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  • 1
    UID:
    b3kat_BV048727257
    Format: 1 online resource (257 pages)
    ISBN: 9781350160309
    Note: Cover page -- Halftitle page -- Title page -- Copyright page -- Contents -- List of Figures -- Notes on Contributors -- Preface and Acknowledgements -- Introductio -- the mid-century celluloid museum STEVEN JACOBS AND DIMITRIOS LATSIS -- Pre-war developments -- Post-war reconstruction and cultural organizations -- Major figures in Europe: Emmer, Storck, Resnais -- Education and research -- The art documentary as art -- Camera and canvas: documentaries on painting -- Key documentaries on sculpture -- Contemporary artists and acts of creation -- Art book and museum -- Television: standardization and deconstruction -- Notes -- 1 The institutional breeding grounds of the post-war film on art: key figures and networks behind the first International Conference on Art Films -- Joining forces: who founded FIFA? -- Les Amis de l'Art -- The conference's honorary committee -- UNESCO: a fresh impulse to the dissemination of culture -- ICOM: a new method for revealing art -- AICA: art criticism o , 6 Projecting cultural diplomac -- Cold War politics, films on art, and Willard Van Dyke's The Photographer -- Films on art and post-war American culture -- The Cold War and the art of cultural diplomacy -- Celluloid as soft power diplomacy -- Notes -- 7 Henry Moore and A Sculptor's Landscape: modernity, the land and the bomb in two television films by John Read -- A unique collaboration -- Return to Hoglands -- Henry Moore and the bomb -- Conclusion -- Notes -- 8 Creative process, material inscription and Dudley Shaw Ashton's Figures in a Landscape (1953) -- Ashton and Cornwall: landscape at stake -- Ashton's films on art and the development of Figures -- Ashton and Hepworth: geometry and abstraction -- National narratives: the film's reception -- Notes -- 9 Neoplasticism and cinema: Ilya Bolotowsky's experimental films on art -- Encounters in the art world -- Reflections on painting -- Myths of cinema and painting -- Policies and histories of art and film -- Notes -- Select bibliogr
    Language: English
    Keywords: Electronic books
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  • 2
    UID:
    b3kat_BV048299952
    Format: 1 Online-Ressource (336 pages) , 19 b&w photos
    ISBN: 9781477324936
    Content: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism. Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism's portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and "quirky" autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) , In English
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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