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  • Online Resource  (2)
  • Filmuniversität Babelsberg  (2)
  • SB Perleberg
  • Feministisches Archiv
  • SB Eisenhüttenstadt
  • 1
    Online Resource
    Online Resource
    African diasporic cinema : aesthetics of reconstruction (2020)
    East Lansing : Michigan State University Press
    Details
    UID:
    b3kat_BV048390879
    Format: 1 Online-Ressource (xxii, 304 Seiten) , Illustrationen
    ISBN: 9781609176396
    Series Statement: African humanities and the arts
    Uniform Title: Cinémas des diaspora noires
    Content: "African Diasporic Cinema: Aesthetics of Reconstruction examines contemporary diasporic African films, explores the aesthetic strategies used by black diasporic filmmakers to express identity reconstruction processes after migration, and highlights their films' continuities with and distances from foundational African films. The analyzed films (by Newton I. Aduaka, Sarah Bouyain, Haile Gerima, Alain Gomis, and Balufu Bakupa-Kanyinda) reflect different personal and artistic paths and various visions between Africa and Europe or the United States"--
    Note: Literaturverzeichnis Seite 251-276 , "Originally published in French under the title Cinémas des diaspora noires: esthétiques de la reconstruction, Copyright © 2016 L'Harmattan"
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 9781611863642
    Language: English
    Subjects: General works
    RVK:
    AP 59470
    RVK:
    AP 44970
    Keywords: Afrika ; Film
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    FU Berlin
    Filmuniversität Babelsberg
  • 2
    Online Resource
    Online Resource
    Reel Resistance - the Cinema of Jean-Marie Teno (2020)
    Melton : Boydell & Brewer, Limited
    Details
    UID:
    b3kat_BV048727235
    Format: 1 online resource (255 pages)
    ISBN: 9781787448872
    Content: Weaving together critical analysis and a filmic conversation, this book journeys through the multiple layers of Cameroonian filmmaker Jean-Marie Teno's thematically and aesthetically challenging body of work, framed here as a form of decolonial cinematic resistance
    Note: Frontcover -- Contents -- List of Photographs & -- Stills -- Preface -- Acknowledgements -- Introduction -- PART I -- 1 Documentary Filmmaking in Afric -- An Introduction -- Defining Documentary -- Documentary in Africa -- Early African Cinema and the Documentary -- Early African Documentary Practices -- Into the Eighties... -- 2 Critical Insights: Reading the Films of Jean- Marie Teno -- A Film Style: Traits and Evolutions -- Committed Cinema: A Poetics of Resistance -- The Cinematic 'I': Subjectivity, Voice -- (Hi)stories, Memory: Decolonial Readings of the Past -- Reconstructing Archaeologies of Memory -- Decolonizing the Archive -- Spanning Borders in One Stride: Transnationality, Circulations and Exile -- Conclusion: For a Decolonial Aesthetics? -- PART II In Conversation -- In the Beginning... -- First Encounters, First Steps -- First Films -- Filming the Real -- Documentary Practice -- Experimentations, Assemblages -- The Cinematic I -- Journeys -- (Hi)stories, Memory -- De
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Filmuniversität Babelsberg
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