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  • Berlin International  (13)
  • Bauhaus-Archiv Berlin  (2)
  • SB Uebigau
  • SB Velten
  • Fiell, Charlotte,  (14)
  • 1
    Book
    Book
    Köln :Taschen,
    UID:
    almahu_BV017946578
    Format: 768 S. : überw. Ill.
    ISBN: 3-8228-6310-6
    Language: English
    RVK:
    Keywords: Industriedesign ; Geschichte ; Designer ; Geschichte ; Bildband
    Author information: Fiell, Charlotte, 1965-
    Author information: Fiell, Peter, 1958-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Köln, Germany : Taschen
    UID:
    kobvindex_INT0002875
    Format: 639 pages , illustrations (black and white, and colour) , 20.5 cm
    ISBN: 9783836546768 , 3836546760
    Series Statement: Bibliotheca universalis / Taschen
    Content: "Designed to be a companion to our classic title 1000 Chairs, this edition contains an awesome selection of over 1000 lights. Presented chronologically by decade are the 20th century's most interesting electric lights, from Tiffany's beautiful leaded-glass shades to completely outrageous designs from the late 1960s and 1970s to the latest high-tech LED lamps. All major styles are represented here--Arts & Crafts, Art Nouveau, Art Deco, Modern Movement, De Stijl, Postwar, Pop, Radical, Postmodern, and Contemporary--in 640 pages of truly illuminated works.This definitive reference work is a must-have for collectors and design fans."
    Note: EDITORIAL NOTE: originally published in two volumes in 2005. -- Colophon , Introduction: the evolution of artificial light -- Lights in the 20th century -- Index -- Manufacturers -- Bibliography -- Contributors' biographies -- Acknowledgments -- Picture credits. , LANGUAGE NOTE: text in English, German and French
    Language: Multiple languages
    Keywords: Case studies
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  • 3
    Book
    Book
    London, UK : Goodman Fiell
    UID:
    kobvindex_INT0001368
    Format: 512 pages , illustrations (some colour) , 25 cm
    ISBN: 9781783130016 , 1783130016
    Content: "Design is a multi-disciplined approach to problem-solving that has always uniquely reflected humankind's aspirations, needs and desires. It has both shaped and mirrored the spirit of our times. The Story of Design is a fascinating multi-stranded account that is truly comprehensive in its scope, introducing the styles, movements, theories, materials, processes, technologies, leading practitioners and companies that have shaped modern design into what it is today. Contextualizing developments in design with regard to wider social, cultural and political matters, this is an indispensable overview of creative endeavour in the pursuit of the better-designed product. Through exquisite illustrations and authoritative text, this definitive account studies the foundations of design practice from its earliest inception and defines the major themes that have guided this discipline from the from the prehistoric era to the Ancient world, from the Middle Ages and the Renaissance to the Industrial Revolution and Modern Movement to our own Digital Age. Leading design historians Charlotte and Peter Fiell, through careful analysis of the evolution of modern design, uncover the real importance of this unique yet all-encompassing creative activity and assess its crucial future role in society."
    Content: "In The Story of Design leading design historians Charlotte and Peter Fiell trace the evolution of design, revealing the real-world importance of this unique and ubiquitous creative activity and - crucially - its future role in society. Beautifully illustrated, this updated edition is a comprehensive account of the fascinating, multi-faceted story of design, from its earliest beginnings right up to the present day. It is essential reading for anyone interested in design, its history and its future."
    Note: The early origins of design -- Design and craftsmanship from the middle ages to the eighteenth century -- The age of reason and the industrial revolution -- Armory practice and a new system of rationalized production -- The new industrial age and the Great Exhibition -- The winds of reform -- The new art -- Art nouveau -- Putting theory into practice: from art manufactures to industrial products -- The American system and Fordism -- Reductivism, expressionism and rationalism -- Art deco and interpretations of modernism -- The great depression and the moderne style -- Design for war -- The American dream and good design -- Reconstruction and the spirit of optimism -- Pop design and the counter-culture -- Rationalism versus craft -- Postmodernism and internationalism -- Universal solutions versus creative individuality
    Language: English
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  • 4
    UID:
    kobvindex_INT0002179
    Format: 622 pages , illustrations (black and white, and colour) , 21 cm
    ISBN: 9783836546744 , 3836546744
    Content: "Chairs displayed on their own as pure form. An overview of the 20th century More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designers. The particular curve of a backrest, or the twist of a leg, the angle of a seat or the color of the entire artifact all reflect the stylistic consciousness of each era. From Gerrit Rietveld and Alvar Aalto to Verner Panton to Eva Zeisel, from Art Nouveau to International Style, from Pop Art to Postmodernism, the phenomenon of the chair is so complex that it requires a reference work as comprehensive as this to do it full justice. They are all here: Thonet's bentwood chairs and Hoffmann's sitting-machines, Marcel Breuer's Wassily chair and Ron Arad's avant-garde armchairs. The book devotes one page to each chair, displayed on its own as pure form, with biographical and historical information about the chairs and their designers. A special treat for anyone who loves design and a must for collectors!"
