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  • Online Resource  (7)
  • Filmuniversität Babelsberg  (7)
  • SB Hennigsdorf
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  • 1
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press
    UID:
    b3kat_BV048195457
    Format: 1 Online-Ressource (viii, 253 Seiten) , Illustrationen
    ISBN: 9781474481045 , 9781474481052
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4744-8102-1
    Language: English
    Subjects: General works
    RVK:
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    [s.l.] : University of Calgary Press
    UID:
    b3kat_BV042565716
    Format: 1 Online-Ressource (254 S.)
    ISBN: 9781552385524
    Note: Revisioning Europe is among the few existing English-language discussions of the films made by British novelist John Berger and Swiss film director Alain Tanner. It brings to light a political cinema that was unsentimental about the possibilities of revolutionary struggle and unsparing in its critique of the European left, and at the same time optimistic about the ability of radicalism - and radical art - to transform the world. Jerry White argues that Berger and Tanners work is preoccupied with ideas that were both central to the Enlightenment and at the same time characteristically Swiss. Translations of previously unpublished essays by both John Berger and Alain Tanner are included as appendices , English
    Language: Undetermined
    Keywords: Tanner, Alain 1929-2022 ; Berger, John 1926-2017 ; Film
    URL: Volltext  (kostenfrei)
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  • 3
    Online Resource
    Online Resource
    London [u.a] : Routledge
    UID:
    b3kat_BV042322049
    Format: 1 Online-Ressource (XXI, 665 S.)
    Edition: 1. publ.
    ISBN: 9781317682615 , 9781315773834
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-415-68893-2
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Geschichte ; Film ; Geschichte 1915-2011 ; Wörterbuch
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  • 4
    UID:
    b3kat_BV048728681
    Format: 1 online resource (153 pages) , illustrations
    ISBN: 9781000329704 , 1000329704 , 1000329666 , 9781000329681 , 1000329682 , 9780367691011 , 0367691019 , 9781000329667
    Content: Questioning essentialist forms of feminist discourse, this work develops an innovative approach to gender and feminist theory by drawing together the work of key feminist and gender theorists, such as Judith Butler and Donna Haraway, and the biopolitical philosophy of Giorgio Agamben and Gilles Deleuze. By analysing representations of the female cyborg figure, the gynoid, in science fiction literature, television, film and videogames, the work acknowledges its normative and subversive properties while also calling for a new feminist politics of selfhood and autonomy implied by the posthuman qualities of the female machine
    Note: 〈P〉Introductio -- Suspending Gender and Becoming-Gynoid in Science Fiction; Chapter 1: Woman or Womankind? Signatures, Suspension and Bare Life in Feminism and Science Fiction; Chapter 2: Removing/Reprogramming the Masculine -- The 〈EM〉Homo Sacer〈/EM〉 in the Feminist Dis/Utopia; Chapter 3: "You can alter our physiology, but you cannot change our nature": The Girl in the Machine; Chapter 4: Female Machines and Female ; Chapter 6: Profane Simulations -- Home and Ruin in the 〈EM〉Fallout〈/EM〉 Games ; Chapter 7: Becoming and Avatar -- Playing as Cyborgs Among Gynoids in the 〈EM〉Deus Ex〈/EM〉 ; Conclusion: Virtual Wives and Autonomous Selves -- Towards a Politics of Becoming-Gynoid
    Language: English
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  • 5
    Online Resource
    Online Resource
    Manchester, UK : Manchester University Press
    UID:
    b3kat_BV048724596
    Format: 1 online resource (vii, 279 pages) , illustrations; digital, PDF file(s)
    ISBN: 9781526130525
    Content: 'Laughing Matters is an undergraduate level textbook taking an analytic approach to film, television and radio comedy, providing an accessible overview of its forms and contexts. The introduction explains the value of studying comedy, concisely outlines the approach taken and summarises the relevant theories. The subsequent chapters are divided into two parts. The first part examines the specific forms comedy has taken as a constant and key element in film and broadcast comedy from their origins to the present. The second part shows how the genre gravitates towards contentious issues in British and American culture as it finds humour in the boundaries of class, gender, sexuality, race and logic. The authorst cover silent cinema comedy, early sound film comedy, Romantic film comedy, radio, television situation and sketch comedy, comedy and genre, animations, issues of gender and sexuality, taste, and race and ethnicity' --Back cover
