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  • Online Resource  (4)
  • Filmuniversität Babelsberg  (4)
  • Geheimes Staatsarchiv
  • 1
    UID:
    b3kat_BV044051801
    Format: 1 online resource (276 pages)
    ISBN: 9789048523634 , 9789089646767
    Series Statement: The Key Debates: Mutations and Appropriations in European Film Studies
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: Erscheint auch als Druck-Ausgabe Mulvey, Laura Feminisms : Diversity, Difference and Multiplicity in Contemporary Film Cultures
    Language: English
    Keywords: Film ; Feminismus ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press
    UID:
    b3kat_BV044763825
    Format: 1 online resource (170 pages)
    ISBN: 9780748693610
    Series Statement: Edinburgh studies in film and intermediality
    Content: Examines crisis, transition and metamorphosis in American independent cinema. By examining six films, all of which conform to the notion of 'indiewood' (King 2005) from a formal perspective, this book argues that American 'indie' cinema is not one merely in crisis, but also of crisis. As a cinema that draws upon an American cinematic heritage that explores various rites of passage (the teen movie, the road movie, the western), these films deal in images of crisis, transition and metamorphosis. This cinema of crisis offers surprisingly subversive and critical images that both engage with and undermine modes of cliched representation and thought by exploring notions of ambiguity and opacity.Key Features: Case studies include: The Virgin Suicides , Elephant , Dead Man , Last Days , Somewhere and Broken Flowers * Engages with and develops on recent scholarship on American independent film from a formal perspective * Situates analysis of indie film within the context of American generic cinematic (and historical) traditions
    Note: Title from publisher's bibliographic system (viewed on 29 Sep 2017) , Adolescence: Sofia Coppola's The Virgin Suicides (1999) -- Adolescence: Gus Van Sant's Elephant (2003) -- Death: Jim Jarmusch's Dead Man (1994) -- Death: Gus Van Sant's Last Days (2004) -- Life-crisis: Sofia Coppola's Somewhere (2011) -- Life-crisis: Jim Jarmusch's Broken Flowers (2005) -- Conclusion: the crisis image - mumblecore and beyond
    Additional Edition: Erscheint auch als Druck-Ausgabe, hardback ISBN 9780748693603
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Coppola, Sofia 1971- ; Jarmusch, Jim 1953- ; Van Sant, Gus 1952- ; USA ; Unabhängiger Film ; Krise ; Erwachsenwerden ; Übergangsritus
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 3
    Online Resource
    Online Resource
    New York, NY : Columbia University Press
    UID:
    b3kat_BV046090025
    Format: 1 online resource , 65 b&w illustrations
    ISBN: 9780231548038
    Series Statement: Film and Culture Series
    Content: Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema's golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced.Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of "classical" Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers's history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019) , In English
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover Rogers, Ariel, author On the screen New York : Columbia University Press, [2019] ISBN 978-0-231-18884-5
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback Rogers, Ariel, author On the screen New York : Columbia University Press, [2019] ISBN 978-0-231-18885-2
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Filmwirtschaft ; Technische Innovation ; USA ; Geschichte 1900-1999 ; Filmproduktion ; Geschichte 1926-1942
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 4
    Online Resource
    Online Resource
    New York : Columbia University Press
    UID:
    b3kat_BV044062834
    Format: 1 Online-Ressource , Illustrationen
    ISBN: 9780231535786
    Additional Edition: Erscheint auch als Druckausgabe ISBN 978-0-231-15917-3
    Language: English
    Subjects: General works
    RVK:
    Keywords: USA ; Film ; Technische Innovation ; Rezeption ; Geschichte 1950-2010 ; Filmtechnik ; Kino ; Geschichte 1950-2010
    Library Location Call Number Volume/Issue/Year Availability
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