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  • Image  (21)
  • Berlin International  (17)
  • Filmuniversität Babelsberg  (4)
  • ZZF Potsdam
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  • 1
    UID:
    almahu_BV014210703
    Format: 242 S.
    ISBN: 3-551-74793-8
    Series Statement: Carlsen comics
    Uniform Title: Reinventing comics
    Language: German
    RVK:
    Keywords: Comic ; Literarische Technik ; Comic ; Einführung ; Comic ; Comic ; Einführung
    Author information: McCloud, Scott, 1960-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Image
    Image
    Köln [u.a.] :Taschen,
    UID:
    almafu_BV019410047
    Format: 192 S. : , überw. Ill.
    ISBN: 3-8228-3090-9
    Language: German
    Keywords: 1895-1973 Ford, John ; Film
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    kobvindex_INT0003312
    Format: 3-volume set : , illustrations (colour) ; , 20.5 x 16 cm.
    ISBN: 9780321604033 (set) , 0321604032 (set)
    Note: INDEX NOTE: includes index.
    Language: English
    Keywords: Handbooks and manuals
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  • 4
    UID:
    kobvindex_INT0000428
    Format: xvii, 192 pages , illustrations, plans, maps (black and white) , 23 x 15.5 cm
    Edition: Revised edition
    ISBN: 9780262220200 , 9780262720069 , 0262220202 , 026272006X
    Content: "Surveys the architecture of the Las Vegas Strip and examines the role of urban sprawl, advertising, and commercial iconography in contemporary building design." -- "Learning from Las Vegas created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of"common" people and less immodest in their erections of "heroic," self-aggrandizing monuments. This revision includes the full texts of Part I of the original, on the Las Vegas strip, and Part II, "Ugly and Ordinary Architecture, or the Decorated Shed," a generalization from the findings of the first part on symbolism in architecture and the iconography of urban sprawl. (The final part of the first edition, on the architectural work of the firm Venturi and Rauch, is not included in the revision.) The new paperback edition has a smaller format, fewer pictures, and a considerably lower price than the original. There are an added preface by Scott Brown and a bibliography of writings by the members of Venturi and Rauch and about the firm's work."
    Note: EDITORIAL NOTE: previous edition published ©1972 , Preface to the first edition -- Preface to the revised edition -- A SIGNIFICANCE FOR A&P PARKING LOTS, OR LEARNING FROM LAS VEGAS : A significance for A&P parking lots, or learning from Las Vegas ; Commercial values and commercial methods ; Billboards are almost all right ; Architecture as space ; Architecture as symbol ; Symbol in space before form in space : Las Vegas as a communication system ; The architecture of persuasion ; Vast space in the historical tradition and at the A&P ; From Rome to Las Vegas ; Maps of Las Vegas ; Main Street and the strip ; System and order on the strip ; Change and permanence on the strip ; The architecture of the strip ; The interior oasis ; Las Vegas lighting ; Architectural monumentality and the big low space ; Las Vegas styles ; Las Vegas signs ; Inclusion and the difficult order ; Image of Las Vegas : inclusion and allusion in architecture ; Studio notes -- UGLY AND ORDINARY ARCHITECTURE, OR THE DECORATED SHED : SOME DEFINITIONS USING THE COMPARATIVE METHOD : The duck and the decorated shed ; Decoration on the shed ; Explicit and implicit associations ; Heroic and original, or ugly and ordinary ; Ornament : signs and symbols, denotation and connotation, heraldry and physiognomy, meaning and expression ; Is boring architecture interesting? -- HISTORICAL AND OTHER PRECEDENTS : TOWARDS AN OLD ARCHITECTURE : Historical symbolism and modern architecture ; The cathedral as duck and shed ; Symbolic evolution in Las Vegas ; The renaissance and the decorated shed ; Nineteenth-century eclecticism ; Modern ornament ; Ornament and interior space ; The Las Vegas strip ; Urban sprawl and the megastructure -- THEORY OF UGLY AND ORDINARY AND RELATED AND CONTRARY THEORIES : Origins and further definition of ugly and ordinary ; Ugly and ordinary as symbol and style ; Against ducks, or ugly and ordinary over heroic and original, or think little ; Theories of symbolism and association in architecture ; Firmness + commodity ≠ delight : modern architecture and the industrial vernacular ; Industrial iconography ; Industrial styling and the cubist model ; Symbolism unadmitted ; From La Tourette to Neiman-Marcus ; Slavish formalism and articulated expressionism ; Articulation as ornament ; Space as god ; Megastructures and design control ; Misplaced technological zeal ; Which technological revolution? ; Preindustrial imagery for a postindustrial era ; From La Tourette to Levittown ; Silent-white-majority architecture ; Social architecture and symbolism ; High-design architecture ; Summary -- Appendix : on design review boards and fine arts commissions -- Bibliography -- Credits.
