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  • Staatliche Museen  (7)
  • Hertie School
  • SB Schlieben
  • 2020-2024  (7)
  • Art History  (7)
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Language
Region
Library
Year
  • 1
    Image
    Image
    Williamstown, Massachusetts : Clark Art Institute | New Haven ; London : Yale University Press
    UID:
    b3kat_BV047052993
    Format: 143 Seiten
    ISBN: 9780300250862 , 030025086X , 9781935998440
    Content: A contemporary artist explores relationships among humans and animals, real and mythical. German artist Lin May Saeed (b. 1973) grapples with the complex entanglements of humans and animals. Her work centers on the nonhuman animal and revisits, revises, or outright invents stories of animal subjugation, liberation, and harmonious cohabitation with humans, combining historical, mythical, and theological narratives with materials such as paper, steel, and Styrofoam. This last material-easy to acquire and work, yet environmentally destructive-receives particularly sustained attention. Empathy, humor, and lightness of touch combine with a radical reimagining of everyday life and a sense of how animality is intertwined with otherness. The catalogue surveys Saeed's work and thinking, positioning them within a broader discourse on animals and animality in art and culture. Its title suggests the appearance of animals in humans' modern moral consciousness, simultaneous with their departure in the current era of mass extinction; and its design places special emphasis on typography and lush close-up photography
    Note: Impressum: Published by the Clark Art Institute on the occasion of the exhibition "Lin May Saeed: Arrival of the Animals", Clark Art Institute, Williamstown, Massachusetts, July 21-October 25, 2020
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Saeed, Lin May 1973-2023 ; Malerei ; Zeichnung ; Tiere ; Tierplastik ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog
    Author information: Mütherich, Birgit 1959-2011
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_1748578960
    Format: 255 Seiten
    ISBN: 9783775750615
    Note: Im Buch: "This publication is produced on the occasion of 'Renée Green: Inevitable Distances' October 22, 2021-January 9, 2022 KW Institute for Contemporary Art" , Ausstellungsdaten ermittelt: Migros Museum für Gegenwartskunst 24.9.2022-8.1.2023
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Green, Renée 1959- ; Installation ; Videokunst ; Green, Renée 1959- ; Installation ; Videokunst ; Bildband ; Ausstellungskatalog
    Author information: Green, Renée 1959-
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  • 3
    UID:
    gbv_1858443660
    Format: 1 Online-Ressource (141 Seiten, 8 ungezählte Tafeln) , Illustrationen
    ISBN: 9783035627039
    Content: Intro -- Vorwort -- Dankeswort -- Inhaltsverzeichnis -- Über chinesische Gärten Teil 1 -- Über chinesische Gärten Teil 2 -- Über chinesische Gärten Teil 3 -- Über chinesische Gärten Teil 4 -- Über chinesische Gärten Teil 5 -- Nachwort -- Glossar.
    Additional Edition: ISBN 9783035626964
    Additional Edition: Erscheint auch als Druck-Ausgabe Chen, Congzhou, 1918 - 2000 Über chinesische Gärten Basel : Birkhäuser, 2023 ISBN 9783035626964
    Additional Edition: ISBN 3035626960
    Language: German
    Subjects: Art History
    RVK:
    Keywords: China ; Gartenkunst ; Geschichte
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  • 4
    Online Resource
    Online Resource
    London : Routledge, Taylor & Francis Group
    UID:
    gbv_176587579X
    Format: 1 Online-Ressource (329 Seiten)
    ISBN: 9781000434767
    Series Statement: China perspectives
    Content: Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- Introduction -- 0.1 Origin and Evolution -- 0.2 General Features -- 0.3 Research Methodology -- Notes -- 1 The Subject -- 1.1 Talents -- 1.1.1 Natural Talents -- 1.1.2 Individuality -- 1.1.3 Scholarly Accomplishments -- 1.1.4 Inspiration -- 1.2 Empty-Stillness -- 1.2.1 Artistic Creation in Empty-Stillness -- 1.2.2 Appreciation in Empty-Stillness -- 1.2.3 Stillness Derived From Non-Stillness -- 1.3 Artistic Creation -- 1.3.1 Nourishing of qi -- 1.3.2 Stir and Emotions -- 1.3.3 Enlightenment -- 1.3.4 Spirit Thought -- 1.4 Appreciation -- 1.4.1 Rhythm -- 1.4.2 Experience -- 1.4.3 Empathy -- Notes -- 2 Ontological Aspects of Art -- 2.1 Creative Construction -- 2.1.1 Studying From Nature -- 2.1.2 Enlightenment of the Mind -- 2.1.3 Beyond Form Resemblance -- 2.1.4 Unity of Artistry and Art -- 2.2 Structure -- 2.2.1 Language -- 2.2.2 Image -- 2.2.3 Spirit -- 2.2.4 Tao -- 2.3 Generative Composition -- 2.3.1 Empathy -- 2.3.2 Tacit Understanding of Subtleties -- 2.3.3 Recreation -- Notes -- 3 Aesthetic Traits -- 3.1 Rhythm and Meter -- 3.1.1 The Meaning of Rhythm and Meter -- 3.1.2 Emotional Rhythm -- 3.1.3 Subject-object Integration of Rhythm and Meter -- 3.2 Harmony -- 3.2.1 Tao of Nature -- 3.2.2 Harmonious Co-Existence -- 3.2.3 Integration of the Heart and Objects -- 3.2.4 Combining Toughness With Softness -- 3.3 Chronotope -- 3.3.1 Origin and Evolution of the Chronotope -- 3.3.2 Psychological Chronotope Versus Realistic Chronotope -- 3.3.3 Artistic Chronotope -- Notes -- 4 Artistic Representation of Chinese Art -- 4.1 Rhythm of Vital Energy -- 4.1.1 Connotation of Rhythm of Vital Energy -- 4.1.2 Form-spirit Relation -- 4.1.3 Basic Features -- 4.1.4 Creative Construction of the Rhythm of Vital Energy -- 4.2 Momentum of Genre -- 4.2.1 Spirit of Life.
