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  • Berlin International  (4)
  • Zuse-Institut Berlin
  • GB Fredersdorf-Vogelsdorf
  • Wiedemann, Julius,  (4)
  • 1
    UID:
    kobvindex_INT0000364
    Format: 2-volume set : , illustrations (chiefly colour) ; , 38 x 26 cm.
    ISBN: 9783836563079 (hbk.) , 383656307X (hbk.) , 9783836570374 (hbk.) , 3836570378 (hbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE (Vol. 1): "A Visual History of Graphic Design. A comprehensive look at hundreds of landmark projects, industry leader profiles, and illustrated timelines for each decade History is a complex business. Fortunes boom and bust, empires wax and wane, and change-whether social, political, or technological-has its winners, its losers, its advocates, and its enemies. Through all the turbulent passage of time, graphic design-with its vivid, neat synthesis of image and idea-has distilled the spirit of each age. This book offers a comprehensive history of graphic design from the end of the 19th century to the remains of World War II. It traces the evolution of this creative field from its beginning as poster design to its further development into advertising, corporate identity, packaging, and editorial design. Organized chronologically, the volume features over 2,500 seminal designs from all over the world, 71 of which are profiled in detail besides 61 leaders in the field, including Alphonse Mucha (chocolate advertisements), Edward Johnston (London Underground logo and typeface), El Lissitzky (constructivist graphics), Herbert Matter (photomontage travel posters from Switzerland), Saul Bass (animated opening titles), and A. M. Cassandre (art deco posters). With his sweeping knowledge of the field, author Jens Müller curates the standout designs for each year alongside a running sequence of design milestones. Meanwhile, in his introductory essay, David Jury situates graphic design from its point of origin in early printing, engraving, and lithography to striking creative developments in the 19th century. Each consecutive decade is then prefaced by a succinct overview as well as a stunning visual timeline, offering a vivid display of the variety of graphic production in each decade as well as the global landscape which it at once described and defined. As we move on from and reflect upon the 20th century, this staggering collection represents the foundations of what would influence some of the fastest changing creative fields, and a long-overdue recognition of the enormous contribution graphic design has made to economics, politics, social causes, arts, media, and the way we see the world. A second volume in preparation will cover the period from 1960 to today. Text in English, French, and German."
    Content: MACHINE-GENERATED SUMMARY NOTE (Vol. 2): "Visual Revolutionaries. Design game changers, from the 1960s until today. Through the turbulent passage of time, graphic design-with its vivid, neat synthesis of image and idea-has distilled the spirit of each age. Surrounding us every minute of every day, from minimalist packaging to colorful adverts, smart environmental graphics to sleek interfaces: graphic design is as much about transmitting information as it is about reflecting society's cultural aspirations and values. This second volume rounds off the most comprehensive exploration of graphic design to date, spanning from the 1960s until today. About 2,500 seminal designs from across the globe guide us in this visual map through contemporary history, from the establishment of the International Style to the rise of the groundbreaking digital age. Around 130 key pieces go under the microscope in detailed analyses besides 120 biographies of the era's most important designers, including Massimo Vignelli (New York subway wayfinding system), Otl Aicher (Lufthansa identity), Yusaku Kamekura (Nikon poster campaign), Paula Scher (Citibank brand identity), Neville Brody (The Face magazine), and Stefan Sagmeister (handwriting posters). With his sweeping knowledge of the field, author Jens Müller curates the standout designs for each year alongside a running sequence of design milestones. Organized chronologically, each decade is prefaced by a succinct overview as well as a stunning visual timeline, offering a vivid display of the variety of graphic production in each decade as well as the global landscape which it at once described and defined. This collection of important graphic works represents a long-overdue reflection on the development of a creative field constantly changing and challenging itself. These key pieces act as coordinates through contemporary history, helping us trace the sheer influence of graphic design on our daily lives. Text in English, French, and German."
    Content: MACHINE-GENERATED NOTE ABOUT AUTHOR(S)/EDITOR(S): "Jens Müller was born in Koblenz, Germany, in 1982 and studied graphic design. Recipient of numerous national and international design awards, Müller is Creative Director of optik design studio in Düsseldorf, editor of the A5 book series on graphic design history, and author of Logo Modernism. He is a visiting lecturer at the University of Applied Sciences in Düsseldorf and currently holds a temporary professorship in the design department of the Dortmund University of Applied Sciences."
