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  • 1
    UID:
    almafu_BV046630466
    Format: 1 DVD-Video (87 min) ; , 12 cm.
    Content: Once the centre of the New York bohemia, Greenwich Village is now home to lux restaurants, and buzzer door clothing stores catering to the nouveau riche. But one shop in the heart of the Village remains resilient to the encroaching gentrification: Carmine Street Guitars. There, custom guitar maker Rick Kelly and his young apprentice Cindy Hulej, build handcrafted guitars out of reclaimed wood from old hotels, bars, churches and other local buildings. Nothing looks or sounds quite like a Rick Kelly guitar, which is the reason they are embraced by the likes of Bob Dylan, Lou Reed, Patti Smith, Jim Jarmusch, just to name a few. Best Canadian Feature Film nominee at the Toronto International Film Festival. Official Selection at the Venice Film Festival and SXSW Film Festival.
    Note: Bildformat 1.85:1 (16:9). - Bonus: Kinotrailer, Real fiction Trailershow, Booklet. - Orig.: Kanada, 2018 , Englisch. - Untertitel: Deutsch, Englisch
    Language: English
    Keywords: Film ; DVD-Video ; Film ; DVD-Video
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Milton : Taylor & Francis Group
    UID:
    b3kat_BV049514884
    Format: 1 Online-Ressource (xii, 266 Seiten)
    Edition: 1st edition
    ISBN: 9781317441151
    Content: Conceptual Performance explores how the radical visual art that challenged material aesthetics in the 1960s and 1970s tested and extended the limits, character and concept of performance. Conceptual Performance sets out the history, theoretical basis, and character of this genre of work through a wide range of case studies. The volume considers how and why principal modes and agendas in Conceptual art in the 1960s and 1970s necessitated new engagements with performance, as well as expanded notions of theatricality. In doing so, this book reviews and challenges prevailing histories of Conceptual art through critical frameworks of performativity and performance. It also considers how Conceptual art adopted and redefined terms and tropes of theatre and performance: including score, document, embodiment, documentation, relic, remains, and the narrative recuperation of ephemeral work. While showing how performance has been integral to Conceptual art’s critiques of prevailing assumptions about art’s form, purpose, and meaning, this volume also considers the reach and influence of Conceptual performance into recent thinking and practice.
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-138-90764-5
    Language: English
    Keywords: Concept-art ; Performance ; Geschichte 1960-1980
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