    Language: English
    URL: FULL  ((without pages 164-192))
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  • 5
    UID:
    kobvindex_INT0000302
    Format: viii, 144 pages : , illustrations (chiefly colour) ; , 25 x 20 cm.
    ISBN: 9781633696174 (pbk.) , 1633696170 (pbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "Are you ready to create your own "good charts"--data visualizations that more effectively communicate your ideas and research and that advance your career? The original Good Charts has changed the dataviz and management landscape by helping readers understand how to think visually, and by laying out a process for creating powerful data visualizations. Since its publication, the market has consistently demanded more practical content and tools to help people in all kinds of enterprises gain the skills they need to get started. The Good Charts Workbook extends the usefulness of Good Charts by putting theory into practice and helping readers to apply its principles. Author, HBR editor, and dataviz expert Scott Berinato leads you, step-by-step, through several example datasets and basic charts, providing space for users to practice the Good Charts talk-sketch-prototype process for improving those charts. Users are prompted at each step with reminders and hints about how to proceed. Examples will include a "Discussion Key" showing how to approach the challenge and why. Each challenge focuses on a different, common visualization problem such as simplification, storytelling, creating conceptual charts, and many others. Good Charts Workbook is the must-have complement to Good Charts, helping you become more sophisticated in understanding the dataviz around you and more effective in using dataviz to make your case."
    Note: MACHINE-GENERATED CONTENTS NOTE: Introduction : How do I start? -- PART 1 : Build skills : Controlling color -- Crafting for clarity -- Choosing chart types -- Practicing persuasion -- Capturing concepts -- PART 1 : Make good charts : Talk, sketch, prototype -- The monthly report -- The plastic problem presentation -- Appendix A: Glossary of chart types -- Appendix B: Chart type guide -- Appendix C: Keywords for chart types.
    Language: English
    Keywords: Handbooks and manuals
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  • 6
    UID:
    kobvindex_INT0001108
    Format: 292 pages : , illustrations ; , 28.5 cm.
    ISBN: 9781933492964 (pbk.) , 1933492961 (pbk.) , 9781933492834 (hbk.) , 193349283X (hbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "This book is about the fundamentals of light, shadow and reflectivity; the focus is firmly on helping to improve visual understanding of the world around and on techniques for representing that world. Rendering is the next step after drawing to communicate ideas more clearly. Building on what Scott Robertson and Thomas Bertling wrote about in How To Draw: Drawing and Sketching Objects and Environments from Your Imagination, this book shares everything the two experts know about how to render light, shadow and reflective surfaces. This book is divided into two major sections: the first explains the physics of light and shadow. One will learn how to construct proper shadows in perspective and how to apply the correct values to those surfaces. The second section focuses on the physics of reflectivity and how to render a wide range of materials utilizing this knowledge. Throughout the book, two icons appear that indicate either 'observation' or 'action.' This means the page or section is about observing reality or taking action by applying the knowledge and following the steps in creating your own work. Similar to our previous book, How To Draw, this book contains links to free online rendering tutorials that can be accessed via the URL list or through the H2Re app."
    Language: English
    Keywords: Handbooks and manuals
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  • 7
    UID:
    kobvindex_INT0000301
    Format: 264 pages : , illustrations (chiefly colour) ; , 25 x 20 cm.
    ISBN: 9781633690707 (pbk.) , 1633690709 (pbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "A good visualization can communicate the nature and potential impact of ideas more powerfully than any other form of communication. For a long time, "dataviz" was left to specialists-data scientists and professional designers. No longer. A new generation of tools and massive amounts of available data make it easy for anyone to create visualizations that communicate ideas far more effectively than generic spreadsheet charts ever could. What's more, building good charts is quickly becoming a need-to-have skill for managers-if you're not doing it, another manager is, and they're getting noticed for it, and getting credit for your company's success. In Good Charts, dataviz maven Scott Berinato provides an essential guide to how visualization works and how to use this new language to impress and persuade. Dataviz is where spreadsheets and word processors were in the early 1980s-on the cusp of changing how we work. Berinato lays out a system for thinking visually and building better charts through a process of talking, sketching, and prototyping. The book goes well beyond proffering a set of static rules for making visualizations and taps into well-established and vanguard research in visual perception and neuroscience, as well as the emerging field of visualization science, to explore why good charts (and bad ones) create "feelings behind our eyes." Along the way, Berinato also includes many engaging vignettes of dataviz pros, illustrating the ideas in practice. Good Charts will help you turn plain, uninspiring charts that merely present information into smart, effective visualizations that powerfully convey ideas. This is your go-to guide for dataviz -- the new language of business."
