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  • Image  (7)
  • Berlin International  (7)
  • SB Finsterwalde
  • SB Fehrbellin
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  • 1
    Image
    Image
    ICC Berlin (2022)
    Berlin : JOVIS Verlag GmbH
    Details
    UID:
    b3kat_BV048574726
    Format: 126 Seiten
    ISBN: 9783868597561 , 3868597565
    Note: Text deutsch und englisch
    Language: English
    Subjects: Art History
    RVK:
    LK 16686
    Keywords: Pfeifer, Zara 1984- ; Architekturfotografie ; Internationales Congress Centrum ; Pfeifer, Zara 1984- ; Architekturfotografie ; Internationales Congress Centrum ; Innenraum ; Bildband ; Bildband
    URL: https://www.degruyter.com/isbn/9783868597561
    URL: Cover
    Author information: Heilmeyer, Florian 1974-
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  • 2
    Image
    Image
    ICC Berlin (2022)
    Berlin : JOVIS Verlag GmbH
    Details
    UID:
    gbv_1806587874
    Format: 126 Seiten , Pläne
    ISBN: 9783868597561 , 3868597565
    Note: Text deutsch und englisch
    Language: German
    Subjects: Engineering , General works
    RVK:
    ZH 4917
    RVK:
    AP 94100
    Keywords: Pfeifer, Zara 1984- ; Architekturfotografie ; Internationales Congress Centrum ; Innenraum ; Pfeifer, Zara 1984- ; Architekturfotografie ; Internationales Congress Centrum ; Bildband ; Bildband
    URL: Unbekannt
    URL: Unbekannt
    Author information: Heilmeyer, Florian 1974-
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  • 3
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    Blickpunkt 1926 : die Anfänge der Neuen Sammlung München : internationale Plakate (2003)
    München, Germany : Deutscher Kunstverlag
    Details
    UID:
    kobvindex_INT0002567
    Format: 208 pages , richly illustrated (chiefly colour) , 34.5 cm
    ISBN: 9783422064058 , 3422064052
    Content: "Blickpunkt 1926: Mit frühen Meisterwerken der internationalen Plakatkunst rekonstruieren Studierende des Instituts für Kunstgeschichte der Ludwig-Maximilians-Universität München mit ihrem Dozenten eine Abteilung der 1926 gezeigten Eröffnungsausstellung der Neuen Sammlung. Diese Hommage auf eines der bedeutendsten Design-Museen der Welt ist zugleich die Abschiedsvorstellung der Neuen Sammlung in den bisherigen Räumen in der Prinzregentenstraße. Anhand ausgewählter Werke von Henri de Toulouse-Lautrec, Thomas Theodor Heine, Ferdinand Hodler, Franz von Stuck, Augusto Giacometti, Lucian Bernhard, Ludwig Hohlwein, Fritz Hellmuth Ehmcke und vielen anderen entfaltet sich die Morgendämmerung des Graphic Design vom Jugendstil bis zur Neuen Sachlichkeit. Die Publikation untersucht die Hintergründe und Ziele, die Anfang des 20. Jahrhunderts zur Gründung eines innovativen Museums führten. Ausstellung und Ausstellungskatalog entstanden in Kooperation zwischen der Ludwig-Maximilians-Universität und der Neuen Sammlung, dem Staatlichen Museum für angewandte Kunst in München. Sie sind Teil einer von Robert Stalla initiierten Projektreihe der LMU, die auf eine praxisnahe universitäre Ausbildung zielt." -- "Blickpunkt 1926: With early masterpieces of international poster art, students of the Institute of Art History of the Ludwig-Maximilians-Universität Munich and their lecturer reconstruct a section of the 1926 opening exhibition of the Neue Sammlung. This homage to one of the most important design museums in the world is at the same time the farewell performance of the Neue Sammlung in the previous rooms in the Prinzregentenstraße. On the basis of selected works by Henri de Toulouse-Lautrec, Thomas Theodor Heine, Ferdinand Hodler, Franz von Stuck, Augusto Giacometti, Lucian Bernhard, Ludwig Hohlwein, Fritz Hellmuth Ehmcke and many others, the dawn of graphic design unfolds from Art Nouveau to New Objectivity. The publication examines the background and goals that led to the founding of an innovative museum at the beginning of the 20th century. Exhibition and exhibition catalog developed in cooperation between the Ludwig Maximilians University and the Neue Sammlung, the State Museum of Applied Arts in Munich. They are part of a project series initiated by Robert Stalla LMU, which aims at a practical university education."
