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  • Staatliche Museen  (4)
  • Filmuniversität Babelsberg  (1)
  • HEROLD
  • Topographie des Terrors und DZ
  • Hist. Museum Berlin
  • Hochschulschrift  (5)
Type of Medium
Language
Region
Library
Virtual Catalogues
Subjects(RVK)
  • 1
    Book
    Book
    New Haven : Yale Univ. Press [u.a.]
    UID:
    gbv_1331754364
    Format: 192 S. , graph. Darst.
    Series Statement: Yale University publications in anthropology 46
    Language: English
    Keywords: Truk Islands ; Verwandtschaft ; Sozialstruktur ; Eigentum ; Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Ann Arbor, Mich. : Univ. Microfilms International
    UID:
    gbv_549675728
    Format: IX, 277 S. , zahlr. Illl.
    Note: 197 Abb. kaum zu erkennen , Hier auch später erschienene, unveränderte Nachdrucke , New York, New York Univ., Phil. , Diss, 1978
    Language: Undetermined
    Keywords: Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    gbv_1638319618
    Format: 451, 278 S. , zahlr. Ill.
    ISBN: 0824000951
    Series Statement: Outstanding theses in the fine arts from British universities
    Note: Zugl.: Cambridge, Univ., Diss., 1979
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Sanfelice, Ferdinando 1675-1748 ; Sanfelice, Ferdinando 1675-1748 ; Architektur ; Hochschulschrift
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  • 4
    Book
    Book
    Oakland, Calif. : University of California Press
    UID:
    gbv_786088397
    Format: XXVII, 193 S. , Ill., Kt. , 24 cm
    ISBN: 9780520283770
    Series Statement: Transformation of the classical heritage 54
    Content: 'The Mirage of the Saracen analyzes the growth of monasticism and Christian settlements in the Sinai Peninsula through the early seventh century CE. Walter D. Ward examines the ways in which Christian monks justified occupying the Sinai through creating associations between Biblical narratives and Sinai sites while assigning uncivilized, negative, and oppositional traits to the indigenous nomadic population, whom the Christians pejoratively called "Saracens." By writing edifying tales of hostile nomads and the ensuing martyrdom of the monks, Christians not only reinforced their claims to the spiritual benefits of asceticism but also also provoked the Roman authorities to enhance defense of pilgrimage routes to the Sinai. When Muslim armies later began conquering the Middle East, Christians also labeled these new conquerors as Saracens, connecting Muslims to these pre-Islamic representations. This timely and relevant work builds a historical account of interreligious encounters in the ancient world, showing the Sinai as a crucible for forging long-lasting images of both Christians and Muslims, some of which endure today.'--Provided by publisher
    Note: Includes bibliographical references and index , Erscheinungsjahr in Vorlageform:[2014] , Teilw. zugl.: UCLA, Diss., 2008 , Introduction -- Saracens -- Monasticism and pilgrimage in the Sinai -- The Sinai as Christian -- Martyrdom in the Sinai -- Response to the Saracen threat -- Murderous sword of the Saracens.
    Additional Edition: ISBN 9780520959521
    Language: English
    Subjects: Theology
    RVK:
    Keywords: Halbinsel Sinai ; Araber ; Beduine ; Pilger ; Christ ; Spätantike ; Hochschulschrift
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  • 5
    UID:
    b3kat_BV048720655
    Format: 416 Seiten , Illustrationen
    Content: Throughout its existence, East Germany's ruling Sozialistische Einheitspartei Deutschlands (SED) never officialy acknowledged any direct or inherited responsibility for the crimes committed on its territory between 1933 and 1945, instead choosing to recast itself ab booth victim and victor of fascist oppression through the foregrounding of political persecution. This interpretative framework undoubtedly resulted in the marginalisation of the fate of Jews under National Socialism in East German historiography and memories of the past. However, by focusing on East German cinematic engagements with National Socialist racial persuetion, i seek to challenge the assertion that films depicting Jewish victimhood were unwelcome or even taboo in the German Democratic Republic. By combining close readings of five films - Ehe im Schatten (Maetzig, 1947) Sterne (Wolf, 1959), Lebende Ware (Luderer, 1966), Jakob der Lügner (Beyer, 1974) and Die Schauspielerin (Kühn, 1988) - with an analysis of the films' production files, i unravel the complex status of films dealing with Jewish perseuction produces in a country which consistently priviled narratives of political persecution abrove racial victimhood.
    Note: Dissertation Leeds, University School of Languages, Cultures and Societies 2014
    Language: English
    Keywords: Hochschulschrift
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