UID:
kobvindex_ZLB35004347
Edition:
New
ISBN:
9783844545180
Content:
" Jane Austens »Emma« als geistreiches Hörspiel Emma Woodhouse ist schön, klug, reich und mischt sich gern in das romantische Leben ihrer Mitmenschen ein. Missverständnisse und Liebeskummer sind die Folgen, an deren Ende aber auch Emma ihr Glück finden wird. Die unvollkommene, aber charmante Emma wird in diesem hinreißenden Hörspiel von Christiane Ohaus mit der Stimme von Laura Balzer zum Leben erweckt. Außerdem in diesem Hörspiel voller Ballabende, Parkspaziergänge und geistreicher Dialoge zu hören: Katja Riemann, Gerd Wameling, Michael Rotschopf u. v. a. Hörspiel mit Katja Riemann, Laura Balzer, Gerd Wameling, Michael Rotschopf, Leonie Rainer 5h 11min"
Content:
Biographisches: "Jane Austen (1775–1817) wurde in Steventon, Hampshire, geboren und wuchs im elterlichen Pfarrhaus auf. Nach Meinung ihres Bruders führte sie »ein ereignisloses Leben«. Sie heiratete nie. Ihre literarische Welt war die des englischen Landadels, deren wohl kaschierte Abgründe sie mit feiner Ironie und Satire entlarvte. Psychologisches Feingefühl und eine lebendige Sprache machen ihre scheinbar konventionellen Liebesgeschichten zu einer spannenden Lektüre. Vor einigen Jahren wurde Jane Austen auch vom Kino wiederentdeckt: »Sinn und Sinnlichkeit« mit Emma Thompson und Kate Winslet gewann 1996 den Golden Globe als bester Film des Jahres und den Oscar für das beste Drehbuch,»Stolz und Vorurteil« mit Keira Knightley war 2006 für vier Oscars nominiert. »Emma« wurde 2009 von der BBC als vierteilige Fernsehserie gezeigt und mit einem Emmy ausgezeichnet. »Verstand und Gefühl« wurde 2011 gleich zweimal, 2014 ein weiteres Mal in modernen Adaptionen verfilmt. Im Hörverlag sind von Jane Austen bereits »Verstand und Gefühl«, »Northanger Abbey«, »Überredung«, »Mansfield Park«, »Überredung« und »Emma« als hochkarätige Hörspielinszenierungen erschienen." Biographisches: "Gerd Wameling, 1948 in Paderborn geboren, absolvierte seine Schauspielausbildung an der Folkwangschule in Essen. Sein erstes Engagement erhielt er am TAT (Theater am Turm) in Frankfurt am Main. Dort entdeckte ihn Peter Stein und holte ihn 1974 nach Berlin an die Schaubühne, deren renommiertem Ensemble Gerd Wameling fast 20 Jahre lang angehören sollte. Gerd Wameling fand in der Schaubühne ein Theater, das radikal im Ansatz und in seinem Anspruch war und jenseits jeder Art von Beiläufigkeit. Die Inszenierungen hatten Ereignischarakter, erweckten weltweit Interesse, und dieses Theater wurde eine Zeitlang zur Pilgerstätte aller Theaterbegeisterten und zum Synonym für ein Ensemble einzigartiger Schauspieler. Um nur wenige Aufführungen innerhalb der großen Spannweite der Schaubühnenprojekte zu nennen, in denen Gerd Wameling spielte und an die man sich bis heute erinnert: Sommergäste (Regie: Peter Stein), Die Wupper (Regie: Luc Bondy), Shakespeares Memory (Regie: Peter Stein), die Botho-Strauß-Stücke Trilogie des Wiedersehens (Regie: Peter Stein), beide Teile von Death, Destruction und Detroit (Regie: Robert Wilson), Amphitryon (Regie: Klaus Michael Grüber), Kirschgarten (Regie: Peter Stein). 1992 verlässt Gerd Wameling das Ensemble der Schaubühne und arbeitet seither frei. 1993 und 1994 konnte man ihn bei den Salzburger Festspielen in Coriolan (Regie: Deborah Wamer) und Das Gleichgewicht (Regie: Luc Bondy) erleben. Einem breiten Publikum ist Gerd Wameling vor allem als Staatsanwalt Dr. Fried aus der SAT l-Serie Wolffs Revier bekannt, eine Rolle, der er 7 Jahre lang mit seiner ihm eigenen Präsenz und Ausstrahlungskraft unverwechselbares Profil gab. 1993 wurde er mit dem Adolf-Grimme-Preis ausgezeichnet. Unter der Regie erstklassiger Regisseure spielte Gerd Wameling ein weites Spektrum an Rollen, u.a. in den Spielfilmen In weiter Ferne so nah (Regie Wim Wenders), Sexy Sadie (Regie Matthias Glasner), in den ZDF-Krimireihen Bella Block (Regie Max Färberböck) und Sperling (Regie Juraj Herz), in der..." Rezension(3): "〈a href=http://www.audiofilemagazine.com target=_blank〉〈img src=https://images.contentreserve.com/audiofile_logo.jpg alt=AudioFile Magazine border=0 /〉〈/a〉:Taking an academic tone, Stevenson's solemn reading, punctuated by interludes of classical music, gives the listener a feeling