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  • 1
    UID:
    kobvindex_INT0000441
    Format: 575 pages : , chiefly illustrations ; , 26 cm.
    ISBN: 9783822860502 (semi-hbk.) , 3822860506 (semi-hbk.)
    Series Statement: Bibliotheca universalis / Taschen
    Content: MACHINE-GENERATED SUMMARY NOTE: "Taschen's Decorative Art series, whose six installments now span the 20th century up through the 1970s, carefully reproduces the best of Studio Magazine's Decorative Art yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publication went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. So how can the rest of us have a look? Taschen, of course! Preserving the yearbooks' original page layouts, Taschen's new Decorative Art books bring you an authentic experience of each decade's design trends and styles. Collect them all! Out with the old and in with the new... Decorative Art 1900s & 1910's highlights the exciting period that marked the aesthetic transition from the Victorian Era to the Modern Age. Concepts of simplicity, utility and beauty ushered out the heavy ornamentation of High Victorian style. Beginning in 1906, the Decorative Art yearbook's first year of publication, Taschen's look at interior design from the first two decades of the 20th century gives us a look at the avant-garde work of designers such as Charles Rennie Mackintosh, Charles Voysey, and Mackay Hugh Baillie Scott. From Britain to Austria to the Americas, the Decorative Art yearbook served as a communicator of styles and ideas as the ""New Art"" movement began its rise. This crucial period was not only documented in the yearbooks, but promoted and affected by them as well. This was a time when "modern" was truly a new concept, one that many designers had to fight for; the evolution of styles and ideas moved at afast pace, punctuated dramatically by the First World War, whose effects on society and architecture were vast. This volume faithfully reproduces the best examples from the yearbooks of the 1900s and 1910s, bringing you an excellent guide through the founding years of Modernism in decorative art."
    Note: INDEX NOTE: includes index. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    kobvindex_INT0000445
    Format: 573 pages : , chiefly illustrations ; , 20 cm.
    Edition: Reprint.
    ISBN: 9783836546560 (hbk.) , 3836546566 (hbk.)
    Series Statement: Bibliotheca universalis / Taschen
    Content: MACHINE-GENERATED SUMMARY NOTE: "Looking forward: A decade marked by adventures in futurism. Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. This volume spotlights the futuristic, experimental aesthetic of the 1970s. After the revolutions of the '60s, the world of design and architecture became an increasingly exciting and fast-moving hotbed of ideas, rife with vehemently opposing schools and movements. In many ways it was a more extreme era for design than the previous decade. Experimentalism was everywhere, and many projects, thought not practical, were forward-thinking visions of a new kind of decorative art and design. Various groups advocated returning to natural methods, rejecting style in favor of craft or pushing the logic of industrial living to its concrete, high-rise extreme. Decorative Art 1970s includes the work of the decade's brightest stars, such as Afra and Tobia Scarpa, Luigi Colani, Ettore Sottsass, Achille Castiglioni, Kisho Kurokawa, Norman Foster, Richard Meier, and Theo Crosby."
    Note: EDITORIAL NOTE: first published: 2000. , INDEX NOTE: includes index. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
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  • 3
    UID:
    kobvindex_INT0000442
    Format: 575 pages : , chiefly illustrations ; , 26 cm.
    ISBN: 9783822860519 (semi-hbk.) , 3822860514 (semi-hbk.)
    Series Statement: Bibliotheca universalis / Taschen
    Content: MACHINE-GENERATED SUMMARY NOTE: "Taschen's Decorative Art series, whose six installments now span the 20th century up through the 1970s, carefully reproduces the best of Studio Magazine's Decorative Art yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publication went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. So how can the rest of us have a look? Taschen, of course! Preserving the yearbooks' original page layouts, Taschen's new Decorative Art books bring you an authentic experience of each decade's design trends and styles. Collect them all! This new installment in Taschen's Decorative Art series takes us back to the Roaring Twenties, a time of great optimism and technological progress which saw the birth of new materials and styles in building and design. The Art Deco movement, a great departure from Art Nouveau, surfaced in the early 20s, drawing influences from Futurism, Cubism, Neo-Classicism, and Egyptian and African Art. While Art Deco, flaunting excess and luxury, largely dominated the style of the 1920s, another new movement, Modernism, began to make itself known towards the end of the decade. For the first time, materials such as concrete, plate glass, and tubular metal were beginning to appear; following the dictum ""form follows function"", utilitarian simplicity and classic geometry were the Modernists' driving principles, as seen in the work of Walter Gropius, Marcel Breuer, and Ludwig Mies van de Rohe, to name a few. Moving from the spirit of the Jazz Age to the cool simplicity of LeCorbusier's early ""machines for living"", Decorative Art 1920s is a fabulous tour through the groundbreaking innovations of interior design and architecture in the century's wildest decade."
    Note: INDEX NOTE: includes index. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    kobvindex_INT0000439
    Format: 573 pages : , chiefly illustrations ; , 20 x 16 cm.
    Edition: Reprint.
    ISBN: 9783836544580 (hbk.) , 383654458X (hbk.)
