the second chapter Norway's technological modernization in the late 19th century and its path after independence will be described before the third chapter will focus on the destructive effects of World War II. Then chapter four will highlight the golden era of Norwegian design and the times of international promotion at the world-famous Milan Triennial. Moreover, three influential Norwegian designers of the time, Grete Prytz Kittelsen, Willy Johansson and Birger Dahl, will be introduced in more detail. Subsequently, chapter five will devote itself to the manifold reasons of the slow decay of Norwegian design. Afterwards, chapter six will shed light on the current revival of Norwegian design and the reasons for its 'resurrection'. Additionally, three contemporary Norwegian designers, Andreas Engesvik, Hallgeir Homstved and Kristine Bjaadal, will be presented. Chapter seven will then conclude. In the following design project part of this thesis I will explain how my Norwegian heritage guided me in the creation of a product deeply rooted in the traditions of my homeland. I created a pendant lamp inspired by an old fishing net technique, manufactured by a Berlin-based glassblower."
    Note: DISSERTATION NOTE: bachelor thesis in Product Design, BAU International Berlin University of Applied Sciences, 2018. , INTRODUCTION -- NORWAY ON ITS PATH TO MODERNITY : Technology and institutions in the late 19th century -- Independence and the evolution of a "national style" -- WORLD WAR II : PERIOD OF DEBATE FOLLOWED BY RECONSTRUCTION -- INTERNATIONAL PROMOTION OF NORWEGIAN DESIGN : The great exhibitions of the 1950s -- Representatives of their time : Grete Prytz Kittelsen ; Willy Johansson ; Birger Dahl -- WHY NORWEGIAN DESIGN GOT FORGOTTON : The decay of "Scandinavian design" -- Consumer activism in the late 1960s -- Fragmentation, oil discovery and deindustrialisation -- THE REVIVAL OF NORWEGIAN DESIGN : De-fragmentation, consumers and a new generation -- Representatives of our time : Andreas Engesvik ; Hallgeir Homstved ; Kristine Bjaadal -- CONCLUSION -- KAVEL LAMP : A PRODUCT ROOTED IN HERITAGE -- References. , ISSUING BODY NOTE: BAU International Berlin University of Applied Sciences is the former name of Berlin International University of Applied Sciences.
    Language: English
    Keywords: Academic theses
    URL: FULL
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