    Content: Laughing Matters takes an analytic approach to film, television and radio comedy and provides an accessible overview of its forms and contexts. The introduction explains the value of studying comedy, concisely outlines the approach taken and summarises the relevant theories. The subsequent chapters are divided into two parts. The first part examines the specific forms comedy has taken as a constant and key element in film and broadcast comedy from their origins to the present. The second part shows how the genre gravitates towards contentious issues in British and American culture as it finds humour in the boundaries of class, gender, sexuality, race and logic. The authors cover silent cinema comedy including Chaplin, Lloyd and Keaton, sound film comedies including the Marx Brothers and Laurel and Hardy, Romantic film comedy, radio, television situation and sketch comedy, comedy and genre (including parody and spoof), animations from cartoons to CGI, issues of gender and sexuality from drag comedy to queer reading, issues of taste and humour from Carry On to contemporary 'gross-out' , and issues of race and ethnicity including a case study of African-American screen comedy. Numerous opportunities for following up are highlighted and advice on further reading, writing academically about comedy and an extensive bibliography add to the value of this textbook
    Note: Includes bibliographical references and index , List of illustrations --Acknowledgements --Introduction --Part -- Comedy forms --1. Silent film comedy --2. Early sound film comedy --3. The romantic comedy film --4. Radio comedy --5. Television comedy --6. Comedy and genre boundaries --7. Animated comedy --Part II: Themes, effects and impact of comedy -- 8. Comedy, gender and sexuality --9. Comedy and cultural value: from bad taste to gross-out --10. Comedy, race and ethnicity --Conclusion: ‘You had to be there’ --Appendix --Bibliography --Index
    Language: English
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  • 6
    Online Resource
    Online Resource
    Manchester, UK : Manchester University Press
    UID:
    b3kat_BV048724695
    Format: 1 online resource (264 pages) , digital, PDF file(s)
    ISBN: 9781526107824 , 9781526107817
    Content: This engaging and stimulating book argues that Shakespeare's plays significantly influenced movie genres in the twentieth century, particularly in films concerning love in the classic Hollywood period. Shakespeare's 'green world' has a close functional equivalent in 'tinsel town' and on 'the silver screen', as well as in hybrid genres in Bollywood cinema. Meanwhile, 〈i〉Romeo and Juliet 〈/i〉continues to be an enduring source for romantic tragedy on screen. The nature of generic indebtedness has not gained recognition because it is elusive and not always easy to recognise. The book traces generic links between Shakespeare's comedies of love and screen genres such as romantic comedy, 'screwball' comedy and musicals, as well as clarifying the use of common conventions defining the genres, such as mistaken identity, 'errors', disguise and 'shrew-taming'. Speculative, challenging and entertaining, the book will appeal to those interested in Shakespeare, movies and the representation of love in narratives
    Note: Includes bibliographical references and index , Introductio -- Shakespeare shaping modern movie genres --1.'Madly mated': The Taming of the Shrew and odd-couple comedy --2. Dreams in the forest: romantic comedy --3. 'The guy's only doing it for some doll': musical comedy --4. Of errors and eros: a brief digression on twins --5. Comedy of disguise and mistaken identity --6. 'Star-crossed lovers': Romeo and Juliet and romantic tragedy --Conclusion --Index
    Language: English
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  • 7
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press
    UID:
    b3kat_BV044763921
    Format: 1 online resource (xi, 298 pages)
    ISBN: 9781474411431
    Content: Applying the metaphor of the 'border crossing' from one temporal or spatial territory into another, Border Crossing: Russian Literature into Film examines the way classic Russian texts have been altered to suit new cinematic environments
    Note: Title from publisher's bibliographic system (viewed on 29 Sep 2017)
    Additional Edition: Erscheint auch als Druck-Ausgabe, hardback ISBN 9781474411424
    Language: English
    Subjects: Slavic Studies , General works
    RVK:
    RVK:
    RVK:
    Keywords: Russisch ; Roman ; Verfilmung ; Geschichte ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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