feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • UB Potsdam  (3)
  • 2020-2024  (3)
  • 1960-1964
  • Williams, James S.  (3)
  • 1
    Online Resource
    Online Resource
    Milton : Taylor & Francis Group
    UID:
    b3kat_BV048727244
    Format: 1 online resource (295 pages)
    ISBN: 9780429554803
    Note: Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of illustrations -- List of contributors -- Acknowledgements -- Introduction -- 1 Queering the migran -- being beyond borders -- PART I Trans/migration of bodies and borders -- 2 The ghostly queer migrant: queering time, place, and family in contemporary German cinema -- 3 Trans-ing gender boundaries and national borders: rethinking identity in Merzak Allouache's Chouchou (2003) and Angelina Maccarone's Fremde Haut/Unveiled (2005) -- 4 Transnational and migrant queer affects in two Basque films -- 5 Queering the cinematic field: migrant love and rural beauty in God's Own Country (2017) and A Moment in the Reeds (2017) -- 6 Facing the queer migrant in Nordic Noir -- PART II Refuge, (non-)hospitality, and (anti-)utopia -- 7 Post-communist and queer: Eastern European queer migrants on screen -- 8 Eastern Boys (2013): hospitality, trauma, kinship, and the state -- 9 Almost haven: queer migrants' tempor , 16 Curating queer migrant cinem -- interview between Sudeep Dasgupta and James S. Williams -- Filmography -- Bibliography -- Index
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Routledge
    UID:
    gbv_1778461433
    Format: 1 Online-Ressource
    ISBN: 9780429264245
    Content: This exciting and original volume offers the first comprehensive critical study of the recent profusion of European films and television addressing sexual migration and seeking to capture the lives and experiences of LGBTIQ+ migrants and refugees. Queering the Migrant in Contemporary European Cinema argues that embodied cinematic representations of the queer migrant, even if at times highly ambivalent and contentious, constitute an urgent new repertoire of queer subjectivities and socialities that serve to undermine the patrolled borders of gender and sexuality, nationhood and citizenship, and refigure or queer fixed notions and universals of identity like ‘Europe’ and national belonging based on the model of the family. At stake ethically and politically is the elaboration of a ‘transborder’ consciousness and aesthetics that counters the homonationalist, xenophobic and homo/trans-phobic representation of the ‘migrant to Europe’ figure rooted in the toxic binaries of othering (the good vs bad migrant, host vs guest, indigenous vs foreigner). Bringing together 16 contributors working in different national film traditions and embracing multiple theoretical perspectives, this powerful and timely collection will be of major interest to both specialists and students in Film and Media Studies, Gender and Queer Studies, Migration/Mobility Studies, Cultural Studies, and Aesthetics
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    London : British Film Institute | London : Bloomsbury Publishing (UK)
    UID:
    gbv_1885750951
    Format: 1 Online-Ressource (120 pages)
    Edition: 1st ed
    ISBN: 9781839026010
    Series Statement: BFI Film Classics
    Content: Xala (1974) by the pioneering Senegalese director Ousmane Sembene, was acclaimed on its release for its scorching critique of postcolonial African society, and it cemented Sembene's status as a wholly new kind of politically engaged, pan-African, auteur film-maker. Centring on the story of businessman El Hadji and the impotence that afflicts him on his marriage to a young third wife, Xala vividly captures the cultural and political upheaval of 1970s Senegal, while suggesting the radical potential of dissent, solidarity and collective action, embodied by El Hadji's student daughter Rama and the group of urban 'undesirables' who act as a kind of raw chorus to the affairs of the neocolonial elite. James S. Williams's lucid study traces Xala's difficult production history and analyses its daring combination of political and domestic drama, oral narrative, social realism, symbolism, satire, documentary, mysticism and Marxist analysis. Yet from its dazzling extended opening sequence of revolution as performance to its suspended climax of redemption through ritualised spitting, Xala presents a series of conceptual and formal challenges that resist a simple reading of the film as allegory. Highlighting often overlooked elements of Sembene's intricate, experimental film-making, including provocative shifts in mood and poetic, even subversively erotic, moments, Williams reveals Xala as a visionary work of both African cinema and Third Cinema that extended the parameters of postcolonial film practice and still resounds today with its searing inventive power
    Note: Includes bibliographical references and index , Acknowledgments Prologue: Dakar, 1974 1. From Novel to Image 2. Africanity ? Africa 3. A Curse is Still a Curse 4. The Postcolonial City as Third Space 5. Evian or Spit 6. The Future is Female Epilogue: The Legacy of Xala Notes Credits Filmography , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781839025983
    Additional Edition: ISBN 9781839025990
    Additional Edition: ISBN 9781839026003
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages