Kooperativer Bibliotheksverbund

UID:

Format: XII, 205 S. , Kt.

Edition: 1. publ.

ISBN: 0521472229

Language: English

Subjects: History , Theology

Keywords: Bilderstreit ; Geschichte 500-1520 ; Zürich ; Bildersturm ; Reformation ; Geschichte 1520-1527 ; Straßburg ; Bildersturm ; Reformation ; Geschichte 1524-1530 ; Basel ; Bildersturm ; Reformation ; Geschichte 1529 ; Zürich ; Bildersturm ; Geschichte 1520-1523 ; Basel ; Bildersturm ; Geschichte 1529 ; Straßburg ; Bildersturm ; Geschichte 1524-1530 ; Kunst ; Reformation ; Geschichte 1500-1600

URL: Publisher description

URL: Table of contents

Author information: Wandel, Lee Palmer 1954-

UID:

Format: 1 Online-Ressource (xix, 268 Seiten) , Illustrationen

ISBN: 9789047444046 , 9047444043

Series Statement: Intersections volume 13

Note: Beiträge teilweise englisch, teilweise französisch

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-90-04-17974-5

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 90-04-17974-7

Language: English

Keywords: Optik ; Blick ; Kartografie ; Perspektive ; Geschichte 1500-1800 ; Wahrnehmung ; Philosophie ; Geschichte 1520-1600 ; Visuelle Wahrnehmung ; Geschichte 1520-1600 ; Konferenzschrift

DOI: 10.1163/ej.9789004179745.i-272

URL: Volltext  (URL des Erstveröffentlichers)

URL: DOI

Author information: Wandel, Lee Palmer 1954-

Author information: Melion, Walter S. 1952-

UID:

Format: 1 Online-Ressource (XXX, 662 Seiten) , Illustrationen

ISBN: 9789004408944

Series Statement: Intersections volume 65/1

Content: Front Matter -- Copyright page -- Acknowledgements -- Illustrations -- Notes on the Editors -- Notes on the Contributors -- Quid est sacramentum?: Introduction /Walter S. Melion -- Representing the Sacraments -- Counterfeiting the Eucharist in Late Medieval Life and Art /Aden Kumler -- Vestments in the Mass /Lee Palmer Wandel -- ‘In the Flesh a Mirror of Spiritual Blessings’: Calvin’s Defence of the Lord’s Supper as a Visual Accommodation /AnnMarie M. Bridges -- ‘Mystery’ or ‘Sacrament’: Ephesians 5:32, the Sacrament of Marriage in Early Modern Biblical Scholarship, and Nicolas Poussin’s Visual Exegesis /Wim François -- Hoc Est Corpus Meum: Whole-Body Catacomb Saints and Eucharistic Doctrine in Baroque Bavaria /Noria K. Litaker -- Staging Sacramental Consolation in Vienna /Robert L. Kendrick -- Sacramental Modes of Representation -- Seeing beyond Signs: Allegorical Explanations of the Mass in Medieval Dutch Literature /Anna Dlabačová -- Representing Architecture in the Altarpiece: Fictions, Strategies, and Mysteries /Elizabeth Carson Pastan -- Orchestrating Polyphony at the Altar: Passion Altarpieces in Late Medieval France /Donna L. Sadler -- God’s Design: Painting and Piety in the Vida of Estefanía de la Encarnación (ca. 1597–1665) /Tanya J. Tiffany -- Amber, Blood, and the Holy Face of Jesus: the Materiality of Devotion in Late Medieval Bruges /Elliott D. Wise and Matthew Havili -- Anchoring the Appearance of the Sacred: the Abbot of Choisy & His Translation of the Imitatio Christi (1692) /Lars Cyril Nørgaard -- Spiritual and Material Conversions: Federico Barocci’s Christ and Mary Magdalene /Bronwen Wilson -- Representing Divine Presence and the Mysteries of Faith -- The Fine Art of Dying: Envisioning Death in the Somme le Roi Tradition /Alexa Sand -- Christ Child Creator /David S. Areford -- Lady Scripture’s Sacred Commitments: Dialogic Understanding in Dutch Religious Literature of the Late Fifteenth Century /Geert Warnar -- Coemeterium Schola: the Emblematic Imagery of Death in Jan David, S.J.’s Veridicus Christianus /Walter S. Melion -- The Limits of ‘Mute Theology’: Charles Le Brun’s Lecture on Nicolas Poussin’s Ecstasy of Saint Paul Revisited /James Clifton -- A Private Mystery: Looking at Philippe de Champaigne’s Annunciation for the Hôtel de Chavigny /Mette Birkedal Bruun -- Back Matter -- Index Nominum.