of being educated, rather than entertained. The abridgment is somewhat awkward at times and, though faithful to the story, loses track of the lighthearted, tongue-in-cheek tone that Austen had in mind. Stevenson's Emma sometimes comes off as mean or unpleasant in dialogues that were meant to poke fun at her capricious ideas. Though well paced and nicely produced, it's a little heavy-handed for a story meant more as comedy than drama. K.R. (c)AudioFile, Portland, Maine" Rezension(4): "〈a href=http://www.audiofilemagazine.com target=_blank〉〈img src=https://images.contentreserve.com/audiofile_logo.jpg alt=AudioFile Magazine border=0 /〉〈/a〉:Young, beautiful and wealthy Emma Woodhouse spends her time match-making others with little concern for her own romantic life. This amusing dramatization was originally produced for BBC Radio broadcast. The full-cast production is delightful, and dramatic musical interludes add to the performance. This is superior quality audio in all aspects and certain to be enjoyed by many, whether fans of radio drama, romantic comedy or classics. E.L.C. (c)AudioFile, Portland, Maine" Rezension(5): "〈a href=http://www.audiofilemagazine.com target=_blank〉〈img src=https://images.contentreserve.com/audiofile_logo.jpg alt=AudioFile Magazine border=0 /〉〈/a〉:The luxury of the unabridged edition requires a certain commitment. But a luxury it is. Jenny Agutter's reading is perfectly suited to the story, both in tone and pace. She brings out the comic insight that is the hallmark of Austen's stories, making one laugh out loud at times, so well has she caught the moment or the temperament of the characters. The genius of Austen's wit often depends, not on what is said, but on how it is said, and Agutter has given the perfect voice to this lighthearted classic, delicately differentiating each character's personality. A glorious way to experience the essential Austen. K.R. (c)AudioFile, Portland, Maine" Rezension(6): "〈a href=http://www.audiofilemagazine.com target=_blank〉〈img src=https://images.contentreserve.com/audiofile_logo.jpg alt=AudioFile Magazine border=0 /〉〈/a〉:Jane Austen's novels have long been fodder for transference to other media. The same quality that makes such adaptation a good idea also makes it difficult--her elusive tone. When is she kidding? When serious? How to communicate what Sir Walter Scott called that exquisite touch which renders ordinary, commonplace things and characters interesting? Performance pros struggle with it as much as everybody else. For this reason, Prunella Scales's interpretation of Emma is most welcome. Scales nails it, as actors say. One of England's finest actresses, Scales hits the right note from the beginning and unerringly follows the author's amusing and insightful trajectory to the very end. There are no actorly pyrotechnics here, just Jane Austen, which is certainly good enough for me. Y.R. Winner of AUDIOFILE Earphones Award (c)AudioFile, Portland, Maine" Rezension(7): "〈a href=http://www.audiofilemagazine.com target=_blank〉〈img src=https://images.contentreserve.com/audiofile_logo.jpg alt=AudioFile Magazine border=0 /〉〈/a〉:This longish abridgment of EMMA is handsomely narrated by Wanda McCaddon. However, surprisingly, it's the least faithful of the several abridgments of Austen's masterpiece. For fans who know and love the story, the elimination of certain key elements, such as the incessant teasing of Jane Fairfax about Mr. Dixon, will be bothersome. K.R. (c)AudioFile, Portland, Maine" Rezension(8): "〈a href=http://www.audiofilemagazine.com target=_blank〉〈img src=https://images.contentreserve.com/audiofile_logo.jpg alt=AudioFile Magazine border=0 /〉〈/a〉:This production of EMMA is one of the most condensed abridgments available. Only three hours long, it's a faithful shorthand version of Austen's story. Thompson reads in a breathless, gossipy tone, which, as fans of Austen already know, suits the story well. This approach gives one the sense that Austen's Miss Bates, the chatty spinster aunt, is recounting Emma's history for us as though we were one of the neighbors of Highbury. This is not surprising since Thompson appeared in the film version of Emma as Miss Bates. This version is well edited and appropriate