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  • 1
    UID:
    b3kat_BV009724558
    Format: XI, 206 S. , Ill.
    ISBN: 0805793240 , 0805793356
    Series Statement: Twayne's filmmaker series
    Content: Americans have been fantastically preoccupied with rediscovery in recent years. Our rock 'n roll stars are as popular in their sixties as they were in the sixties, penny loafers are au courant, grass is once again the preferred carpet for our beloved ballparks, and scholars and moviegoers alike (not to mention the movie industry) have rediscovered the classic Hollywood studio film
    Content: Long despised as thoughtless fodder designed strictly for commercial purposes, the studio film is now viewed as among the most interesting and informative of cultural products available. Of all the classic forms of Hollywood cinema, though, perhaps the most intriguing and unusual is the edgy, blistering authentic postwar picture known as film noir
    Content: These morbid tales of criminality, fatal attraction, and social failure are now the subject of scholarly writing, international film festivals, and high-ticket Hollywood remakes
    Note: Filmogr. S. 192-197. - Selected bibliogr. S. 198-200
    Language: English
    Subjects: General works
    RVK:
    Keywords: Los Angeles- Hollywood ; Film noir
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  • 2
    UID:
    b3kat_BV001775582
    Format: 423 S.
    ISBN: 0404632033
    Series Statement: Georgia State literary studies 3
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Erzähltechnik ; Filmtheorie ; Filmkritik ; Film ; Erzählforschung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 3
    UID:
    b3kat_BV013793307
    Format: VII, 288 S. , Ill.
    ISBN: 0786409878
    Language: English
    Keywords: Mankiewicz, Joseph L. 1909-1993 ; Film ; Bibliografie ; Aufsatzsammlung ; Werkverzeichnis ; Bibliografie
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  • 4
    Book
    Book
    Urbana [u.a.] : Univ. of Illinois Press
    UID:
    b3kat_BV019529847
    Format: 207 S. , Ill. , 22 cm
    ISBN: 9780252029363 , 9780252071850 , 0252029364 , 0252071859
    Series Statement: Contemporary film directors
    Content: "With landmark films such as Fargo, O Brother Where art Thou?, Blood Simple, and Raising Arizona, the Coen brothers have achieved both critical and commercial success. Proving the existence of a viable market for "small" films that are also intellectually rewarding, their work has exploded generic conventions amid rich webs of transtextural references. In Joel and Ethan Coen, R. Barton Palmer argues that the Coen oeuvre also forms a central element in what might be called postmodernist filmmaking. Mixing high and low cultural sources and blurring genres like noir and comedy, the use of pastiche and anti-realist elements in films such as The Hudsucker Proxy and Barton Fink clearly fit the postmodernist paradigm. Palmer argues that for a full understanding of the Coen brothers unique position within film culture, it is important to see how they have developed a new type of text within general postmodernist practice that Palmer terms commercial/independent. Analyzing their substantial body of work from this "generic" framework is the central focus on this book."--Book cover.
    Note: Acknowledgments -- Introduction: a brief portrait of the Artists -- 1. A different meaning for the same old song: Blood simple -- 2. The Coen Brothers: postmodern filmmakers -- 3. Uncertainty principle: The Man who wasn't there -- 4. The exotic everyday: Fargo -- 5. The Artist, mass culture, and the Common Man: Barton Fink and Raising Arizona -- 6. Classic Hollywood redivivus: The Hudsucker Proxy and O Brother, where art thou ? -- the Coen Brothers Interviewed -- Filmography -- Selected Bibliography -- Index , Includes bibliographical references (p. [201]) and index
    Language: English
    Subjects: General works
    RVK:
    Keywords: Coen, Joel 1954- ; Coen, Ethan 1957-
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  • 5
    UID:
    gbv_645998346
    Format: VIII, 327 S. , Ill.
    ISBN: 1438437498 , 143843748X , 9781438437491 , 9781438437484
    Series Statement: SUNY series, horizons of cinema
    Note: Includes bibliographical references and index , Introduction , From stage to page , Hitchcock and The three pleasure gardens , Hitchcock and The Manxman: a Victorian bestseller on the silent screen , Blackmail: Charles Bennett and the decisive turn , The man who knew too much: Alfred Hitchcock, John Buchan and the thrill of the chase , Secret agent: coming in from the cold, Maugham style , The lady vanishes: but she won't go away , The trouble with Rebecca , Depth psychology on the surface: Hitchcock's Spellbound , Unrecognizable origins: The song of the dragon and Notorious , Morbid psychologies and so forth: The fine art of rope , Under a distemperate star: Under Capricorn (1949) , Bruno's game or the case of the sardonic psychopath , Alfred Hitchcock presents Dial m for murder: the submerged televisuality of a stage to big screen adaptation , The author of this claptrap: Cornell Woolrich, Alfred Hitchcock and Rear window , To catch a thief: light reading on a dark topic , Woman-as-death: Vertigo as source , Psycho: trust the tale , Thirteen ways of looking at The birds , A brief anatomy of Family plot
    Language: English
    Subjects: General works
    RVK:
    Keywords: Hitchcock, Alfred 1899-1980 ; Adaptation ; Aufsatzsammlung
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