    Note: GRUSSWORTE: Grußwort: Bayerischer Staatsminister für Wissenschaft, Forschung und Kunst, Hans Zehetmair S. 7. Grußwort: Rektor der Ludwig-Maximilians-Universität München, Prof. Dr. Bernd Huber S, 8. Grußwort: 1. Vorsitzender der Gesellschaft von Freunden und Förderern der Universität München, Dr. Detlef Schneidawind S. 9. -- VORWORT UND EINFÜHRUNG: Vorwort: Prof. Dr. Florian Hufnagl, Limited Sammlungsdirektor der Neuen Sammlung München S. 10. Vorwort: Prof. Dr. Robert Stalla, Institut für Kunstgeschichte (Department Kunstwissenschaften) der Ludwig-Maximilians-Universität München S. 11. Robert Stalla: "Von da bis zu einem künftigen Museumsbau ist dann wohl nicht mehr allzu weit ..." (1918). "Die Neue Sammlung" - Vorgeschichte, Gründung, Eröffnungsausstellung 1926 S. 12. Robert Stalla: Zur Ausstellung "Blickpunkt 1926 - Die Anfänge der Neuen Sammlung München: Internationale Plakate" S. 32. -- FRANKREICH/PARIS: Toulouse-Lautrec: Aristide Bruant S. 35. -- DEUTSCHLAND/MÜNCHEN: Hengeler: Fleischmann S. 38. Heine: Simplicissimus (Dogge) S. 40. Heine: Tintenteufel S. 42. Heine: Scharfrichter S. 44. Stuck: Sezession S. 46. Heine: Züst S. 48. Diez: München 1908 S. 50. Hohlwein: Stiller Junior S. 52. Neu: Kunst im Dienste des Kaufmanns S. 53. Weisgerber: Sent Mahesa S. 55. Diez: Pelikan S. 56. Stuck: Hygiene-Ausstellung S. 58. Hohlwein: Deutsche Kunst und Dekoration S. 60. Weisgerber: Bunter Vogel S. 63. Hohlwein: Audi S. 65. Weisgerber: Presse Fest S. 67. Hohlwein: Flugmaschinen-Werke S. 69. Heine: Brakl S. 71. Hohlwein: Kaffee Hag S. 73. Hohlwein: Mittelmeer-Fahrten S. 75. Schwarzer: Die 6 S. 77. Schwarzer: Columb S. 79. Hohlwein: Tekrum S. 81. Hohlwein: Rotes Kreuz S. 83. Heine: Simplicissimus (Kater) S. 85. Hohlwein: Pelikan S. 86. Ibe: Kathreiner S. 89. -- DEUTSCHLAND/BERLIN: Klinger: Propaganda S. 101. Klinger: Palm S. 103. Klinger: Schildkraut S. 104. Bernhard: Stiller S. 106. Bernhard: Plakat-Freunde S. 107. Bernhard: Adler S. 109. Klinger: Büromöbel S. 111. Gipkens: Kunst und Kaufmann S. 112. Bernhard: Manoli S. 114. Bernhard: Bernhard-Plakate S. 115. Klinger: Nachtfest S. 117. Klinger: Admiralspalast S. 118. Bernhard: Novelta S. 119. Gipkens: Kupferberg Gold S. 121. Klinger: Müller Extra S. 122. Gipkens: Brühl S. 123. Bernhard: Kriegsanleihe S. 125. Bernhard: Zehn Gebote S. 126. SCHWEIZ: Hodler: Secession S. 136. Vallet: Galerie Moos S. 138. Hodler: Kunsthaus Zürich S. 140. Amiet: Bahnhof Büffet Basel S. 142. Giacometti: Bahnhof Büffet Zürich S. 144. Dänemark S. 149 Bogelund: Tivoli (1924,1925) S. 150. Begelund: Kobestaevne S. 153. Begelund: Rosenfest S. 155. -- AUSSTELLUNGSORT "ABTEILUNG FÜR GEWERBEKUNST"/"DIE NEUE SAMMLUNG" (1926-1929): Valentin: Neue Sammlung S. 162. Lommer: Keramik S. 164. Keller: Gewerbeschule Zuerich S. 166. Weech: Stoffe S. 168. Schraml: F. H. Ehmcke S. 169. Werbeabteilung der Kunstgewerbeschule Halle: Werkstätten Halle S. 171. Pfaff: RE HA BU S. 173. Anonym: Kunstgewerbeschule Wien S. 175. -- ANHANG: Biographien der Künstler S. 184. Bibliographie S. 190. Ausgestellte Plakate S. 203. Besitznachweis S. 204. Bildnachweis S. 204. Namensregister S. 204. Impressum S. 208. -- Provided by publisher
    Language: German
    Keywords: Exhibition catalogues
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  • 4
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    Best of German interior design (2017)
    Berlin, Germany : Distanz
    Details
    UID:
    kobvindex_INT0001726
    Format: 459 pages , chiefly illustrations (partly colour) , 29.5 x 23.5 cm
    ISBN: 9783954761807 , 3954761807
    Content: "Best of German Interior Design introduces the reader to the fifty most renowned German designers and fifty leading German manufacturers of home interior products. It portrays a scene that, in its self-perception, tends to fly "below the radar." Around the world, by contrast, German creators and manufacturers enjoy an excellent reputation. German furniture, kitchens, and faucets now compete with the best European products, winning consumers over with original ideas as well as superior workmanship. Major names and brands not only represent a significant industry, they also stand for the highest aesthetic standards in home design and lifestyle. This opulently illustrated coffee-table book presents numerous iconic products that demonstrate interior design "Made in Germany." Essays by well-known writers bring key topics in contemporary design discourse into focus. With contributions by Dr. Angelika Nollert, director, Die Neue Sammlung-The Design Museum, Munich, and others."
