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  • Undetermined  (4)
  • Filmuniversität Babelsberg  (4)
  • Hertie School
  • Christie, Ian  (4)
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  • Undetermined  (4)
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  • Filmuniversität Babelsberg  (4)
  • Hertie School
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  • 1
    UID:
    b3kat_BV048721143
    Format: [DVD-R] (35 , 40 ; 13 Min.) : s/w
    Series Statement: Early Russian Cinema Vol. 10
    Uniform Title: Early Russian Cinema
    Content: Between the February and October revolutions in 1917, Russian cinema reflected urgent new themes, as in "The Revolutionary". But Bauer also continued his vein of tragic melodrama in what was be his last film, "For Luck" - designed by and featuring as an actor the young Kuleshov. A poignant fragment, "Behind the Screen", shows the stars Mozzhukhin and Lisenko on the eve of their departure into exile [Cover]
    Content: "Behind the Screen" (Fragment) (Kulisy ekrana). Alternate title: " A Life destroyed by Pitiless Fate" (Razbita zhizn’ bezzhalostnoi sud’boi). Director/Screenplay: Georgii Azagarov (?) & Aleksandr Volkov (?) ... Production Company: Ermol’ev. Released November 28, 1917. Drama in 2 parts. [Only one reel preserved.] Cast: Ivan Mozzhukhin (Himself). Natalia Lisenko (Herself). Nikolai Panov (Studio director). Themselves: Lirskii, Iona Talanov, and Andrei Brei. [www.milestonefilms.com]
    Content: An anthology in ten volumes of Russian filmmaking from the early years of the 20th century. The films were rediscoved at the Pordenone Silent Film Festival in 1989. This selection was made by Ian Christie for an exhibition ‘Twilight of the Tsars’ at London’s Hayward Gallery in 1991. The films were transferred at appropriate running speeds, with improvised music by Neil Brand, and English subtitles by Julian Graffy of the School of Slavonic and European Studies, University of London. The collection includes adaptations of classic authors and examples of popular genres. (bfi)
    Note: Stummfilm mit russ. Zwischentiteln & engl. UT
    Language: Undetermined
    Keywords: DVD-Video
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    b3kat_BV048721142
    Format: [DVD-R] (16 , 65 ; 3 Min.) : s/w
    Series Statement: Early Russian Cinema Vol. 9
    Uniform Title: Early Russian Cinema
    Content: A panorama of Russian cinama's social at the height of its ambition. "Antosha Ruined by a Corset" (1916) is a racy, knowing urban comedy by Russia's leading screen comedian, Anton Fertner. "A Life for a Life" (1916) marked the pinnacle of Bauer's ambition to equal lavish foreign production standards. And The Funeral of Vera Kholodnaia recorded the vast public response to the early death of Russia's greatest star in 1919. [Cover]
    Content: Vera Wassiljewna Kholodnaya (1893-1919) war der erste Star des russischen Stummfilms [wikipedia.org]
    Content: An anthology in ten volumes of Russian filmmaking from the early years of the 20th century. The films were rediscoved at the Pordenone Silent Film Festival in 1989. This selection was made by Ian Christie for an exhibition ‘Twilight of the Tsars’ at London’s Hayward Gallery in 1991. The films were transferred at appropriate running speeds, with improvised music by Neil Brand, and English subtitles by Julian Graffy of the School of Slavonic and European Studies, University of London. The collection includes adaptations of classic authors and examples of popular genres. (bfi)
    Note: Stummfilm mit russ. Zwischentiteln & engl. UT
    Language: Undetermined
    Keywords: DVD-Video
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    UID:
    b3kat_BV048721138
    Format: [DVD-R] (37 , 18 ; 38 Min.) : s/w
    Series Statement: Early Russian Cinema Vol. 7
    Uniform Title: Early Russian Cinema
    Content: Evgenii Bauer is the major discoveryfrom early Russian cinema. In a mere five prolific years, he achieved mastery in several genres, including the social melodrama of "A Child of the Big City" (1913), erotic comedy like "The 1002nd Ruse" (1915) and the psychological melodrama of "Daydreams" (1915). Admired by his contemporaries, he raised Russian cinema to an unparalleled artistic level before his early death in mid-1917 [Cover]
    Content: Jewgeni Franzewitsch Bauer gehörte neben Jakow Protasanow zu den bedeutendsten und einflussreichsten Filmemachern des vorrevolutionären Russland. Er schuf Komödien, patriotische Kriegsfilme, Sozialdramen und vor allem psychologische Melodramen um die Themen "Liebe und Tod" mit tragischem Ausgang. Dabei setzte er intensiv filmische Mittel wie Rückblende, bewegte Kamera, Nahaufnahme, lichtdramaturgische Effekte und Split-Screen-Technik ein. Das Innenleben seiner Filmfiguren brachte er symbolistisch mittels Traumsequenzen und deren düsteren Visionen zum Ausdruck...In seiner nur vierjährigen Filmkarriere von 1913 bis 1917 schuf er 82 Filme von denen etwa ein Viertel die Zeiten überlebt hat. Einer seiner Assistenten und Schüler war der spätere Theoretiker und Regisseur des Sowjetfilms Lew Kuleschow. [wikipedia.org]
    Content: An anthology in ten volumes of Russian filmmaking from the early years of the 20th century. The films were rediscoved at the Pordenone Silent Film Festival in 1989. This selection was made by Ian Christie for an exhibition ‘Twilight of the Tsars’ at London’s Hayward Gallery in 1991. The films were transferred at appropriate running speeds, with improvised music by Neil Brand, and English subtitles by Julian Graffy of the School of Slavonic and European Studies, University of London. The collection includes adaptations of classic authors and examples of popular genres. (bfi)
    Note: Stummfilm mit russ. Zwischentiteln & engl. UT
    Language: Undetermined
    Keywords: DVD-Video
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    b3kat_BV048721137
    Format: [DVD-R] (30 , 64 Min.) : s/w
    Series Statement: Early Russian Cinema Vol. 6
    Uniform Title: Early Russian Cinema
    Content: Despite strict censorship intended to prevent any inflammatory material reaching the screen, many early Russian films achieved a remarkably candid portrayal of social conditions. Goncharov's "The Peasants' Lot" (1912) portrayed the hardship of rural life, while an early film by Bauer, "Silent Witness" (1914) dealt frankly with servants' views of their masters in a Moscow mansion. [www.worldcat.org]
    Content: An anthology in ten volumes of Russian filmmaking from the early years of the 20th century. The films were rediscoved at the Pordenone Silent Film Festival in 1989. This selection was made by Ian Christie for an exhibition ‘Twilight of the Tsars’ at London’s Hayward Gallery in 1991. The films were transferred at appropriate running speeds, with improvised music by Neil Brand, and English subtitles by Julian Graffy of the School of Slavonic and European Studies, University of London. The collection includes adaptations of classic authors and examples of popular genres. (bfi)
    Note: Stummfilm mit russ. Zwischentiteln & engl. UT
    Language: Undetermined
    Keywords: DVD-Video
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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