    Note: MACHINE-GENERATED CONTENTS NOTE: Vol. 1 : 1890 - 1959 -- Vol. 2 : 1960 - today. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    kobvindex_INT0000365
    Format: 480 pages : , illustrations (chiefly colour) ; , 38 x 26 cm.
    ISBN: 9783836563079 (hbk.) , 383656307X (hbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "A Visual History of Graphic Design. A comprehensive look at hundreds of landmark projects, industry leader profiles, and illustrated timelines for each decade History is a complex business. Fortunes boom and bust, empires wax and wane, and change-whether social, political, or technological-has its winners, its losers, its advocates, and its enemies. Through all the turbulent passage of time, graphic design-with its vivid, neat synthesis of image and idea-has distilled the spirit of each age. This book offers a comprehensive history of graphic design from the end of the 19th century to the remains of World War II. It traces the evolution of this creative field from its beginning as poster design to its further development into advertising, corporate identity, packaging, and editorial design. Organized chronologically, the volume features over 2,500 seminal designs from all over the world, 71 of which are profiled in detail besides 61 leaders in the field, including Alphonse Mucha (chocolate advertisements), Edward Johnston (London Underground logo and typeface), El Lissitzky (constructivist graphics), Herbert Matter (photomontage travel posters from Switzerland), Saul Bass (animated opening titles), and A. M. Cassandre (art deco posters). With his sweeping knowledge of the field, author Jens Müller curates the standout designs for each year alongside a running sequence of design milestones. Meanwhile, in his introductory essay, David Jury situates graphic design from its point of origin in early printing, engraving, and lithography to striking creative developments in the 19th century. Each consecutive decade is then prefaced by a succinct overview as well as a stunning visual timeline, offering a vivid display of the variety of graphic production in each decade as well as the global landscape which it at once described and defined. As we move on from and reflect upon the 20th century, this staggering collection represents the foundations of what would influence some of the fastest changing creative fields, and a long-overdue recognition of the enormous contribution graphic design has made to economics, politics, social causes, arts, media, and the way we see the world. A second volume in preparation will cover the period from 1960 to today. Text in English, French, and German."
    Content: MACHINE-GENERATED NOTE ABOUT AUTHOR(S)/EDITOR(S): "Jens Müller was born in Koblenz, Germany, in 1982 and studied graphic design. Recipient of numerous national and international design awards, Müller is Creative Director of optik design studio in Düsseldorf, editor of the A5 book series on graphic design history, and author of Logo Modernism. He is a visiting lecturer at the University of Applied Sciences in Düsseldorf and currently holds a temporary professorship in the design department of the Dortmund University of Applied Sciences."
    Note: MACHINE-GENERATED CONTENTS NOTE: A visual history -- Pre-history of graphic design -- 1890-1899 -- 1900-1909 -- 1910-1919 -- 1920-1929 -- 1930-1939 -- 1940-1949 -- 1950-1959 -- Bibliography -- Index -- Imprint. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    kobvindex_INT0000114
    Format: 432 pages : , illustrations; , 38 x 25.5 cm.
    ISBN: 9783836545303 (hbk.) , 3836545306 (hbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "Modernist aesthetics in architecture, art, and product design are familiar to many. In soaring glass structures or minimalist canvases, we recognize a time of vast technological advance which affirmed the power of human beings to reshape their environment and to break, radically, from the conventions or constraints of the past. Less well-known, but no less fascinating, is the distillation of modernism in graphic design. This unprecedented TASCHEN publication, authored by Jens Muller, brings together approximately 6,000 trademarks, focused on the period 1940-1980, to examine how modernist attitudes and imperatives gave birth to corporate identity. Ranging from media outfits to retail giants, airlines to art galleries, the sweeping survey is organized into three design-orientated chapters: Geometric, Effect, and Typographic. Each chapter is then sub-divided into form and style led sections such as alphabet, overlay, dots and squares. Alongside the comprehensive catalog, the book features an introduction from Jens Muller on the history of logos, and an essay by R. Roger Remington on modernism and graphic design. Eight designer profiles and eight instructive case studies are also included, with a detailed look at the life and work of such luminaries as Paul Rand, Yusaku Kamekura, and Anton Stankowski, and at such significant projects as Fiat, The Daiei Inc., and the Mexico Olympic Games of 1968. An unrivaled resource for graphic designers, advertisers, and branding specialists, Logo Modernism is equally fascinating to anyone interested in social, cultural, and corporate history, and in the sheer persuasive power of image and form."
