Kooperativer Bibliotheksverbund

UID:

Format: 165 S. : zahlr. Ill.

ISBN: 978-0-141-03579-6 , 0-14-103579-X

Series Statement: Penguin on design

Content: Text in engl.

Note: Originally published: London: BBC/Penguin, 1972

Language: English

UID:

Format: xiii, 274 pages : , illustrations (chiefly color) ; , 25 cm

ISBN: 9781032154053 , 1032154055 , 9781032154077 , 1032154071

Content: "This book investigates repair as a contemporary expression of empowerment, agency, and resistance to our unmaking of the world and our environment. A collection of timely new scholarship, this edited volume is multidisciplinary in its approach, presenting repair as an act, metaphor, and foundation for opening up a dialogue about design's role in proposing alternative social, environmental, and economic futures. This thematically expansive and richly illustrated book, with over 100 visuals, features an international, interdisciplinary group of contributors from across the design spectrum whose voices and artwork speak to multiple forms of repair as entry points for sparking novel insights into how we might attend to our broken social and physical worlds. Organized into reparative thinking and practices, it features thirty long and short essays, photo essays, and interviews, representing projects and research by artists, designers, architects, museum professionals, sociologists, anthropologists, historians, business analysts, and entrepreneurs. Chapters focus on reparative responses to fractured systems, relationships, cities, architecture, objects, and more. Repair will encourage students, academics, researchers and practitioners in art, design and architecture practice and theory, cultural studies, environment and sustainability, to discuss, engage and rethink the act of repair and its impact on our society and environment"--

Note: Reparative thinking : broken worlds. , Five theses on repair in most of the world / , Who decides? power, brokenness, and healing / , Repairing the cracked concrete / , Broken urban: repair as postapocalyptic design / , Why save this? / , Repair and imperfection through the lens of the spectral / , For the rain, for the wind / , Reparative practices : wounds, sutures, and scars. , Aesthetics of visible repair: the challenge of kintsugi / , Repair and design futures: an exhibition and call to action / , Darning over renewal / , Thinking rubble: ruin and repair at war's end / , Open dialogues and material memory / , What is the work of love today? repair, care, and carrying / , Kurhirani no ambakiti (burning the devil): since that's the only way they listen to us / , Reparative thinking : alternative ways. , Borderlanders: a political concept for repair / , Repair on the move / , My grandmother's mended socks: layered design thinking and durability / , Is business beyond repair? / , Repairing imaginations: rethinking the ethics of growth and degrowth / , Is repair repairing architecture? / , Trans-repair: emancipatory techno-poetics / , Reparative practices : patched and reassembled. , Community repair in south africa: an interview with kevin kimwelle / , Fixing as learning / , Make-do-and-mend: the repair and reuse of existing buildings / , Hand me up / , Recovering a sense of place / , (Hi)Stories of repair / , Notions of repair as a pedagogical dialogue / , Toward repairing the social fabric: music performance and pedagogy at work / , Stronger futures : a call to action / , Lexicon of repair /

Additional Edition: Online version: Repair. London : Routledge, 2023 ISBN 9781000641615

Language: English

DOI: 10.4324/9781003244028

UID:

Format: 79 pages : , illustrations ; , 26 cm.

ISBN: 9783980776226 (pbk.) , 3980776220 (pbk.)

Content: MACHINE-GENERATED SUMMARY NOTE: "1990 wurde der Marianne-Werefkin-Preis ins Leben gerufen und in der Satzung festgeschrieben. Damit folgte der Verein seiner Tradition, das herausragende Schaffen von Künstlerinnen zu honorieren. In seiner Gründungszeit war es der deutschlandweit erste, ausschließlich Künstlerinnen gewidmete Preis. Namenspatronin ist die berühmte Avantgardistin und Expressionistin Marianne von Werefkin (1860-1938). Die Künstlerin war Privatschülerin von Ilja Repin. Bis zur Bekanntschaft mit Alexej Jawlensky malte sie hervorragende impressionistische und realistische Bilder. Mit der Übersiedlung nach München stellte sie ihre Kunst zugunsten der Förderung ihres Partners für zehn Jahre zurück. Maßgeblich war sie an der Gründung der 'Neuen Künstlervereinigung München' und des 'Blauen Reiters' beteiligt. 1906 wandte sie sich wieder der Malerei zu. Sie schuf eine Vielzahl an fulminanten Arbeiten, in denen sie den Expressionismus vorantrieb. Mit Jawlensky, Gabriele Münter und Wassily Kandinsky revolutionierte Marianne Werefkin die Kunst des frühen 20. Jahrhunderts. Ihre Arbeiten befinden sich in der Fondazione Marianne Werefkin Ascona, in der Städtischen Galerie im Lenbachhaus München und im Museum Wiesbaden. Das Preisgeld des Marianne Werefkin-Preises in Höhe von 5.000 € wird von Kunstfreund.innen gestiftet, darunter Heidi Hetzer vom Berliner Opelhaus Hetzer, Ute Gräfin von Hardenberg, Bodo Brückner von der Firma Lieken-Urkorn, Wolfgang Dreyer und Klaus-Peter Gulich von der Versicherung Zurich-Gruppe und Gerhard Girner und Martin Steinkühler von der Deutschen Apotheker- und Ärztebank. Zweck des Preises laut Vereinssatzung ist: '... Maßnahmen der Öffentlichkeitsarbeit mit dem Ziel, die lange Tradition künstlerisch arbeitender Frauen und die Bedeutung ihres Werkes in Geschichte, Gegenwart und Zukunft im deutschen und internationalen Kulturkreis bekannt zu machen.' (§ 3, Vereinssatzung)." -- In 1990 the Marianne Werefkin Prize was launched and set out in the statutes. In doing so, the association followed its tradition of honoring the outstanding work of women artists. When it was founded, it was the first prize in Germany to be exclusively dedicated to women artists. The namesake is the famous avant-garde and expressionist Marianne von Werefkin (1860-1938). The artist was a private student of Ilya Repin. Until she became acquainted with Alexej Jawlensky, she painted excellent impressionistic and realistic pictures. When she moved to Munich, she put her art on hold for ten years in favor of her partner's support. She was instrumental in founding the 'New Artists' Association Munich' and the Blue Rider '. In 1906 she turned back to painting. She created a multitude of brilliant works in which she advanced expressionism. With Jawlensky, Gabriele Münter and Wassily Kandinsky, Marianne Werefkin revolutionized the art of the early 20th century. Her work can be found in the Fondazione Marianne Werefkin Ascona, in the Städtische Galerie im Lenbachhaus Munich and in the Museum Wiesbaden. The prize money of the Marianne Werefkin Prize of € 5,000 is donated by Kunstfreund.innen, including Heidi Hetzer from the Berlin Opelhaus Hetzer, Ute Countess von Hardenberg, Bodo Brückner from the Lieken-Urkorn company, Wolfgang Dreyer and Klaus-Peter Gulich from der Insurance Zurich Group and Gerhard Girner and Martin Steinkühler from the Deutsche Apotheker- und Ärztebank. According to the association's statutes, the purpose of the prize is: '... public relations measures with the aim of making the long tradition of women who work artistically and the importance of their work in the past, present and future known in German and international culture." (§ 3, association statutes)"

Language: German