    Note: EDITORIAL NOTE: original edition published as: 1000 chairs. ©1997 , INDEX NOTE: includes index. , Introduction -- The chairs -- Index -- Photographic credits , LANGUAGE NOTE: text in English, German, and French.
    Language: English
    Keywords: Case studies
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  • 5
    Image
    Image
    Köln, Germany : Taschen
    UID:
    kobvindex_INT0002077
    Format: 768 pages , chiefly illustrations (some colour), portraits , 20 cm
    ISBN: 9783822870396 , 3822870390
    Content: "One of the bestselling design books of all time, Design of the 20th Century is a bible of design breakthroughs and inspiration spanning one hundred years. The 20th Century was marked by momentous changes in the field of design. Aesthetics entered into everyday life with often staggering results. Our homes and workplaces turned into veritable galleries of style and innovation. From furniture to graphics, it's all here - the work of artists who have shaped and recreated the modern world with a dizzying variety of materials. From the organic to the geometric, from Art Deco, through to Pop and High-Tech, this book contains all the great names - Bernhard Bertoia, De Stijl, Dieter Rams, Philippe Starck, Charles and Ray Eames, to name only a very few. This essential book is a comprehensive journey through the shapes and colors, forms and functions of design history in the 20th century. This title offers an A-Z of designers and design schools, which builds into a complete picture of contemporary living. Lavishly illustrated, this is design in the fullest sense."
    Language: English
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  • 6
    Book
    Book
    Köln, Germany : Taschen
    UID:
    kobvindex_INT0002187
    Format: 704 pages , illustrations (black and white, and colour), maps (colour) , 21 cm
    ISBN: 9783836544528 , 3836544520
    Content: "Scandinavia is world famous for its inimitable, democratic designs which bridge the gap between crafts and industrial production, organic forms and everyday functionality. This all-you-need guide includes a detailed look at Scandinavian furniture, glass, ceramics, textiles, jewelry, metalware, and industrial design from 1900 to the present day, with in-depth entries on over 180 designers and design-led companies, plus a list of important design-related destinations across Norway, Sweden, Denmark, Iceland, and Finland. Featured designers and designer-led companies include Verner Panton, Arne Jacobsen, Alvar Aalto, Timo Sarpaneva, Hans Wegner, Tapio Wirkkala, Sigvard Bernadotte, Stig Lindberg, Ingeborg Lundin, Finn Juhl, Fritz Hansen, Artek, Le Klint, Gustavsberg, Iittala, Fiskars, Volvo, Saab, Orrefors, Royal Copenhagen, Holmegaard, Arabia, Marimekko, and Georg Jensen."
    Note: EDITORIAL NOTE: originally published 2002 , I. Introduction. -- Scandinavian design. -- Design in Denmark. -- Design in Finland. -- Design in Iceland. -- Design in Norway. -- Design in Sweden. -- II. Designers and Companies. -- III. Appendix. -- Timeline. -- List of addresses. -- Bibliography. -- Picture credits. -- Index. -- Acknowledgements.
    Language: English
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  • 7
    UID:
    kobvindex_INT0000440
    Format: volumes : , richly illustrated ; , 20-26 cm.
    ISBN: 9783822860502 (semi-hbk. : vol. 1) , 3822860506 (semi-hbk. : vol. 1)
    Series Statement: Bibliotheca universalis / Taschen
    Content: MACHINE-GENERATED SUMMARY NOTE: "Taschen's Decorative Art series, whose six installments now span the 20th century up through the 1970s, carefully reproduces the best of Studio Magazine's Decorative Art yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publication went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. So how can the rest of us have a look? Taschen, of course! Preserving the yearbooks' original page layouts, Taschen's new Decorative Art books bring you an authentic experience of each decade's design trends and styles. Collect them all!"
    Note: LANGUAGE NOTE: text in English, German, and French.
    Language: English
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  • 8
    UID:
    kobvindex_INT0000441
    Format: 575 pages : , chiefly illustrations ; , 26 cm.
    ISBN: 9783822860502 (semi-hbk.) , 3822860506 (semi-hbk.)