    Content: MACHINE-GENERATED NOTE ABOUT AUTHOR(S)/EDITOR(S): "Jens Müller was born in Koblenz, Germany in 1982 and studied graphic design in Düsseldorf. Recipient of numerous national and international design awards, Müller is Creative Director of optik design studio in Düsseldorf, and editor of the A5 book series on graphic design history. He teaches graphic design history and editorial design as a visiting lecturer at the Peter Behrens School of Arts, University of Applied Sciences Düsseldorf. R. Roger Remington is Vignelli Distinguished Professor of Design at the Vignelli Center for Design Studies, Rochester Institute of Technology, New York. He has lectured and written extensively on the history of graphic design, including Nine Pioneers in American Graphic Design and Design and Science: The Life and Work of Will Burtin and has been recognized by the RIT Eisenhart Award for Outstanding Teaching and the Trustees Lifetime Achievement Award for Scholarship in Graphic Design."
    Note: MACHINE-GENERATED CONTENTS NOTE: JENS MÜLLER: Logo -- R. ROGER REMINGTON: Viva Modernism! -- GEOMETRIE -- Angular -- Arrow -- Basic Forms -- Circle -- Case Study: Daiei -- Cross -- Dots -- Figurative -- Lines -- Case Study: Mexico '68 -- Skewed -- Case Study: Fiat -- Round -- Square -- Triangle -- EFFECT -- Cut-off -- Case Study: Claude Neon -- Split -- Duplication -- Grid -- Reflection -- Outline -- Overlay -- Positive/Negative -- Case Study. De Ploeg -- Rotation -- Three-dimensional -- White on Black -- TYPOGRAPHIC -- A t o Z -- Case Study: Atlas Film -- Opened-up Letters -- Case Study: London Electricity Board -- Two Letters -- Three Letters -- Case Study: Deutscher Taschenbuch Verlag -- Words -- PROFILES -- Adrian Frutiger -- Paul Ibou -- Yusaku Kamekura -- Stefan Kanchev -- Burton Kramer -- Paul Rand -- Karol Sliwka -- Anton Stankowski -- INDEX -- BIBLIOGRAPHY. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    kobvindex_INT0000366
    Format: 480 pages : , illustrations (chiefly colour) ; , 38 x 26 cm.
    ISBN: 9783836570374 (hbk.) , 3836570378 (hbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "Visual Revolutionaries. Design game changers, from the 1960s until today. Through the turbulent passage of time, graphic design-with its vivid, neat synthesis of image and idea-has distilled the spirit of each age. Surrounding us every minute of every day, from minimalist packaging to colorful adverts, smart environmental graphics to sleek interfaces: graphic design is as much about transmitting information as it is about reflecting society's cultural aspirations and values. This second volume rounds off the most comprehensive exploration of graphic design to date, spanning from the 1960s until today. About 2,500 seminal designs from across the globe guide us in this visual map through contemporary history, from the establishment of the International Style to the rise of the groundbreaking digital age. Around 130 key pieces go under the microscope in detailed analyses besides 120 biographies of the era's most important designers, including Massimo Vignelli (New York subway wayfinding system), Otl Aicher (Lufthansa identity), Yusaku Kamekura (Nikon poster campaign), Paula Scher (Citibank brand identity), Neville Brody (The Face magazine), and Stefan Sagmeister (handwriting posters). With his sweeping knowledge of the field, author Jens Müller curates the standout designs for each year alongside a running sequence of design milestones. Organized chronologically, each decade is prefaced by a succinct overview as well as a stunning visual timeline, offering a vivid display of the variety of graphic production in each decade as well as the global landscape which it at once described and defined. This collection of important graphic works represents a long-overdue reflection on the development of a creative field constantly changing and challenging itself. These key pieces act as coordinates through contemporary history, helping us trace the sheer influence of graphic design on our daily lives. Text in English, French, and German."
    Content: MACHINE-GENERATED NOTE ABOUT AUTHOR(S)/EDITOR(S): "Jens Müller was born in Koblenz, Germany, in 1982 and studied graphic design. Recipient of numerous national and international design awards, Müller is Creative Director of optik design studio in Düsseldorf, editor of the A5 book series on graphic design history, and author of Logo Modernism. He is a visiting lecturer at the University of Applied Sciences in Düsseldorf and currently holds a temporary professorship in the design department of the Dortmund University of Applied Sciences."
    Note: MACHINE-GENERATED CONTENTS NOTE: Graphic design and beyond -- 1960-1969 -- 1970-1979 -- 1980-1989 -- 1990-1999 -- 2000-2009 -- 2010-today -- Bibliography -- Index -- Imprint. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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