    Series Statement: Bibliotheca universalis / Taschen
    Content: MACHINE-GENERATED SUMMARY NOTE: "Postwar boom decor: Design trends and styles of the 1950s. Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. TASCHEN's Decorative Art 50s explores the spirit of optimism and the fervent consumerism of the decade. Technology and construction had been enervated by research during the war and these discoveries could now be applied in peacetime. The popularization of plastics, fiberglass, and latex literally shaped the decade. Rising incomes and postwar rebuilding on bother sides of the Atlantic led to a massive housing boom in both the suburbs and inner cities, and these new homes reflected the new style. While European design was extraordinarily inventive, American design was looking to an idealized vision of the future-between them a modern idiom was developed that can be seen vividly on these pages. This overview of the decade includes the work of such famous innovators as Charles and Ray Eames, George Nelson, Hans Wegner, and Gio Ponti."
    Note: EDITORIAL NOTE: first published: 2000. , INDEX NOTE: includes index. , MACHINE-GENERATED CONTENTS NOTE: preface | Vorwort | Preface 9 introduction | Einleitung | Introduction 13 houses and apartments | Häuser und Apartments | Maisons et appartements I 2 6 interiors and furniture] Interieurs und Möbel | Interieurs et mobilier 1 textiles and wallpapers | Stoffe und Tapeten | Textiles et papiers peints 1 266 glass | Glas | Verrerie 312 lighting | Lampen | Luminaires 382 silver and tableware | Silber und Geschirr | Argenterie et arts de la table I 434 ceramics | Keramik | Ceramiques 516 index | Index , LANGUAGE NOTE: text in English, German, and French.
    Language: English
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  • 5
    UID:
    kobvindex_INT0000443
    Format: 575 pages : , chiefly illustrations ; , 26 cm.
    ISBN: 9783822860526 (semi-hbk.) , 3822860522 (semi-hbk.)
    Series Statement: Bibliotheca universalis / Taschen
    Content: MACHINE-GENERATED SUMMARY NOTE: "Taschen's Decorative Art series, whose six installments now span the 20th century up through the 1970s, carefully reproduces the best of Studio Magazine's Decorative Art yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publication went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. So how can the rest of us have a look? Taschen, of course! Preserving the yearbooks' original page layouts, Taschen's new Decorative Art books bring you an authentic experience of each decade's design trends and styles. Collect them all! Decorative art in the 1930s and '40s experienced a great shift from romanticism to rationalism, from the opulent Art Deco style to pared-down, pragmatic Modernism. Having made its debut in the late 1920s, the Modern Movement continued with force through the 1930s, championed most notably by Le Corbusier and Richard Neutra. Modernism's stark minimalism and use of industrial materials, which had previously seemed cold and threatening, became more accepted as a rational response to a time of great economic hardship. Excess and luxury were largely replaced by economy and simplicity as the Modernist style became more and more common. Through the end of the 1930s up until the postwar period, Modernism's original coolness was gradually replaced by more warm and human characteristics. Incorporating factors such as nature and psychology, as in the work of Charles Eames and Alvar Aalto, became a crucial part of Modernist design. This fascinating transition from hard-edgedModernism to its softer, more organic descendent is faithfully reproduced in Decorative Arts 1930s & 1940s. An essential reference for anyone interested in this period!"
    Note: INDEX NOTE: includes index. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
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  • 6
    UID:
    kobvindex_INT0000444
    Format: 573 pages : , chiefly illustrations ; , 26 cm.
    ISBN: 9783822864050
    Series Statement: Bibliotheca universalis / Taschen
    Content: MACHINE-GENERATED SUMMARY NOTE: "Hippie or Pop? Opposing styles in 1960s design. Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. Decorative Art 1960s looks at the birth of pop in a decade of unprecedented social, sexual, and political change. All the restless energies bubbling throughout the world during the 1960s made their way into the design style of the decade. Liberation was in the air, men were rushing to the moon, and the sky was the limit as far as visual creativity was concerned. The concept of lifestyle really came into its own, and although the early years of the decade still saw a rivalry between the well-crafted object and industrial manufacture, by its end both ethnic and pop iconography had gained equal foothold in the aesthetic. Light was also predominant in shaping interiors. Freedom of choice and personal expression were the buzzwords for the young consumer, and so the likes of Pasmore, Panton, Safdie, Sottsass, Paolozzi, and Lomazzi did what they could to oblige."
    Note: EDITORIAL NOTE: originally published: ©2000. , INDEX NOTE: includes index. , MACHINE-GENERATED CONTENTS NOTE: preface | Vorwort | Preface. -- introduction | Einleitung | Introduction. -- houses and apartments | Häuser und Apartments | Maisons et appartements. -- interiors and furniture | Interieurs und Möbel | Interieurs et mobilier. -- textiles and wallpapers | Stoffe und Tapeten | Textiles et papiers peints. -- glass | Glas j Verrerie. -- lighting | Lampen | Luminaires -- silver and tableware | Silber und Geschirr | Argenterie et arts de la table. -- ceramics | Keramik | Ceramiques. -- index| Index. , LANGUAGE NOTE: text in English, German, and French.
    Language: English
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