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  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of Minnesota Press
    UID:
    gbv_1832321924
    Format: 1 Online-Ressource (114 p.)
    ISBN: 9781452967189
    Content: Exploring the existential implications of the Covid-19 crisis through meditationsPart personal memoir, part philosophical reflection and written in the midst of the pandemic in 2021, The World Is Gone employs the Robinson Crusoe fable to launch an existential investigation of the effects of extreme isolation, profound boredom, nightly insomnia, and the fear of madness associated with the loss of a world populated by others.Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship
    Note: English
    Language: Undetermined
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  • 2
    Online Resource
    Online Resource
    London : Continuum
    UID:
    gbv_1694783340
    Format: 1 Online-Ressource (viii, 180 p) , ill
    Edition: London Bloomsbury Publishing 2014 Electronic reproduction; Available via World Wide Web
    Edition: Also issued in print
    ISBN: 9781472547859
    Series Statement: Continuum studies in Continental philosophy
    Content: Preface and Acknowledgements -- Foreword: Why the Revolution (of Desire) Did Not Take Place -- I. Expression -- 1. Once More for a 'Minor Literature' - This Time With Feeling! -- 2. A Funny Thing Happened on the Way to Language -- II. Psychoanalysis -- 3. 'Deterritorializing' Psychoanalysis -- 4. Slavoj Zizek - It's 'Body Without Organs' (BWO), Dummy! -- III. Politics -- 5. On the Grandeur of Marx' -- 6. On 'the Right to Desire' -- IV Power (seminar on Foucault) -- 7. How 'Power Makes Us See and Speak' -- 8. Why 'Power Produces Truth as a Problem' -- Notes -- Bibliography -- Index
    Content: Deleuze and Guattari's landmark philosophical project, Capitalism and Schizophrenia, has been hailed as a 'highly original and sensational' major philosophical work. The collaboration of two of the most remarkable and influential minds of the twentieth century, it is a project that still sets the terms of contemporary philosophical debate. It provides a radical and compelling analysis of social and cultural phenomena, offering fresh alternatives for thinking about history, society, capitalism and culture. In Who's Afraid of Deleuze and Guattari?, Gregg Lambert revisits this seminal work and re-evaluates Deleuze and Guattari's legacy in philosophy, literary criticism and cultural studies since the early 1980s. Lambert offers the first detailed analysis of the reception of the Capitalism and Schizophrenia project by such key figures as Jameson, Zizek, Badiou, Hardt, Negri and Agamben. He argues that the project has suffered from being underappreciated and too hastily dismissed on the one hand and, on the other, too quickly assimilated to the objectives of other desires such as multiculturalism or American identity politics. In the light of the limitations of this reception-history, Lambert offers a fresh evaluation of the project and its influences that promise to challenge the ways in which Deleuze and Guattari's controversial and remarkable project has been received. Divided into four key sections, Aesthetics, Psychoanalysis, Politics and Power, Who's Afraid of Deleuze and Guattari? offers a fresh, witty and intelligent analysis of this major philosophical project
    Note: Includes bibliographical references (p. [171]-175) and index , Also issued in print. , Electronic reproduction; Available via World Wide Web
    Additional Edition: ISBN 9780826490483
    Additional Edition: ISBN 0826490484
    Additional Edition: Available in another form
    Language: English
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  • 3
    UID:
    gbv_1795213531
    Format: 1 Online-Ressource (VI, 288 Seiten)
    Edition: [Online-Ausgabe]
    ISBN: 9781474465472
    Series Statement: Deleuze Connections
    Content: Although he is best known as a philosopher, Deleuze's interests were extremely far reaching - in addition to his important critiques of major philosophers like Kant, Hume and Spinoza, he also wrote extensively on literature, cinema and art. Characteristically, he didn't apply philosophy to the arts, he always tried to extract philosophy from them.Deleuze wrote widely on literature, but always with an eye to extract something new and interesting, never merely to interpret. Indeed, his most notorious slogan was 'don't ask what it means? Ask how it works?' He wrote monographs on Proust, Kafka and Sacher-Masoch. He also wrote essays on Beckett, Melville, Jarry, T.E. Lawrence, D.H. Lawrence, and Whitman.The essays collected in this volume are the first devoted solely to Deleuze's work on literature. Written by leading Deleuzian scholars the essays focus on two main questions: how does Deleuze read literary texts? And how can we read texts in a Deleuzian way?Contributors: Bruce Baugh, Ian Buchanan, Claire Colebrook, Andre Pierre Colombat, Tom Conley, Hugh Crawford, Marlene Goldman, Eugene W. Holland, Greg Lambert, John Marks, Timothy S. Murphy and Kenneth Surin