Content: ‘Quid est sacramentum?’ Visual Representation of Sacred Mysteries in Early Modern Europe, 1400-1700 investigates how sacred mysteries (in Latin, sacramenta or mysteria ) were visualized in a wide range of media, including illustrated religious literature such as catechisms, prayerbooks, meditative treatises, and emblem books, produced in Italy, France, and the Low Countries between ca. 1500 and 1700. The contributors ask why the mysteries of faith and, in particular, sacramental mysteries were construed as amenable to processes of representation and figuration, and why the resultant images were thought capable of engaging mortal eyes, minds, and hearts. Mysteries by their very nature appeal to the spirit, rather than to sense or reason, since they operate beyond the limitations of the human faculties; and yet, the visual and literary arts served as vehicles for the dissemination of these mysteries and for prompting reflection upon them. Contributors: David Areford, AnnMarie Micikas Bridges, Mette Birkedal Bruun, James Clifton, Anna Dlabačková, Wim François, Robert Kendrick, Aiden Kumler, Noria Litaker, Walter S. Melion, Lars Cyril Nørgaard, Elizabeth Pastan, Donna Sadler, Alexa Sand, Tanya Tiffany, Lee Palmer Wandel, Geert Warner, Bronwen Wilson, and Elliott Wise

Additional Edition: ISBN 9789004408937

Additional Edition: Erscheint auch als Druck-Ausgabe Quid est sacramentum? Leiden : Brill, 2020 ISBN 9789004408937

Language: English

Keywords: Europa ; Sakrament ; Bildliche Darstellung ; Symbolik ; Kunst ; Kultur ; Literatur ; Geschichte 1400-1700 ; Konferenzschrift

DOI: 10.1163/9789004408944

URL: Volltext  (lizenzpflichtig)

URL: Volltext  (lizenzpflichtig)

URL: Volltext  (DOI)

Author information: Wandel, Lee Palmer 1954-

Author information: Melion, Walter S. 1952-

UID:

Format: 1 Online-Ressource (xxv, 514 pages)

ISBN: 9789004300514

Series Statement: Intersections v. 39 - 2105

Content: Preliminary Material -- Introduction /Walter S. Melion and Lee Palmer Wandel -- 1 Medietas / Mediator and the Geometry of Incarnation /Herbert L. Kessler -- 2 Mute Mysteries of the Divine Logos: On the Pictorial Poetics of Incarnation /Klaus Krüger -- 3 A Meaty Incarnation: Making Sense of Divine Flesh for Aztec Christians /Jaime Lara -- 4 The Ineffability of Incarnation in Le Brun’s Silence or Sleep of the Child /Matthieu Somon -- 5 Thomas Aquinas, Sacramental Scenes, and the ‘Aesthetics’ of Incarnation /Mark D. Jordan -- 6 The Poetics of the Image in Late Medieval Mysticism /Niklaus Largier -- 7 Incarnation, Image, and Sign: John Calvin’s Institutes of the Christian Religion ‖ Late Medieval Visual Culture /Lee Palmer Wandel -- 8 Eye to Eye, Text to Image? Jan Provoost’s Sacred Allegory, Jan van Ruusbroec’s Spieghel der eeuwigher salicheit, and Mystical Contemplation in the Late Medieval Low Countries /Geert Warnar -- 9 ‘A Just Proportion of Body and Soul’: Emblems and Incarnational Grafting /Christopher Wild -- 10 From Negative Painting to Loving Imprint in Pierre De Bérulle’s Discours (1623) /Agnès Guiderdoni -- 11 Discerning Vision: Cognitive Strategies in Cornelis Everaert’s Mary Compared to the Light (ca. 1511) /Bart Ramakers -- 12 The Fountain of Life in Molinet’s Roman de la rose moralisé (1500) /Michael Randall -- 13 Figuring the Threshold of Incarnation: Caravaggio’s Incarnate Image of the Madonna of Loreto /Ralph Dekoninck -- 14 Super-Entanglement: Unfolding Evidence in Hieronymus Bosch’s Mass of St. Gregory /Reindert Falkenburg -- 15 The Mystery of the Incarnation and the Art of Painting /Dalia Judovitz -- 16 Convent and Cubiculum Cordis: The Incarnational Thematic of Materiality in the Cistercian Prayerbook of Martin Boschman (1610) /Walter S. Melion -- 17 Dieu le Père en Vierge Marie. La Trinité – Pietà de Rubens /Colette Nativel -- 18 Images of the Incarnation in the Jesuit Japan Mission’s Kirishitanban Story of Virgin Martyr St. Catherine of Alexandria /Haruko Nawata Ward -- Index Nominum.