for those interested in the author who don't have time to devote to lengthy speeches and British civilities. K.R. (c)AudioFile, Portland, Maine" Rezension(9): "〈a href=http://www.audiofilemagazine.com target=_blank〉〈img src=https://images.contentreserve.com/audiofile_logo.jpg alt=AudioFile Magazine border=0 /〉〈/a〉:Many audiobook listeners with a penchant for catching up on the classics will recognize narrator Juliet Stevenson's voice in this outstanding recording. Stevenson's energetic rendition of this engaging novel, like the other classic titles she has performed, will captivate and enthrall. Her pleasing accent and comfortably brisk pace add sparkle to Austen's timeless story of scripted romance. As always, Stevenson seems to delight in creating gently distinct voices for her characters and infusing the narrative with appropriate inflection and enthusiasm. Rich in detail and understated humor, this novel is well suited to the audio format, and Stevenson's voice is the ideal vehicle to deliver it. L.B.F. (c) AudioFile 2007, Portland, Maine" Rezension(10): "〈a href=http://www.audiofilemagazine.com target=_blank〉〈img src=https://images.contentreserve.com/audiofile_logo.jpg alt=AudioFile Magazine border=0 /〉〈/a〉:Emma Wodehouse, while eschewing marriage for herself, has no compunctions about making matches for others. No one creates silly English characters better than Austen, and Wanda McCaddon is up to the challenge of presenting them in all their inanity, especially as she reads dialogue. She's equally adept at portraying the multitude of characters that people the village of Highbury--whether male or female,upper, middle, or lower class,likable or unlikable. The plot itself might sag a bit in the middle, but it rights itself by the end with several satisfying chapters that resolve all the romantic couplings, including Emma's own. As Emm
Content:
ma grows into a more thoughtful young woman, McCaddon's narration reflects her maturation. S.S.R. (c) AudioFile 2008, Portland, Maine" Rezension(11): "〈a href=http://www.audiofilemagazine.com target=_blank〉〈img src=https://images.contentreserve.com/audiofile_logo.jpg alt=AudioFile Magazine border=0 /〉〈/a〉:There's a vintage feel to Alison Larkin's narration of this Austen favorite. The bell-like quality of her sweetly accented voice harkens back to another, quieter, time. However, her delivery of this much-loved matchmaking story offers a flexibility that is contemporary and easy to hear. Larkin's vocals can be precious or blustery, proper or pompous, depending on which character she occupies, and she creates distinctions between each with skill. The pace is brisk, and Larkin's treatment of the light humor in the novel is so subtle it could be missed by the distracted listener. Jaunty musical interludes grace the transitions between chapters, adding to the quaint charm of this production. L.B.F. © AudioFile 2015, Portland, Maine" Rezension(12): "〈a href=http://www.audiofilemagazine.com target=_blank〉〈img src=https://images.contentreserve.com/audiofile_logo.jpg alt=AudioFile Magazine border=0 /〉〈/a〉:Regal, haughty, with a pinch of sly wit, Emma Thompson's delivery is perfect for Jane Austen's 1815 masterwork. Young, rich, and headstrong Emma Woodhouse lives in the lap of luxury with her wonderfully addled father. Her world is one of elegant dances, afternoon teas, and, especially, intricate and sometimes convoluted matchmaking. Isabella Inchbald (as Emma) and Alexa Davies (as Harriet Smith) lead a fine group of English actors in performing the original dialogue, which offers a change of rhythm and pace from Thompson's perfectly read narrative. Beneath the opulent lifestyles and light banter, Austen adds astute observations on the English class and social justice systems. Enjoy yourself while listening carefully. B.P. � AudioFile 2018, Portland, Maine"
Language:
German
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https://samples.overdrive.com/?crid=f5538b8b-143b-47f6-a5a0-37ca703eb98b&.epub-sample.overdrive.com
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https://api.overdrive.com/v1/collections/v1L1BBQ0AAA2_/products/f5538b8b-143b-47f6-a5a0-37ca703eb98b/metadata
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