    Additional Edition: ISBN 9780748612079
    Additional Edition: Elektronische Reproduktion von Deleuze and literature Edinburgh : Edinburgh Univ. Press, 2000 ISBN 0748612076
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Deleuze, Gilles 1925-1995 ; Poetik ; Bibliografie ; Aufsatzsammlung
    URL: Cover
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  • 4
    Online Resource
    Online Resource
    London [u.a.] : Continuum
    UID:
    gbv_1669048748
    Format: 1 Online-Ressource (VI, 168 Seiten) , Ill
    Edition: London Bloomsbury Publishing 2014 Electronic reproduction; Available via World Wide Web
    ISBN: 9781472545954
    Content: The Return of the Baroque in Modern Culture explores the re-invention of the early European Baroque within the philosophical, cultural, and literary thought of postmodernism in Europe, the United States, the Caribbean, and Latin America. Gregg Lambert argues that the "return of the Baroque" expresses a principle often hidden behind the cultural logic of postmodernism in its various national and cultural incarnations, a principal often in variance with Anglo-American modernism. Writers and theorists examined include Walter Benjamin, Paul de Man, Jacques Derrida, Michel Foucault, Octavio Paz, and Cuban novelists Alejo Carpentier and Severo Sarduy. A highly original and compelling reinterpretation of modernity, The Return of the Baroque in Modern Culture answers Raymond Williams' charge to create alternative national and international accounts of aesthetic and cultural history in order to challenge the centrality of Anglo-American modernism
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    Additional Edition: ISBN 9780826466488
    Additional Edition: Available in another form
    Language: English
    Keywords: Barock ; Rezeption ; Literatur ; Postmoderne
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  • 5
    Online Resource
    Online Resource
    New York : Continuum
    UID:
    gbv_1694787508
    Format: 1 Online-Ressource (xiv, 182 p) , ill
    Edition: London Bloomsbury Publishing 2014 Electronic reproduction; Available via World Wide Web
    Edition: Also issued in print
    ISBN: 0826459552 , 9781472547682
    Content: Preface: On the art of commentary -- Part I: On the image of though from Leibniz to Borges ("time of its hinges") -- 1. Philosophy and "non-philosophy" -- 2. How time places truth in crisis -- 3. How the problem of judgement -- 4. The paradox of concepts -- Part II: On the (baroque) line -- 5. "The mind-body problem" and the art of cryptography -- 6. The riddle of the flesh (the "fuscum subnigrum") -- 7. On God (the "place vide") -- Part III: On the powers of the false -- 8. The baroque detective: Borges as precursor -- 9. How the true world became a fable -- 10. Artaud's problem and ours: belief in the world as it is -- 11. On the uses (and abuses) of literature for life -- Conclusion: On the art of creating concepts
    Content: The Non-Philosophy of Gilles Deleuze takes up Deleuze's most powerful argument on the task of contemporary philosophy in the West. Deleuze argues that it is only through a creative engagement with the forms of non-philosophy--notably modern art, literature and cinema--that philosophy can hope to attain the conceptual resources to restore the broken links of perception, language and emotion. In short, this is the only future for philosophy if it is to repair its fragile relationship to immanence to the world as it is.A sequence of dazzling essays analyze Deleuze's investigations into the modern arts. Particular attention is paid to Deleuze's exploration of Liebniz in relation to modern painting and of Borges to an understanding of the relationship between philosophy, literature and language. By illustrating Deleuze's own approach to the arts, and to modern literature in particular, the book demonstrates the critical significance of Deleuze's call for a future philosophy defined as an "art of inventing concepts"
    Note: Includes bibliographical references (p. [168]-170) and index , Also issued in print. , Electronic reproduction; Available via World Wide Web
    Additional Edition: ISBN 9780826459558
    Additional Edition: ISBN 0826459560
    Additional Edition: Available in another form
    Language: English
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