    Note: LANGUAGE NOTE: text in English and German.
    Language: English
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  • 5
    Image
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    Gartenkunst in Europa : von der Antike bis zur Gegenwart (2005)
    [Köln, Germany] : Könemann
    Details
    UID:
    kobvindex_INT0002682
    Format: 496 pages , richly illustrated (chiefly colour) , 32 cm
    ISBN: 9783833110443 , 9783848008469 , 3833110449 , 3848008467
    Content: "Der Garten als idyllischer Ort des Friedens und der Zerstreuung steht in unmittelbarer Verbindung zur Entstehungsgeschichte der Menschheit. Er symbolisiert ein paradiesisches goldenes Zeitalter, eine Zuflucht für menschliche Hoffnungen und Sehnsüchte. Dieser sowohl an wunderbaren Bildeindrücken als auch an fundierten Erläuterungen reichhaltige Band entführt den Leser in die faszinierenden Facetten der Gartenkunst des Abendlandes. Der Bogen der Betrachtung reicht vom Altertum bis in die Moderne. Im Zentrum stehen dabei die kunstvollen Gartenanlagen der Renaissance und des Barock in einzelnen europäischen Ländern. Auch abgelegenere Länder und spannende Einzelthemen wie der arabische Garten Spaniens werden berücksichtigt. Abgerundet wird das anschauliche und vielfältige Werk durch einzelne Kapitel zur Theorie und Praxis des Gärtnerns." -- "The garden as an idyllic place of peace and distraction is in direct connection to the genesis of humanity. It symbolizes a paradisiac golden age, a refuge for human hopes and longings. This volume, rich in wonderful visual impressions as well as sound explanations, takes the reader into the fascinating facets of the garden art of the Occident. The arc of contemplation extends from antiquity to modern times. At the center are the artistic gardens of the Renaissance and the Baroque in individual European countries. Also more remote countries and exciting individual topics such as the Arab garden of Spain will be considered. The vivid and varied work is rounded off by individual chapters on the theory and practice of gardening."
    Content: MACHINE-GENERATED SUMMARY NOTE (English edition): "Atmospheric photography and informed text are used to trace the wide variety of gardens, which have been created throughout European art history. Gardens are idyllic refuges where we can find tranquillity, recuperation and enjoyment. The cultural history of gardens is closely bound up with man's hopes and longings. According to most of the world's creation stories, the human race began in an en-closed garden with trees, blossoms, fruits and clear springs. This passion for shaping the abundance of nature runs throughout history from the legendary Hanging Gardens of Babylon to the rich tradition of European garden design. This book gives a complete picture of the development of the art of garden design and its most important periods and theories, along with numerous examples of representative gardens."