    Additional Edition: ISBN 9781032069494
    Additional Edition: Erscheint auch als Druck-Ausgabe Zhu, Zhirong, 1961 - Philosophy of Chinese art Abingdon, Oxon : Routledge, 2022 ISBN 9781032069494
    Additional Edition: ISBN 9781032069500
    Language: English
    Subjects: Art History , Philosophy
    RVK:
    RVK:
    RVK:
    Keywords: China ; China ; Ontologie ; Ästhetik ; Kunst
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  • 5
    UID:
    gbv_1778932770
    Format: 151 Seiten
    ISBN: 9781735230511 , 1735230510
    Content: Foreword / Dan Byers and Mary Ceruti -- Candice Lin : Seeping, Rotting, Resting, Weeping - materials, process, and installation -- New intimate rituals for the after times / Dan Byers -- The cats shall inherit the earth : feline portals, tactile theaters, and speculative futures / Victoria Sung -- Warty pigs, cats, and other theorists / Julia Bryan-Wilson and Mel Y. Chen -- Selected exhibitions, 2012-2021 / Liv Porte
    Content: "Los Angeles-based artist Candice Lin (b. 1979) investigates the legacies of colonialism, racism, and sexism by mapping the trade routes and histories of a range of colonial goods. Co-organized by the Walker Art Center and the Carpenter Center for the Visual Arts at Harvard University, Candice Lin: Seeping, Rotting, Resting, Weeping is composed of a site-specific installation that responds to the space of the gallery at each institution, allowing the shape of the work to evolve over the course of its presentation. Anchored by a nomadic tent structure - simultaneously a temporary shelter and a quasi-religious temple - the exhibition includes hand-drawn and hand-printed indigo textiles, hand-built ceramic sculptures, plaster and concrete "tactile theaters", and a video animation that leads visitors through qigong breathing and movement exercises. Cats abound in the gallery space. From ceramic cats found curled up inside the tent to the video's animated cat demon, the exhibition proposes an animist worldview - one that asks us to shift our focus from the human to the more-than-human world. Ultimately, Lin encourages us to question our present, reenvision our futures, and embrace new ways of knowing the world" --Exhibition website
    Note: Titelblattrückseite: Published on the occasion of the exhibition "Candice Lin: Seeping, Rotting, Resting, Weeping" organized by the Carpenter Center for the Visual Arts, Havard University, and the Walker Art Center, Minneapolis, and curated by Dan Byers and Victoria Sung. Walker Art Center, Minneapolis August 5, 2021-January 2, 2022; Carpenter Center for the Visual Arts, Harvard University, February 4-April 10, 2022 , Includes bibliographical references
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Lin, Candice 1979- ; Keramik ; Installation ; Textilkunst ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog
    Author information: Bryan-Wilson, Julia 1973-
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  • 6
    UID:
    gbv_1868972879
    Format: 167 Seiten
    ISBN: 9781954947061 , 1954947062
    Content: Deploying science fiction, material feminism, eco-anarchism, queer theory and technoscience, New York-based artist A.K. Burns (born 1975) explores the fraught relationships between humanity and nature in an epic multimedia work, Negative Space (2015-23). This nonlinear allegory provokes questions about marginalized bodies, environmental fragility and technology. Developed as a cycle of four video installations, Negative Space imagines new relationships to the spaces we occupy and the impact of our bodies in these spaces through imagery, research and critical and creative writings. Set in a speculative present, the tetralogy envisions a new materialist cosmology wherein hierarchical relations are transformed.Exhibition: Wexner Center for the Arts, Columbus, USA (11.02-09.07.2023)
    Note: Seite [168]: This book was published on the occasion of the exhibition, "A.K. Burns: of space we are ..." on view at the Wexner Center, Columbus, Ohio, February 11-July 9, 2023
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: Burns, A. K. 1975- ; Video-Installation ; Frauenkunst ; Bildband ; Ausstellungskatalog
    Author information: Kelly, Karen J. 1964-
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  • 7
    UID:
    gbv_1795979143
    Format: 119 Seiten , 29.5 cm
    ISBN: 9788963032832 , 8963032833
    Note: Rückseite des Titelblattes: MMCA Cheongju Project 2021, Chen Dai Goang: Dreams of the Perfect City, September 2021 to 27 July 2022 , Text englisch und koreanisch
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: Ausstellungskatalog
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