    Note: MACHINE-GENERATED CONTENTS NOTE: INTRODUCTION : a new language and a necessary craft -- PART I. UNDERSTAND : A brief history of Dataviz: the art and science that built a new language -- When a chart hits our eyes: some science of how we see -- PART II. CREATE : Two questions: four types: a simple typology for chart making : Idea illustration ; Idea generation ; Visual discovery ; Everyday Dataviz -- Better charts in a couple of hours: a simple framework : Prep ; Talk and listen ; Sketch ; Prototype -- PART III. REFINE : Refine to impress: getting to the "feeling behind our eyes" -- Refine to persuade: three steps to more-persuasive charts -- Persuasion or manipulation?: The blurred edge of truth - PART IV. PRESENT AND PRACTICE Present to persuade: getting a good chart to their eyes and into their minds -- Visual crit: how to practice looking at (and making) good charts -- CONCLUSION: Keep going -- Glossary -- Notes -- Index -- Acknowledgments -- About the author.
    Language: English
    Keywords: Handbooks and manuals
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  • 8
    Image
    Image
    Boston, MA, USA :Harvard Business Review Press,
    Show associated volumes
    UID:
    kobvindex_INT0003484
    Format: volumes : , illustrations (chiefly colour) ; , 19 cm.
    ISBN: 9781633690707 (pbk.) , 1633690709 (pbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "A good visualization can communicate the nature and potential impact of ideas more powerfully than any other form of communication. For a long time, "dataviz" was left to specialists-data scientists and professional designers. No longer. A new generation of tools and massive amounts of available data make it easy for anyone to create visualizations that communicate ideas far more effectively than generic spreadsheet charts ever could. What's more, building good charts is quickly becoming a need-to-have skill for managers-if you're not doing it, another manager is, and they're getting noticed for it, and getting credit for your company's success. In Good Charts, dataviz maven Scott Berinato provides an essential guide to how visualization works and how to use this new language to impress and persuade. Dataviz is where spreadsheets and word processors were in the early 1980s-on the cusp of changing how we work. Berinato lays out a system for thinking visually and building better charts through a process of talking, sketching, and prototyping. The book goes well beyond proffering a set of static rules for making visualizations and taps into well-established and vanguard research in visual perception and neuroscience, as well as the emerging field of visualization science, to explore why good charts (and bad ones) create "feelings behind our eyes." Along the way, Berinato also includes many engaging vignettes of dataviz pros, illustrating the ideas in practice. Good Charts will help you turn plain, uninspiring charts that merely present information into smart, effective visualizations that powerfully convey ideas. This is your go-to guide for dataviz -- the new language of business."
    Note: MACHINE-GENERATED CONTENTS NOTE: [Vol. 1] : Good charts : the HBR guide to making smarter, more persuasive data visualizations -- [Vol. 2] : Good charts workbook : tips, tools, and exercises for making better data visualizations.
    Language: English
    Keywords: Handbooks and manuals
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  • 9
    UID:
    b3kat_BV042789289
    Format: 159 S. , überw. Ill. , 27 cm
    Edition: 1. ed.
    ISBN: 0972667687 , 0972667644
    Language: English
    RVK:
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  • 10
    UID:
    kobvindex_INT0001711
    Format: xiii, 219 pages , illustrations (colour) , 20.5 x 16 cm
    Edition: 1st edition
    ISBN: 9780321474049 , 032147404X
    Content: "In a definitive guide to digital photography, the author of the best-selling The iPod Book furnishes a comprehensive overview of the latest in digital technology, including cameras and equipment, as well as the essential techniques and skills of the photographic process--exposure, lighting, shutter speed, depth of field, and resolution--and tips on how to avoid hours of photo-editing by taking great photographs the first time. Original."
    Content: "Scott Kelby, the man who changed the "digital darkroom" forever with his groundbreaking, #1 bestselling, award-winning book The Photoshop Book for Digital Photographers, now tackles the most important side of digital photography--how to take pro-quality shots using the same tricks today's top digital pros use (and it's easier than you'd think). This entire book is written with a brilliant premise, and here's how Scott describes it: "If you and I were out on a shoot, and you asked me, 'Hey, how do I get this flower to be in focus, but I want the background out of focus?' I wouldn't stand there and give you a lecture about aperture, exposure, and depth of field. In real life, I'd just say, 'Get out your telephoto lens, set your f/stop to f/2.8, focus on the flower, and fire away.' You d say, 'OK,' and you'd get the shot. That's what this book is all about. A book of you and I shooting, and I answer the questions, give you advice, and share the secrets I've learned just like I would with a friend, without all the technical explanations and without all the techno-photo-speak." This isn't a book of theory-it isn't full of confusing jargon and detailed concepts: this is a book of which button to push, which setting to use, when to use them, and nearly two hundred of the most closely guarded photographic "tricks of the trade" to get you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos with your digital camera every time you press the shutter button. Here's another thing that makes this book different: each page covers just one trick, just one single concept that makes your photography better. Every time you turn the page, you'll learn another pro setting, another pro tool, another pro trick to transform your work from snapshots into gallery prints. There's never been a book like it, and if you're tired of taking shots that look "OK," and if you're tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the book for you."
    Note: INDEX NOTE: includes index.
    Language: English
    Keywords: Handbooks and manuals
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