    Note: Vorwort des Herausgebers 6 -- Mythen vom Paradies 8 -- Gärten der Antike 12 -- Hortulus - Der mittelalterliche Garten 20 -- Islamische Gärten in Spanien 32 -- Gartentheorien der Renaissance 40 -- Der italienische Renaissancegarten 48 -- Der giardino segreto 90 -- Gärten der Renaissance in Frankreich 100 -- Gärten der Renaissance in Deutschland, Österreich und England 128 -- Gärten des Barock in Italien 144 -- Der französische Barockgarten 186 -- Die Gartentheorie des A. J. Dezallier d'Argenville 228 -- Gärten des Barock, Rokoko und Klassizismus in Spanien und Portugal 232 -- Gärten des Barock und Rokoko in Deutschland und Österreich 276 -- Gärten des Barock und Rokoko in den Niederlanden, England, -- Skandinavien und Russland 330 -- Der englische Landschaftsgarten 352 -- Exotismus 388 -- Englische Gartentheorien im 18. und 19. Jahrhundert 392 -- William Beckford und Fonthill Abbey 398 -- Landschaftsgärten in Deutschland um 1800 401 -- Landschaftsgärten in Frankreich, den Niederlanden, Skandinavien und Osteuropa 440 -- Aspekte und Erscheinungsformen der Gartenkunst von 1850 bis heute 457 -- Anhang (Glossar, Bibliographie, Personen-, Ortsverzeichnis, Bildnachweis) 485
    Language: German
    Keywords: Case studies
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  • 6
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    Freehand drawing (2014)
    Basel, Switzerland : Birkhäuser
    Details
    UID:
    kobvindex_INT0001359
    Format: 92 pages , richly illustrated (some colour), plans , 22 x 15.5 cm
    ISBN: 9783035612110 , 9783038215455 , 3035612110 , 3038215457
    Series Statement: Basics (Birkhäuser)
    Uniform Title: Freihandzeichnen
    Content: "The importance of freehand drawing for educating architects is often underestimated. However, this craft is essential for any designer. The act of drawing shows you how to see and observe. It helps develop spatial imagination. A design idea can be quickly and easily clarified and displayed in only a few strokes. The sketch in perspective is vital in design presentations whether at the design academy or in meetings with contractors - every architect needs to master this craft. Basics Freehand Drawing explains step-by-step how to develop a perspective drawing from the initial structure of the image to various drawing techniques and use of color. It also shows in numerous color illustrations different drawing techniques and examples of presenting perspective drawings of buildings, interiors, and details."
    Note: Foreword -- BASIC PRINCIPLES OF FREEHAND DRAWING : Distinctions and terms ; Design medium ; Instrument of communication ; Perception -- TOOLS AND TECHNIQUES : Drawing substrates ; Lines and the instruments for drawing them ; Surfaces and the instruments for drawing them ; Special instruments used in architectural design -- FREEHAND DRAWING IN ARCHITECTURAL DESIGN : Drawing types ; Indicators of scale ; Continuing the design -- ARCHITECTURAL DRAWING ON SITE : Drawing types ; Perspective drawing ; Aids -- FURTHER DEVELOPMENT : As-built drawing ; Digitalisation and image editing -- In conclusion -- APPENDIX : Literature ; Picture credits ; The author , LANGUAGE NOTE: translation from the German language edition: Freihandzeichnen. Basel : Birkhäuser, 2014. ISBN: 9783038215431
    Language: English
    Keywords: Handbooks and manuals
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  • 7
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    Lingua digitalis : dictionary for a connected world (2012)
    Berlin, Germany : Gestalten
    Details
    UID:
    kobvindex_INT0001521
    Format: 192 pages , chiefly illustrations (some colour) , 14.5 x 20.5 cm
    ISBN: 9783899554557 , 3899554558
    Content: "Mutabor has developed into one of the most important and creative design agencies in Germany. The company has also made a name for itself internationally with its succinct logos and icons for renowned clients such as the German soccer league, the Bundesliga. Over the years Mutabor has successfully expanded its core expertise into the comprehensive design of interdisciplinary brand presentations. Its award-winning projects for clients such as Audi, Adidas, Deutsche Telekom, and BMW range from printed Edited byial design to the creation of brand showrooms and large-scale presentations for automobile trade shows. A key aspect of Mutabor's work is optimally showcasing brands in digital media. In Lingua Digitalis, Mutabor visually demonstrates how to develop effective logos and icons for digital applications such as the iPad, apps, and interface design. The book presents over one thousand pieces of work, some of which are published here for the first time. Through these examples, Mutabor explains not only its own strategic process, but also how designers can unlock even the most complex or abstract logo design assignments across various platforms. Lingua Digitalis is a practical reference tool that is specifically made to assist designers in their daily work. On the basis of the broad scope of featured examples this internationally recognized design company reveals its proven approaches and methods for creating digital logos. Mutabor is also responsible for Gestalten's long-time best sellers Lingua Grafica and Lingua Universalis."
    Note: GENERAL NOTE: illustrations on endpapers , INDEX NOTE: includes index. , LANGUAGE NOTE: preface in Latin and English
    Language: English
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