Content: The doctrine of the Incarnation was wellspring and catalyst for theories of images verbal, material, and spiritual. Section I, “Representing the Mystery of the Incarnation”, takes up questions about the representability of the mystery. Section II, “Imago Dei and the Incarnate Word”, investigates how Christ’s status as the image of God was seen to license images material and spiritual. Section III, “Literary Figurations of the Incarnation”, considers the verbal production of images contemplating the divine and human nature of Christ. Section IV, “Tranformative Analogies of Matter and Spirit”, delves into ways that material properties and processes, in their effects on the beholder, were analogized to Christ’s hypostasis. Section V, “Visualizing the Flesh of Christ”, considers the relation between the Incarnation and the Passion

Note: Includes bibliographical references and index

Additional Edition: ISBN 9789004300507

Additional Edition: Erscheint auch als Druck-Ausgabe Image and Incarnation: The Early Modern Doctrine of the Pictorial Image Leiden, Boston : BRILL, 2015 ISBN 9789004300507

Language: Multiple languages

DOI: 10.1163/9789004300514

URL: DOI

UID:

Format: 1 Online-Ressource

ISBN: 9789004260177

Series Statement: Brill's companions to the Christian tradition v. 46

Content: Preliminary Material -- Introduction /Lee Palmer Wandel -- The Medieval Inheritance /Gary Macy -- Martin Luther /Volker Leppin -- Huldrych Zwingli and Heinrich Bullinger /Carrie Euler -- Martin Bucer /Nicholas Thompson -- John Calvin /Nicholas Wolterstorff -- Anabaptist Theologies of the Eucharist /John D. Rempel -- Anglican Theologies of the Eucharist /James F. Turrell -- The Council of Trent /Robert J. Daly -- Catholic Liturgies of the Eucharist in the Time of Reform /Isabelle Brian -- From Sacrifice to Supper: Eucharist Practice in the Lutheran Reformation /Thomas H. Schattauer -- Reformed Liturgical Practices /Raymond A. Mentzer -- Anabaptist Liturgical Practices /Michele Zelinsky Hanson -- Anglican Liturgical Practices /James F. Turrell -- The Spanish New World /Jaime Lara -- Sites of the Eucharist /Andrew Spicer -- A View of the Eucharist on the Eve of the Protestant Reformation /Achim Timmermann -- The Lutheran Tradition /Birgit Ulrike Münch -- Reformed /Andreas Gormans -- The Sounds of Eucharistic Culture /Alexander J. Fisher -- Sacramental Poetics /Regina M. Schwartz -- Enlightenment Aesthetics and the Eucharistic Sign: Lessing’s Laocoön /Christopher Wild -- Bibliography -- Index.

Content: By the end of the fifteenth century, the Eucharist had come to encompass theology, liturgy, art, architecture, and music. In the sixteenth century, each of these dimensions was questioned, challenged, rethought, as western European Christians divided over their central act of worship. This volume offers an introduction to early modern thinking on the Eucharist—as theology, as Christology, as a moment of human and divine communion, as that which the faithful do, as taking place, and as visible and audible. The scholars gathered in this volume speak from a range of disciplines—liturgics, history, history of art, history of theology, philosophy, musicology, and literary theory. The volume thus also brings different methods and approaches, as well as confessional orientations to a consideration of the Eucharist in the Reformation. Contributors include: Gary Macy, Volker Leppin, Carrie Euler, Nicholas Thompson, Nicholas Wolterstorff, John D. Rempel, James F. Turrell, Robert J. Daly, Isabelle Brian, Thomas Schattauer, Raymond A. Mentzer, Michele Zelinsky Hanson, Jaime Lara, Andrew Spicer, Achim Timmermann, Birgit Ulrike Münch, Andreas Gormans, Alexander J. Fisher, Regina M. Schwartz, and Christopher Wild

Note: Includes bibliographical references and index

Additional Edition: ISBN 9789004204102

Additional Edition: Erscheint auch als Druck-Ausgabe A Companion to the Eucharist in the Reformation Leiden, Boston : BRILL, 2014 ISBN 9789004204102

Language: English

DOI: 10.1163/9789004260177

URL: DOI

UID:

Format: 1 Online-Ressource

ISBN: 9789004305205

Series Statement: Brill's studies in intellectual history volume 11

Content: Preliminary Material -- Introduction -- 1 The Codex in the Hand -- 2 Belief -- 3 Commandments -- 4 Prayer -- 5 Sacraments -- 6 Images -- Conclusion -- Bibliography -- Index.

Content: Reading Catechisms, Teaching Religion makes two broad arguments. First, the sixteenth century witnessed a fundamental transformation in Christians’, Catholic and Evangelical, conceptualization of the nature of knowledge of Christianity and the media through which that knowledge was articulated and communicated. Christians had shared a sense that knowledge might come through visions, images, liturgy; catechisms taught that knowledge of ‘Christianity’ began with texts printed on a page. Second, codicil catechisms sought not simply to dissolve the material distinction between codex and person, but to teach catechumens to see specific words together as texts. The pages of catechisms were visual—they confound precisely that constructed modern bipolarity, word/image, or, conversely, that modern bipolarity obscures what sixteenth-century catechisms sought to do

Note: Includes bibliographical references and index

Additional Edition: ISBN 9789004305199

Additional Edition: Erscheint auch als Druck-Ausgabe Reading Catechisms, Teaching Religion Leiden, Boston : BRILL, 2016 ISBN 9789004305199

Language: English

DOI: 10.1163/9789004305205

URL: DOI