    Series Statement: Bibliotheca universalis / Taschen
    Content: MACHINE-GENERATED SUMMARY NOTE: "Taschen's Decorative Art series, whose six installments now span the 20th century up through the 1970s, carefully reproduces the best of Studio Magazine's Decorative Art yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publication went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. So how can the rest of us have a look? Taschen, of course! Preserving the yearbooks' original page layouts, Taschen's new Decorative Art books bring you an authentic experience of each decade's design trends and styles. Collect them all! Out with the old and in with the new... Decorative Art 1900s & 1910's highlights the exciting period that marked the aesthetic transition from the Victorian Era to the Modern Age. Concepts of simplicity, utility and beauty ushered out the heavy ornamentation of High Victorian style. Beginning in 1906, the Decorative Art yearbook's first year of publication, Taschen's look at interior design from the first two decades of the 20th century gives us a look at the avant-garde work of designers such as Charles Rennie Mackintosh, Charles Voysey, and Mackay Hugh Baillie Scott. From Britain to Austria to the Americas, the Decorative Art yearbook served as a communicator of styles and ideas as the ""New Art"" movement began its rise. This crucial period was not only documented in the yearbooks, but promoted and affected by them as well. This was a time when "modern" was truly a new concept, one that many designers had to fight for; the evolution of styles and ideas moved at afast pace, punctuated dramatically by the First World War, whose effects on society and architecture were vast. This volume faithfully reproduces the best examples from the yearbooks of the 1900s and 1910s, bringing you an excellent guide through the founding years of Modernism in decorative art."
    Note: INDEX NOTE: includes index. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
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  • 9
    UID:
    kobvindex_INT0000442
    Format: 575 pages : , chiefly illustrations ; , 26 cm.
    ISBN: 9783822860519 (semi-hbk.) , 3822860514 (semi-hbk.)
    Series Statement: Bibliotheca universalis / Taschen
    Content: MACHINE-GENERATED SUMMARY NOTE: "Taschen's Decorative Art series, whose six installments now span the 20th century up through the 1970s, carefully reproduces the best of Studio Magazine's Decorative Art yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publication went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. So how can the rest of us have a look? Taschen, of course! Preserving the yearbooks' original page layouts, Taschen's new Decorative Art books bring you an authentic experience of each decade's design trends and styles. Collect them all! This new installment in Taschen's Decorative Art series takes us back to the Roaring Twenties, a time of great optimism and technological progress which saw the birth of new materials and styles in building and design. The Art Deco movement, a great departure from Art Nouveau, surfaced in the early 20s, drawing influences from Futurism, Cubism, Neo-Classicism, and Egyptian and African Art. While Art Deco, flaunting excess and luxury, largely dominated the style of the 1920s, another new movement, Modernism, began to make itself known towards the end of the decade. For the first time, materials such as concrete, plate glass, and tubular metal were beginning to appear; following the dictum ""form follows function"", utilitarian simplicity and classic geometry were the Modernists' driving principles, as seen in the work of Walter Gropius, Marcel Breuer, and Ludwig Mies van de Rohe, to name a few. Moving from the spirit of the Jazz Age to the cool simplicity of LeCorbusier's early ""machines for living"", Decorative Art 1920s is a fabulous tour through the groundbreaking innovations of interior design and architecture in the century's wildest decade."
    Note: INDEX NOTE: includes index. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
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  • 10
    UID:
    kobvindex_INT0000443
    Format: 575 pages : , chiefly illustrations ; , 26 cm.
    ISBN: 9783822860526 (semi-hbk.) , 3822860522 (semi-hbk.)
    Series Statement: Bibliotheca universalis / Taschen
    Content: MACHINE-GENERATED SUMMARY NOTE: "Taschen's Decorative Art series, whose six installments now span the 20th century up through the 1970s, carefully reproduces the best of Studio Magazine's Decorative Art yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publication went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. So how can the rest of us have a look? Taschen, of course! Preserving the yearbooks' original page layouts, Taschen's new Decorative Art books bring you an authentic experience of each decade's design trends and styles. Collect them all! Decorative art in the 1930s and '40s experienced a great shift from romanticism to rationalism, from the opulent Art Deco style to pared-down, pragmatic Modernism. Having made its debut in the late 1920s, the Modern Movement continued with force through the 1930s, championed most notably by Le Corbusier and Richard Neutra. Modernism's stark minimalism and use of industrial materials, which had previously seemed cold and threatening, became more accepted as a rational response to a time of great economic hardship. Excess and luxury were largely replaced by economy and simplicity as the Modernist style became more and more common. Through the end of the 1930s up until the postwar period, Modernism's original coolness was gradually replaced by more warm and human characteristics. Incorporating factors such as nature and psychology, as in the work of Charles Eames and Alvar Aalto, became a crucial part of Modernist design. This fascinating transition from hard-edgedModernism to its softer, more organic descendent is faithfully reproduced in Decorative Arts 1930s & 1940s. An essential reference for anyone interested in this period!"
    Note: INDEX NOTE: includes index. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
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